525 New and Inspiring Scrapbooking Sketches! | Scrapbook Ideas & Layouts

525 New and Inspiring Scrapbooking Sketches! | Scrapbook Ideas & Layouts PDF Author: Anna Lyons | Scrapbooking Coach
Publisher: Scrapbooking Coach
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 114

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Book Description
Discover hundreds of scrapbook page ideas and layouts inside this instantly downloadable ebook! Hundreds of gorgeous looking page ideas at your fingertips. Get inspired today!

525 New and Inspiring Scrapbooking Sketches! | Scrapbook Ideas & Layouts

525 New and Inspiring Scrapbooking Sketches! | Scrapbook Ideas & Layouts PDF Author: Anna Lyons | Scrapbooking Coach
Publisher: Scrapbooking Coach
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 114

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Book Description
Discover hundreds of scrapbook page ideas and layouts inside this instantly downloadable ebook! Hundreds of gorgeous looking page ideas at your fingertips. Get inspired today!

Scrapbook Page Maps

Scrapbook Page Maps PDF Author: Becky Fleck
Publisher: Memory Makers
ISBN: 9781599630168
Category : Crafts & Hobbies
Languages : en
Pages : 128

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Book Description
Scrapbook Page Maps takes the guesswork out of where to begin by giving plenty of design ideas for their scrapbook layouts! By referring to the sketches in the book, you can select photos, papers and embellishments and then bring the page together quickly and easily. Helpful resource information such as a supply list and photo sizes are included on each card, along with page information cross-referencing the sketch back to the book. Scrapbook Page Maps is the essential book for beginning scrapbookers as well as those short on time. And you get more than just an inspiring, design-filled idea book! Also included is a deck of laminated cards that includes a thumbnail of many of the sketches in the book along with corresponding finished layouts.

Drawing Lab for Mixed-Media Artists

Drawing Lab for Mixed-Media Artists PDF Author: Carla Sonheim
Publisher: Quarry Books
ISBN: 1610580966
Category : Art
Languages : en
Pages : 145

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Book Description
Carla Sonheim is an artist and creativity workshop instructor known for her fun and innovative projects and techniques designed to help adult students recover a more spontaneous, playful approach to creating. Her innovative ideas are now collected and elaborated on in this unique volume. Carla offers a year's worth of assignments, projects, ideas, and techniques that will introduce more creativity and nonsense into your art and life. Drawing Lab for Mixed-Media Artists offers readers a fun way to learn and gain expertise in drawing through experimentation and play. There is no right or wrong result, yet, the readers gain new skills and confidence, allowing them to take their work to a new level.

HTML5

HTML5 PDF Author: Adam McDaniel
Publisher: John Wiley & Sons
ISBN: 111820476X
Category : Computers
Languages : en
Pages : 386

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Book Description
Use the latest version of HTML to create dynamic Web pages HTML5 is the latest iteration of the standard markup language for creating Web pages. It boasts extensive updates from its predecessor and allows you to incorporate rich media content into a site without any dependence on extra software such as Flash. Packed with hundreds of screen shots, this visual guide introduces you to the many new features and abilities of HTML5 and shows you the many exciting new possibilities that exist for designing dynamic Web pages. Offers visual learners a solid reference on HTML5, the latest version of the standard markup language for designing Web pages Demonstrates how to use HTML5 to create Web pages that feature the latest in rich media content Provides easy-to-understand examples that cover a variety of topics to get you up and running with HTML5 Features a companion Web site that contains all the code needed to learn HTML5 HTML5: Your visual blueprint for designing effective Web pages opens your eyes to the world of possibilities that exist with the new version of the popular markup language. Adam R. McDaniel is a Web developer, technical architect, and security analyst, who has contributed to the Linux Kernel.

One Drawing A Day

One Drawing A Day PDF Author: Veronica Lawlor
Publisher:
ISBN: 1592537243
Category : Art
Languages : en
Pages : 130

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Book Description
DIVThrough 46 daily exercises which make up a complete 6-week course, you will keep your artistic skills sharp and your imaginations fertile by doing One Drawing A Day. Each spread in the book features a beautiful drawing by one of 8 professional illustrators, with a description and comments by the illustrator as well as a companion exercise. Each exercise includes suggestions for various mediums or mixed-media solutions, advice on how to approach and execute the drawing, as well as professional tips. The book also includes exercises designed to spark new ideas and increase creativity./div

Page Patterns

Page Patterns PDF Author: Cheryl Bradbury
Publisher:
ISBN: 9781441405814
Category : Scrapbooks
Languages : en
Pages : 0

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Book Description
"Page Patterns" is for every level of Scrapbooker. That painfully annoying disease afflicting all us scrapbookers called, "Layout Block" is to be a thing of the past. This terrific new book loaded with 601 patterns; 215 Single & 386 Double Page Pattern ideas, you are soon to be cured & on the road to recovery. You will find easy-to-use, simple & fun pattern ideas & no distracting advertisements or sidebars listing every maker of every item used by someone else on their sample layout. "Page Patterns" enables you to imagine your own photos in the patterns as you browse through the hundreds of samples available. With every pattern you get paper & embellishment ideas helping you to visualize the many options & variations that can be flipped, rotated & tweaked to fit your own photos. The Single Page Patterns have ideas for layouts with 1 to 12 photos and the Double Page Patterns have ideas for 2 to 35 photos. Your imagination with this book is simply limitless.

The Collected Works of Jim Morrison

The Collected Works of Jim Morrison PDF Author: Jim Morrison
Publisher: HarperCollins
ISBN: 0063028980
Category : Biography & Autobiography
Languages : en
Pages : 770

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Book Description
NEW YORK TIMES BESTSELLER The definitive anthology of Jim Morrison's writings with rare photographs and numerous handwritten excerpts of unpublished and published poetry and lyrics from his 28 privately held notebooks. You can also hear Jim Morrison’s final poetry recording, now available for the first time, on the CD or digital audio edition of this book, at the Village Recorder in West Los Angeles on his twenty-seventh birthday, December 8, 1970. The audio book also includes performances by Patti Smith, Oliver Ray, Liz Phair, Tom Robbins, and others reading Morrison’s work. Created in collaboration with Jim Morrison’s estate and inspired by a posthumously discovered list entitled “Plan for Book,” The Collected Works of Jim Morrison is an almost 600-page anthology of the writings of the late poet and iconic Doors’ front man. This landmark publication is the definitive opus of Morrison’s creative output—and the book he intended to publish. Throughout, a compelling mix of 160 visual components accompanies the text, which includes numerous excerpts from his 28 privately held notebooks—all written in his own hand and published here for the first time—as well as an array of personal images and commentary on the work by Morrison himself. This oversized, beautifully produced collectible volume contains a wealth of new material—poetry, writings, lyrics, and audio transcripts of Morrison reading his work. Not only the most comprehensive book of Morrison’s work ever published, it is immersive, giving readers insight to the creative process of and offering access to the musings and observations of an artist whom the poet Michael McClure called “one of the finest, clearest spirits of our times.” This remarkable collector’s item includes: Foreword by Tom Robbins; introduction and notes by editor Frank Lisciandro that provide insight to the work; prologue by Anne Morrison Chewning Published and unpublished work and a vast selection of notebook writings The transcript, the only photographs in existence, and production notes of Morrison’s last poetry recording on his twenty-seventh birthday The Paris notebook, possibly Morrison’s final journal, reproduced at full reading size Excerpts from notebooks kept during his 1970 Miami trial The shooting script and gorgeous color stills from the never-released film HWY Complete published and unpublished song lyrics accompanied by numerous drafts in Morrison’s hand Epilogue: “As I Look Back”: a compelling autobiography in poem form Family photographs as well as images of Morrison during his years as a performer

Tinkerlab

Tinkerlab PDF Author: Rachelle Doorley
Publisher: Shambhala
ISBN: 083482986X
Category : Science
Languages : en
Pages : 243

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Book Description
Encourage tinkering, curiosity, and creative thinking in children of all ages with these 55 hands-on activities that explore art, science, and more The creator of the highly popular creativity site for kids, Tinkerlab.com, now delivers dozens of engaging, kid-tested, and easy-to-implement projects that will help parents and teachers bring out the natural tinkerer in every kid—even babies, toddlers, and preschoolers. The creative experiments shared in this book foster curiosity, promote creative and critical thinking, and encourage tinkering—mindsets that are important to children growing up in a world that values independent thinking. In addition to offering a host of activities that parents and teachers can put to use right away, this book also includes a buffet of recipes (magic potions, different kinds of play dough, silly putty, and homemade butter) and a detailed list of materials to include in the art pantry.

The Creative Self

The Creative Self PDF Author: Maciej Karwowski
Publisher: Academic Press
ISBN: 0128099054
Category : Psychology
Languages : en
Pages : 420

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Book Description
The Creative Self reviews and summarizes key theories, studies, and new ideas about the role and significance self-beliefs play in one's creativity. It untangles the interrelated constructs of creative self-efficacy, creative metacognition, creative identity, and creative self-concept. It explores how and when creative self-beliefs are formed as well as how creative self-beliefs can be strengthened. Part I discusses how creativity plays a part in one's self-identity and its relationship with free will and efficacy. Part II discusses creativity present in day-to-day life across the lifespan. Part III highlights the intersection of the creative self with other variables such as mindset, domains, the brain, and individual differences. Part IV explores methodology and culture in relation to creativity. Part V, discusses additional constructs or theories that offer promise for future research on creativity. - Explores how beliefs about one's creativity are part of one's identity - Investigates the development of self-beliefs about creativity - Identifies external and personality factors influencing self-beliefs about creativity - Incorporates worldwide research with cross-disciplinary contributors

The Notebooks of Leonardo Da Vinci (Complete)

The Notebooks of Leonardo Da Vinci (Complete) PDF Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118

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Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.