500 Best-Loved Song Lyrics PDF Download
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Author: Ronald Herder
Publisher: Courier Corporation
ISBN: 0486171523
Category : Music
Languages : en
Pages : 434
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Book Description
Complete lyrics for well-known folk songs, hymns, popular and show tunes, more. Oh Susanna, The Battle Hymn of the Republic, When Johnny Comes Marching Home, hundreds more. Indispensable for singalongs, parties, family get-togethers, etc.
Author: Ronald Herder
Publisher: Courier Corporation
ISBN: 0486171523
Category : Music
Languages : en
Pages : 434
Get Book Here
Book Description
Complete lyrics for well-known folk songs, hymns, popular and show tunes, more. Oh Susanna, The Battle Hymn of the Republic, When Johnny Comes Marching Home, hundreds more. Indispensable for singalongs, parties, family get-togethers, etc.
Author: Ronald Herder
Publisher: Courier Corporation
ISBN: 048629725X
Category : Music
Languages : en
Pages : 434
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Book Description
Wonderful compendium of complete lyrics for well-known folk songs, hymns and spirituals, nursery songs, popular and show tunes, etc. Includes Oh Susanna, The Battle Hymn of the Republic, Shenandoah, Swing Low, Sweet Chariot, A Pretty Girl Is Like a Melody, hundreds more. Indispensable for singalongs, parties, family get-togethers, more.
Author: Theodore Raph
Publisher: Courier Corporation
ISBN: 0486252221
Category : Music
Languages : en
Pages : 418
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Book Description
Wonderful sing-along favorites with easy-to-play piano arrangements, guitar chords, and complete lyrics: "Greensleeves," "Auld Lang Syne," "Down in the Valley," "My Wild Irish Rose," "Yellow Rose of Texas," and many more.
Author: George Frideric Handel
Publisher: Courier Corporation
ISBN: 0486277445
Category : Music
Languages : en
Pages : 281
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Book Description
The dramatic overture had its beginnings in Renaissance court entertainments, which often began with a flourish of trumpets. It reached a high point of inspiration in the overtures that George Frideric Handel (1685 1759) composed for his operas and oratorios. This volume presents 60 Handel overtures and sinfonias, originally scored for orchestra, superbly arranged for solo keyboard. They have been reprinted from an extremely rare edition originally printed, probably in the 1750s, by Handel's London publisher, John Walsh. Happily, these brilliant works have lost nothing in translation of their Handelian vitality and interest. Many of them, such as the overtures to "Messiah, Acis and Galatea, Alexander s Feast, Julius Caesar, "the second overture in "Solomon" (known as the "Arrival of the Queen of Sheba"), and the so-called Water Musick, are very familiar to music lovers. Some will be fresh discoveries for keyboard players. Together they demonstrate Handel s exciting theatrical sense, his technical virtuosity in composition, and his dazzling mastery of musical forms, which he often combined into his own unique creations. This edition preserves the original keyboard notation, amazingly precise in its elegant execution and, of course, entirely legible to present-day performers."
Author: Scott Joplin
Publisher: Courier Corporation
ISBN: 0486258076
Category : Music
Languages : en
Pages : 209
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Book Description
Reprinted from the publishers' original editions, offers all thirty-eight piano rags by the respected master of the form, along with the original sheet music covers.
Author: Benjamin S. Schoening
Publisher: Lexington Books
ISBN: 0739172999
Category : Political Science
Languages : en
Pages : 313
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Book Description
In this insightful, erudite history of presidential campaign music, musicologist Benjamin Schoening and political scientist Eric Kasper explain how politicians use music in American presidential campaigns to convey a range of political messages. From “Follow Washington” to “I Like Ike” to “I Got a Crush on Obama,” they describe the ways that song use by and for presidential candidates has evolved, including the addition of lyrics to familiar songs, the current trend of using existing popular music to connect with voters, and the rapid change of music’s relationship to presidential campaigns due to Internet sites like YouTube, JibJab, and Facebook. Readers are ultimately treated to an entertaining account of American political development through popular music and the complex, two-way relationship between music and presidential campaigns.
Author: Franz Liszt
Publisher: Courier Corporation
ISBN: 0486497313
Category : Music
Languages : en
Pages : 212
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Book Description
Original collection features Liszt's interpretations of his own "Totentanz" plus Saint-Saens' "Danse Macabre, " Berlioz's "Dance of the Sylphes" from" The Damnation of Faust, "Weber's "Overtures to Die ""Freischutz" and "Oberon, "and several other pieces.
Author: Donald Francis Tovey
Publisher: Courier Corporation
ISBN: 048649764X
Category : Music
Languages : en
Pages : 244
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Book Description
Complete score of The Art of Fugue plus extensive commentary features all 14 fugues plus the four canons. The commentary outlines the fugues' contrapuntal devices and offers keen observations on the composer's craftsmanship.
Author: George Petrie
Publisher: Courier Corporation
ISBN: 0486430804
Category : Music
Languages : en
Pages : 449
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Book Description
The work of 100 years and three generations of archivists, this compilation, which originally appeared in 1905, encompasses the musical wealth of a nation.
Author: Sarah Zhang
Publisher: Penn State Press
ISBN: 1575064766
Category : Religion
Languages : en
Pages : 195
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Book Description
I, You, and the Word “God” introduces the approach of lyrical ethics, inspired by Emmanuel Levinas’s ethical-phenomenological philosophy. Through the optics of lyrical ethics, the reader discovers how the ancient erotic poems of the Song of Songs bear ethical and theological significance for contemporary readers. Levinas’s intertwined concepts—oneself qua sensibility, otherness perceived through responsibility, and transcendence embodied in one’s love for the other—reveal themselves as lyrical colors woven into the fabric of Song 4:1–7, 5:2–8, and 8:6. More importantly, Levinas’s understanding that poetic language breaks the tautology of logocentric discourse and gestures to the outside of consciousness provides the theoretical ground for the listener to solicit meaningfulness from the Song. Through this lyrical reading of the selected poetic units, the book demonstrates that the traditional interpretive methods of representative description, narrative paraphrase, and thematic distillation fail to encounter the otherness of poetry. In contrast, lyrical ethics pays attention to that which transcends consciousness: the awakening of the reader’s subjectivity, the saying underlying the said, the sound of the sense, and the invisibility of the visible. The Song so caressed reveals in human love the purposelessly purposive encounter with God.
