64. Mostra internazionale d'arte cinematografica PDF Download
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Author:
Publisher:
ISBN:
Category : Film festivals
Languages : it
Pages : 340
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Book Description
Author:
Publisher:
ISBN:
Category : Film festivals
Languages : it
Pages : 340
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Book Description
Author:
Publisher:
ISBN:
Category : Film festivals
Languages : it
Pages : 350
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Book Description
Author:
Publisher: Mondadori Electa
ISBN:
Category : Art
Languages : it
Pages : 318
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Book Description
Il catalogo della mostra, curato da un team di critici di livello internazionale, rappresenta un importante strumento di studio ed è integrato da circa 250 immagini tratte dai film in gara. La mostra veneziana è uno degli eventi più importanti a livello internazionale. Particolare attenzione verrà rivolta all'aspetto qualitativo che caratterizzerà anche la fase di selezione dei film. La settima arte, da sempre amata e apprezzata dal pubblico più vario, viene anche in questa occasione valorizzata dal catalogo della critica. Nomi di prestigio, interviste esclusive e saggi inediti testimoniano i film e i temi scelti per questa importante rassegna. Annotation Supplied by Informazioni Editoriali
Author: Matthew Edwards
Publisher: McFarland
ISBN: 1476625085
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
With more than 130 films and a career spanning four decades, Klaus Kinski (1926-1991) was one of the most controversial actors of his generation. Known for his wild tantrums on set and his legendary collaborations with auteur Werner Herzog--Aguirre, the Wrath of God (1972), Nosferatu the Vampyre (1979)--Kinski's intense performances made him the darling of European arthouse and exploitation/horror cinema. A genius in front of the camera, he was capable of lighting up the most risible films. Yet behind his public persona lurked a depraved man who took his art to the darkest extremes. This first ever collection of essays focusing on Kinski examines his work in exploitation and art house films and spaghetti westerns, along with his performances in such cult classics as Doctor Zhivago (1965), Crawlspace (1986), Venus in Furs (1965), The Great Silence (1968), Android (1982) and his only directorial credit, Paganini (1989). More than 50 reviews of Kinski's films are included, along with exclusive interviews with filmmakers and actors who worked with him.
Author: Benjamin G. Martin
Publisher: Harvard University Press
ISBN: 0674545745
Category : Biography & Autobiography
Languages : en
Pages : 381
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Book Description
Following France’s defeat, the Nazis moved forward with plans to reorganize a European continent now largely under Hitler’s heel. Some Nazi elites argued for a pan-European cultural empire to crown Hitler’s conquests. Benjamin Martin charts the rise and fall of Nazi-fascist soft power and brings into focus a neglected aspect of Axis geopolitics.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 616
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Book Description
Includes entries for maps and atlases.
Author: Anna Koch, Stephan Stach
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110672774
Category :
Languages : en
Pages : 356
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Book Description
Author:
Publisher: Il Castoro
ISBN: 9788880332138
Category : Performing Arts
Languages : en
Pages : 356
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Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 658
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Author: Jacqueline Reich
Publisher: Indiana University Press
ISBN: 9780253215185
Category : History
Languages : en
Pages : 388
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Book Description
When Benito Mussolini proclaimed that "Cinema is the strongest weapon," he was telling only half the story. In reality, very few feature films during the Fascist period can be labeled as propaganda. Re-viewing Fascism considers the many films that failed as "weapons" in creating cultural consensus and instead came to reflect the complexities and contradictions of Fascist culture. The volume also examines the connection between cinema of the Fascist period and neorealism—ties that many scholars previously had denied in an attempt to view Fascism as an unfortunate deviation in Italian history. The postwar directors Luchino Visconti, Roberto Rossellini, and Vittorio de Sica all had important roots in the Fascist era, as did the Venice Film Festival. While government censorship loomed over Italian filmmaking, it did not prevent frank depictions of sexuality and representations of men and women that challenged official gender policies. Re-viewing Fascism brings together scholars from different cultural and disciplinary backgrounds as it offers an engaging and innovative look into Italian cinema, Fascist culture, and society.
