4 & 5 Will. IV. c. 76. A Faithful and Copious Abstract of the New Poor Laws, containing the whole of the clauses. Passed August 14, 1834 PDF Download
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Languages : en
Pages : 16
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Author: England
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Languages : en
Pages : 16
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Category : Books
Languages : en
Pages : 914
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Author: J. N. Adams
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Category : Catalogs, Union
Languages : en
Pages : 1270
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Author: British Library
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Category : English imprints
Languages : en
Pages : 512
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Author: British Museum. Department of Printed Books
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Category : Bibliography
Languages : en
Pages : 544
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Author: United States. Department of the Treasury
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Category : Manufactures
Languages : en
Pages : 100
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Author: Emer de Vattel
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Category : International law
Languages : en
Pages : 670
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Author: Hilary Cooper
Publisher: Cambridge University Press
ISBN: 1009005200
Category : Business & Economics
Languages : en
Pages : 449
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Reveals the deep roots of the UK's lack of resilience when COVID-19 hit and sets out an ambitious manifesto for change.
Author: British Museum. Dept. of Printed Books
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Category : English imprints
Languages : en
Pages : 1308
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Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
