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Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199711747
Category : Music
Languages : en
Pages : 247
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Book Description
The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethovens most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kindermans study of the compositional history of the work includes the first extended investigation and reconstruction of the sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate Beethovens compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations. The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.
Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199711747
Category : Music
Languages : en
Pages : 247
Get Book Here
Book Description
The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethovens most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kindermans study of the compositional history of the work includes the first extended investigation and reconstruction of the sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate Beethovens compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations. The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.
Author: Moisés Kaufman
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822223924
Category : Parenthood
Languages : en
Pages : 116
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Book Description
THE STORY: A mother coming to terms with her daughter. A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama
Author:
Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 44
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Book Description
Author: Wolfgang Amadeus Mozart
Publisher: G Schirmer, Incorporated
ISBN: 9780793520671
Category : Music
Languages : en
Pages : 111
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Book Description
(Piano). Mozart's 'Variations for Piano' are like a diary of his entire creative life. From K.24 of the nine-year old to K.613 composed only a few months prior to his death, these variations reveal ideas and traits that have come to be known as his unique style. Contents: 8 Variations On Laat Ons Juichen, K. 24 * 7 Variations On Willem Von Nassau, K. 25 * 12 Variations On A Minuet By Fischer, K. 179 * 6 Variations On Mio Caro Adone, K. 180 * 9 Variations On Lison Dormait, K. 264 * 8 Variations On Dieu D'Amour, K. 352 * 12 Variations On La Belle Francoise, K. 353 * 12 Variations On Je Suis Lindoe, K. 354 * 5 Variations On Salve Tu Domine, K. 398 * 10 Variations On Les Hommes Pieusement, K. 455 * 8 Variations On Come Un Agnello, K. 460 * 6 Variations In F Major, K. 54 * 9 Variations On A Minuet By Duport, K. 573 * 8 Variations On Ein Weib Ist Das Herrlichste Ding, K. 613 * 12 Variations On A, Vous Dirai-Je Maman, K. 265
Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199886946
Category : Music
Languages : en
Pages : 445
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Book Description
Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.
Author: Michael Cherlin
Publisher: Cambridge University Press
ISBN: 110714129X
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
Sophisticated and engaging, this volume explores and compares musical irony in the works of major composers, from Mozart to Mahler.
Author: Zofia Chechlińska
Publisher: Routledge
ISBN: 0429638361
Category : Music
Languages : en
Pages : 293
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Book Description
While Chopin composed only a few works in variation form, he employed variations and variation technique in the majority of his works. Multiple modified repetitions of musical units on different levels of a work are so typical of Chopin’s works that this may be considered one of the chief determinants of his style. Focusing on a broad range of Chopin’s works, this book explores the extent to which Chopin’s oeuvre is suffused with variations, the role that variation technique plays in his work, to what extent it interacts with other techniques for developing and modifying musical material, and how the variation technique itself evolved. Beginning with a comprehensively documented investigation of the concept of variation in its own right, Zofia Chechlińska employs Riemannian and Schenkerian theory to consider, in turn, the ways in which Chopin constructs variations on the level of microstructure (motif and phrase) and macrostructure (thematic areas, sections, movements and form). This is the first English translation of one of the classics of musicological literature in Poland and is essential reading for scholars of Chopin and nineteenth-century music and music analysts.
Author: J. Daniel Jenkins
Publisher: Oxford University Press
ISBN: 0190614013
Category : Music
Languages : en
Pages : 505
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Book Description
In 1950, as Arnold Schoenberg anticipated the publication of a collection of 15 of his most important writings, Style and Idea, he was already at work on a second volume to be called Program Notes. Inspired by this idea, Schoenberg's Program Notes and Musical Analyses can boast the most comprehensive study of the composer's writings about his own music yet published. Schoenberg's insights emerge not only in traditional program notes, but also in letters, sketch materials, pre-concert talks, public lectures, contributions to scholarly journals, newspaper articles, interviews, pedagogical materials, and publicity fliers. The editions of the texts in this collection, based almost exclusively on Schoenberg's original manuscript sources, include many items appearing in print in English for the first time, as well as more familiar texts that preserve musical and textual information eliminated from previous editions. The book also reveals how Schoenberg, desirous to communicate with and educate an audience, took every advantage of changes in technology during his lifetime, utilizing print media, radio broadcasts, record jackets--and had he lived, television--for this purpose. In addition to four chapters in which Schoenberg illuminates 42 of his own compositions, the book begins with chapters on his development and influences, his thoughts about trends in modern music, and, in a nod to the importance of the radio in providing a venue for music analysis, a chapter about Schoenberg's radio broadcasts.
Author: Alfred Kanwischer
Publisher: Rowman & Littlefield
ISBN: 1442230649
Category : Music
Languages : en
Pages : 239
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Book Description
In From Bach’s Goldberg to Beethoven’s Diabelli: Influence and Independence, music scholar and noted pianist Alfred Kanwischer takes readers on an extended exploration in which each of the thirty-three pieces making up Beethoven’s Diabelli Variations (Op. 120) is caringly examined and assessed for its ingredients, actions, personality, and influence on the whole. Counterpoint abounds, not only in the fugal variations, which are closely parsed, but throughout the Diabelli, revealing the noticeably baroque character of the technical compositional devices Beethoven employs. Throughout his study, Kanwischer integrates comparisons with Bach’s immortal Goldberg Variations. Both sets stand alone as among the greatest keyboard variations in the Western canon. During their creation, the composers were nearly the same age, at the zenith of their art, and in similarly felicitous frames of mind. Kanwischer underscores twenty essential similarities, from the use of melody and melodic outline and the comparability among variations in size, parallel design, ebullient outlook, increasing contrasts, daring virtuosic flights, Shakespearean blend of comic and tragic, and their respective cumulative rises to spiritual transcendence. From Bach’s Goldberg to Beethoven’s Diabelli takes readers on a lively and stimulating journey of discovery. It considers not only questions of influence but those of insight and understanding, offering a work useful as a reference and as a guide to performers, music instructors, and devotees. This work also includes seventy visually annotated interpretive musical examples as aids to understanding.
Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199880166
Category : Music
Languages : en
Pages : 652
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Book Description
Mozart's emergence as a mature artist coincides with the rise to prominence of the piano, an instrument that came alive under his fingers and served as medium for many of his finest compositions. In Mozart's Piano Music, William Kinderman reconsiders common assumptions about Mozart's life and art while offering comprehensive and incisive commentary on the solo music and concertos. After placing Mozart's pianistic legacy in its larger biographical and cultural context, Kinderman addresses the lively gestural and structural aspects of Mozart's musical language and explores the nature of his creative process. Incorporating the most recent research throughout this encompassing study, Kinderman expertly surveys each of the major genres of the keyboard music, including the four-hand and two-piano works. Beyond examining issues such as Mozart's earliest childhood compositions, his musical rhetoric and expression, the social context of his Viennese concertos, and affinities between his piano works and operas, Kinderman's main emphasis falls on detailed discussion of selected individual compositions.
