Author: Anton Pavlovich Chekhov
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822216452
Category : Drama
Languages : en
Pages : 108
Book Description
THE STORIES: SWAN SONG. An actor wakes up with a hangover, locked in the theater after the evening's performance. He is terrified when he thinks a ghost appears, but it is only the theater's prompter. The actor tells him stories of his life and als
7 Short Farces
Author: Anton Pavlovich Chekhov
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822216452
Category : Drama
Languages : en
Pages : 108
Book Description
THE STORIES: SWAN SONG. An actor wakes up with a hangover, locked in the theater after the evening's performance. He is terrified when he thinks a ghost appears, but it is only the theater's prompter. The actor tells him stories of his life and als
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822216452
Category : Drama
Languages : en
Pages : 108
Book Description
THE STORIES: SWAN SONG. An actor wakes up with a hangover, locked in the theater after the evening's performance. He is terrified when he thinks a ghost appears, but it is only the theater's prompter. The actor tells him stories of his life and als
Farce
Author: Jessica Milner Davis
Publisher: Routledge
ISBN: 1351520237
Category : Performing Arts
Languages : en
Pages : 274
Book Description
Farce has always been relegated to the lowest rung of the ladder of dramatic genres. Distinctions between farce and more literary comic forms remain clouded, even in the light of contemporary efforts to rehabilitate this type of comedy. Is farce really nothing more than slapstick-the "putting out of candles, kicking down of tables, falling over joynt-stools," as Thomas Shadwell characterized it in the seventeenth century? Or was his contemporary, Nahum Tate correct when he declared triumphantly that "there are no rules to be prescribed for that sort of wit, no patterns to copy; and 'tis altogether the creature of imagination"? Davis shows farce to be an essential component in both the comedic and tragic traditions. Farce sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all. The result is a novel classification of farce-plots, which serves to clarify the differences between farce and more literary comic forms and to show how quickly farce can shade into other styles of humor. The key is a careful balance between a revolt against order and propriety, and a kind of Realpolitik which ultimately restores the social conventions under attack. A complex array of devices in such things as framing, plot, characterization, timing and acting style maintain the delicate balance. Contemporary examples from the London stage bring the discussion u
Publisher: Routledge
ISBN: 1351520237
Category : Performing Arts
Languages : en
Pages : 274
Book Description
Farce has always been relegated to the lowest rung of the ladder of dramatic genres. Distinctions between farce and more literary comic forms remain clouded, even in the light of contemporary efforts to rehabilitate this type of comedy. Is farce really nothing more than slapstick-the "putting out of candles, kicking down of tables, falling over joynt-stools," as Thomas Shadwell characterized it in the seventeenth century? Or was his contemporary, Nahum Tate correct when he declared triumphantly that "there are no rules to be prescribed for that sort of wit, no patterns to copy; and 'tis altogether the creature of imagination"? Davis shows farce to be an essential component in both the comedic and tragic traditions. Farce sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all. The result is a novel classification of farce-plots, which serves to clarify the differences between farce and more literary comic forms and to show how quickly farce can shade into other styles of humor. The key is a careful balance between a revolt against order and propriety, and a kind of Realpolitik which ultimately restores the social conventions under attack. A complex array of devices in such things as framing, plot, characterization, timing and acting style maintain the delicate balance. Contemporary examples from the London stage bring the discussion u
Plays for Amateurs
Author: Drama League of America
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 38
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 38
Book Description
Outlines of the Life of William Bestow
Author: Ben William Watkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 298
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 298
Book Description
The Illustrated review
Author: Illustrated review
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
Book Description
What Comes After Farce?
Author: Hal Foster
Publisher: Verso Books
ISBN: 1804295930
Category : Art
Languages : en
Pages : 225
Book Description
Surveying the artistic and cultural scene in the era of Trump In a world where truth is cast in doubt and shame has gone missing, what are artists and critics on the left to do? How to demystify a political order that laughs away its own contradictions? How to mock leaders who thrive on the absurd? And why, in any event, offer more outrage to a media economy that feeds on the same? Such questions are grist to the mill of Hal Foster, who, in What Comes after Farce?, delves into recent developments in art, criticism, and fiction under the current regime of war, surveillance, extreme inequality, and media disruption. Concerned first with the cultural politics of emergency since 9/11, including the use and abuse of trauma, conspiracy, and kitsch, he moves on to consider the neoliberal makeover of aesthetic forms and art institutions during the same period. A final section surveys signal transformations in art, film, and writing. Among the phenomena explored are machine vision (images produced by machines for other machines without a human interface), operational images (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information that pervades our everyday lives. If all this sounds dire, it is. In many respects we look out on a world that has moved, not only politically but also technologically, beyond our control. Yet Foster also sees possibility in the current debacle: the possibility to pressure the cracks in this order, to turn emergency into change.
Publisher: Verso Books
ISBN: 1804295930
Category : Art
Languages : en
Pages : 225
Book Description
Surveying the artistic and cultural scene in the era of Trump In a world where truth is cast in doubt and shame has gone missing, what are artists and critics on the left to do? How to demystify a political order that laughs away its own contradictions? How to mock leaders who thrive on the absurd? And why, in any event, offer more outrage to a media economy that feeds on the same? Such questions are grist to the mill of Hal Foster, who, in What Comes after Farce?, delves into recent developments in art, criticism, and fiction under the current regime of war, surveillance, extreme inequality, and media disruption. Concerned first with the cultural politics of emergency since 9/11, including the use and abuse of trauma, conspiracy, and kitsch, he moves on to consider the neoliberal makeover of aesthetic forms and art institutions during the same period. A final section surveys signal transformations in art, film, and writing. Among the phenomena explored are machine vision (images produced by machines for other machines without a human interface), operational images (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information that pervades our everyday lives. If all this sounds dire, it is. In many respects we look out on a world that has moved, not only politically but also technologically, beyond our control. Yet Foster also sees possibility in the current debacle: the possibility to pressure the cracks in this order, to turn emergency into change.
First As Tragedy, Then As Farce
Author: Slavoj Žižek
Publisher: Verso
ISBN: 1844674282
Category : Business & Economics
Languages : en
Pages : 165
Book Description
From the tragedy of 9/11 to the farce of the financial meltdown.
Publisher: Verso
ISBN: 1844674282
Category : Business & Economics
Languages : en
Pages : 165
Book Description
From the tragedy of 9/11 to the farce of the financial meltdown.
The Champion of Her Sex
Author: George Melville Baker
Publisher:
ISBN:
Category :
Languages : en
Pages : 772
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 772
Book Description
The Theatre
Author:
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 380
Book Description
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 380
Book Description
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
The Theater
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
Book Description