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Author: Smithsonian Institution. Traveling Exhibition Service
Publisher:
ISBN:
Category : Art objects, Iranian
Languages : en
Pages : 204
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Book Description
737 catalogued objects were on view, dating from prehistoric times to the late 19th century and including pottery, metalwork of bronze, gold, and silver, weapons and jewelry, paintings, carpets, and textiles. The exhibition was made up of some 500 objects from the collection of Mohssen Foroughi, brother of the Iranian ambassador to the United States, and some 200 pieces selected from the archaeological museum in Tehran by Richard Ettinghausen. The Foroughi collection had been shown in 6 European museums in 1961-1963 (Sept Mille Ans d'Art en Iran). 12 objects considered to be of doubtful authenticity were withdrawn. The show was opened by the Shah and the Empress Farah, who were in Washington to discuss increased foreign aid to Iran with President Lyndon Johnson.
Author: Smithsonian Institution. Traveling Exhibition Service
Publisher:
ISBN:
Category : Art objects, Iranian
Languages : en
Pages : 204
Get Book Here
Book Description
737 catalogued objects were on view, dating from prehistoric times to the late 19th century and including pottery, metalwork of bronze, gold, and silver, weapons and jewelry, paintings, carpets, and textiles. The exhibition was made up of some 500 objects from the collection of Mohssen Foroughi, brother of the Iranian ambassador to the United States, and some 200 pieces selected from the archaeological museum in Tehran by Richard Ettinghausen. The Foroughi collection had been shown in 6 European museums in 1961-1963 (Sept Mille Ans d'Art en Iran). 12 objects considered to be of doubtful authenticity were withdrawn. The show was opened by the Shah and the Empress Farah, who were in Washington to discuss increased foreign aid to Iran with President Lyndon Johnson.
Author: Yuka Kadoi
Publisher: BRILL
ISBN: 900430990X
Category : History
Languages : en
Pages : 441
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Book Description
In Arthur Upham Pope and A New Survey of Persian Art, fourteen scholars explore the legacy of Arthur Upham Pope (1881–1969) by tracing the formation of Persian art scholarship and connoisseurship during the twentieth century. Widely considered as a self-made scholar, curator, and entrepreneur, Pope was credited for establishing the basis of what we now categorize broadly as Persian art. His unrivalled professional achievement, together with his personal charisma, influenced the way in which many scholars and collectors worldwide came to understand the art, architecture and material culture of the Persian world. This ultimately resulted in the establishment of the aesthetic criteria for assessing the importance of cultural remains from modern-day Iran. With contributions by Lindsay Allen, Sheila S. Blair, Jonathan M. Bloom, Talinn Grigor, Robert Hillenbrand, Yuka Kadoi, Sumru Belger Krody, Judith A. Lerner, Kimberly Masteller, Cornelia Montgomery, Bernard O’Kane, Keelan Overton, Laura Weinstein, and Donald Whitcomb.
Author: Kathleen Berrin
Publisher: Rowman & Littlefield
ISBN: 1538134098
Category : Art
Languages : en
Pages : 389
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Book Description
The uneasy relationship between the arts, US art museums, and the federal government has not been thoroughly explored by scholars. This book focuses on the development of “national diplomacy exhibitions” during World War II and the early Cold War and explains how the War provided the government with an impetus to create a national arts policy. It discusses how national diplomacy exhibitions on US soil were deployed as persuasive tools to influence public opinion, to reconcile discrepancies between high art and democracy, and to resolve America’s lagging art status and difficulties with “the foreign.” The type of soft diplomacy that art museums provide by initiating national diplomacy exhibitions has not received emphasis in the scholarly community and art museums have essentially been ignored in cultural studies of the early Cold War. Scholarly analysis of museum exhibitions in the last quarter of the 20th century is now a popular topic, but investigations of exhibitions between 1939-1960 have been thin. By scrutinizing major exhibitions during those formative years this book takes a new perspective and examines the foundational development of the so-called “blockbuster” exhibition stimulated by World War II. The book will interest readers in visual studies, history, museums, cultural affairs, government, and international diplomacy.
Author:
Publisher: UM Libraries
ISBN:
Category : Art, East Asian
Languages : en
Pages : 626
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Book Description
Author: Martha Drexler Lynn
Publisher: Yale University Press
ISBN: 0300212739
Category : Art
Languages : en
Pages : 433
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Book Description
A landmark survey of the formative years of American studio ceramics and the constellation of people, institutions, and events that propelled it from craft to fine art
Author: Eva Baer
Publisher: State University of New York Press
ISBN: 0791495574
Category : History
Languages : en
Pages : 400
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Book Description
Author: United States. Bureau of Educational and Cultural Affairs
Publisher:
ISBN:
Category : Exchange of persons programs, American
Languages : en
Pages : 152
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Book Description
Author: United States. Department of State
Publisher:
ISBN:
Category : Cultural relations
Languages : en
Pages : 156
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Book Description
Author: United States. Bureau of Educational and Cultural Affairs
Publisher:
ISBN:
Category : Exchange of persons programs, American
Languages : en
Pages : 152
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Book Description
Author: Roham Alvandi
Publisher: Gingko Library
ISBN: 1909942197
Category : History
Languages : en
Pages : 409
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Book Description
Fully incorporates Pahlavi Iran into the global history of the 1960s and ’70s, when Iran mattered far beyond its borders. The reign of the last Shah of Iran, Mohammad Reza Pahlavi (1941–79), marked the high point of Iran’s global interconnectedness. Never before had Iranians felt the impact of global political, social, economic, and cultural forces so intimately in their national and daily lives, nor had Iranian actors played such an important global role – on battlefields, barricades, and in board rooms far beyond Iran’s borders. Iranian intellectuals, technocrats, politicians, workers, artists, and students alike were influenced by the global ideas, movements, markets, and conflicts that they also helped to shape. From the launch of the Shah’s White Revolution in 1963 to his overthrow in the popular revolution of 1978–79, Iran saw the longest period of sustained economic growth that the country had ever experienced. An entire generation took its cue from the shift from oil consumption to oil production to dream of, and aspire to, a modernized Iran, and the history of Iran in this period has tended to be presented as a prologue to the revolution. Those histories usually locate the political, social, and cultural origins of the revolution firmly within a national context, into which global actors intruded as Iranian actors retreated. While engaging with that national narrative, this volume is concerned with Iran’s place in the global history of the 1960s and ’70s. It examines and highlights the transnational threads that connected Pahlavi Iran to the world, from global traffic in modern art and narcotics to the embrace of American social science by Iranian technocrats and the encounter of European intellectuals with the Iranian Revolution.
