4th National Monotype/Monoprint Juried Exhibition PDF Download
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Author: Daniel Embree
Publisher: Lulu.com
ISBN: 1329979877
Category : Art
Languages : en
Pages : 68
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Book Description
MGNE is pleased to present the exhibition catalog for the Fourth National Monotype/Monoprint Juried Exhibition at the Attleboro Arts Museum, April 6-May 7, 2016. The exhibit was juried by Andrew Stevens, Curator of Prints at the Chazen Art Museum, University of Wisconsin, Madison.
Author: Daniel Embree
Publisher: Lulu.com
ISBN: 1329979877
Category : Art
Languages : en
Pages : 68
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Book Description
MGNE is pleased to present the exhibition catalog for the Fourth National Monotype/Monoprint Juried Exhibition at the Attleboro Arts Museum, April 6-May 7, 2016. The exhibit was juried by Andrew Stevens, Curator of Prints at the Chazen Art Museum, University of Wisconsin, Madison.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 566
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Book Description
The independent voice of the visual arts.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378
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Book Description
Author: Susan Dackerman
Publisher: Yale University Press
ISBN: 0300214715
Category : Art
Languages : en
Pages : 339
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Book Description
Exhibition catalog published in conjunction with the exhibition held at the Harvard Art Museums, Cambridge, Massachusetts, September 3, 2015-January 3, 2016 and at the San Antonio Museum of Art, San Antonio, Texas, February 13-May 8, 2016.
Author:
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ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
Author: Joann Moser
Publisher: University of California Press
ISBN:
Category :
Languages : en
Pages : 232
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Book Description
This retrospective, which features 88 works from the 1960s to the present, is the first full-scale look at Wiley's long career and explores important themes and ideas expressed in his work.
Author: Catherine Kernan
Publisher: Schiffer Publishing
ISBN: 9780764357275
Category :
Languages : en
Pages : 272
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Book Description
The fascination with monotype and monoprint never diminishes, thanks to the primal thrill of making a mark, combined with suspense and surprise as paper is lifted from a press. Recent prints from more than 70 top artists across the US demonstrate what monotypes and monoprints offer to artists and the broader world of art, while Kernan, a professional printmaker, provides a view from the studio. She explains the processes and motivations for making singular prints, as well as current practice and context. Examples include unique prints and variations that cross boundaries with combinations of collage, collagraph, direct and transfer drawing, painting, photo-sensitive plates, digital printing, and paper casting with stencils. With their backgrounds in curating, collecting, and art history, Einstein draws us into the history and traditions of the forms, and Oresman writes as a collector about the fascination of monotype as a magically spontaneous process.
Author:
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ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
Author:
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ISBN:
Category : Art
Languages : en
Pages : 1004
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Book Description
Author: MOSER JOANN
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
The first comprehensive survey of the monotype in America, Singular Impressions discusses the work of more than one hundred artists who, attracted by the medium's intimacy and freedom, made prints ranging from the romantic, pastoral landscapes of Bostonian Charles Alvah Walker to the Savarin-can "self-portraits" of Jasper Johns. Whether created as a brief fling with the technique by John Singer Sargent or as a sustained exploration of its subtleties by Maurice Prendergast, monotypes have attracted countless artists who usually work in other media. Describing how artists invented new methods and variations on the basic process, Joann Moser analyzes the role of the monotype in the "Black and White" exhibitions of New York's Salmagundi Club, at the 1915 Panama-Pacific Exposition in San Francisco, and in 1920s artists' communities from Provincetown to Taos. It was not until the 1970s that the monotype emerged as an alternative to the technical, structured enterprise that printmaking had become. Recognizing no rules or boundaries, artist pushed the previous limits of the medium to create a richer, more complex, more versatile means of expression.
