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Author: Tricia Jenkins
Publisher: Bloomsbury Publishing
ISBN: 1786724693
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
More than 5,000 film festivals take place globally and many of these have only been established in the last two decades. International Film Festivals collects the leading scholarship on this increasingly prominent phenomenon from both historical and contemporary perspectives, using diverse methods including archival research, interviews and surveys and drawing widely from fields like sociology, urban studies and film criticism to patent technology and history. With contributors from across the world and covering the major festivals - Cannes, Venice, Toronto, Berlin - as well as niche, genre and online film festivals, this book is an authoritative and exemplary guide to the evolution of these key sites for film distribution, exhibition and reception. Chapters unravel topics such as the relationship between corporations and festivals, the soft power function they can perform for their host nations and the changing identities of audiences on arrival at, and during exploration of, a given festival venue. Tricia Jenkins' edited volume reconceives the film festival for the global, digital age whilst drawing out its historic importance and ultimately makes a major intervention in film festival studies as well as film and cultural studies more widely.
Author: Tricia Jenkins
Publisher: Bloomsbury Publishing
ISBN: 1786724693
Category : Performing Arts
Languages : en
Pages : 287
Get Book Here
Book Description
More than 5,000 film festivals take place globally and many of these have only been established in the last two decades. International Film Festivals collects the leading scholarship on this increasingly prominent phenomenon from both historical and contemporary perspectives, using diverse methods including archival research, interviews and surveys and drawing widely from fields like sociology, urban studies and film criticism to patent technology and history. With contributors from across the world and covering the major festivals - Cannes, Venice, Toronto, Berlin - as well as niche, genre and online film festivals, this book is an authoritative and exemplary guide to the evolution of these key sites for film distribution, exhibition and reception. Chapters unravel topics such as the relationship between corporations and festivals, the soft power function they can perform for their host nations and the changing identities of audiences on arrival at, and during exploration of, a given festival venue. Tricia Jenkins' edited volume reconceives the film festival for the global, digital age whilst drawing out its historic importance and ultimately makes a major intervention in film festival studies as well as film and cultural studies more widely.
Author:
Publisher:
ISBN:
Category : Film festivals
Languages : it
Pages : 350
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Book Description
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 724
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Book Description
Author:
Publisher:
ISBN:
Category : Film festivals
Languages : it
Pages : 340
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Book Description
Author: Fan Victor Fan
Publisher: Edinburgh University Press
ISBN: 1474440452
Category : History
Languages : en
Pages : 485
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Book Description
Examining how Hong Kong filmmakers, spectators and critics wrestled with this perturbation between the Leftist Riots (1967) and the aftermath of the Umbrella Movement (2014), this book traces how Hong Kong's extraterritoriality has been framed: in its position of being doubly occupied and doubly abandoned by contesting juridical, political, linguistic and cultural forces. Extraterritoriality scrutinises creative works in mainstream cinema, independent films, television, video artworks and documentaries - especially those by marginalised artists - actively rewriting and reconfiguring how Hong Kong cinema and media are to be defined and located.
Author: Benjamin G. Martin
Publisher: Harvard University Press
ISBN: 0674973992
Category : History
Languages : en
Pages : 381
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Book Description
Following France’s crushing defeat in June 1940, the Nazis moved forward with plans to reorganize a European continent now largely under Hitler’s heel. While Germany’s military power would set the agenda, several among the Nazi elite argued that permanent German hegemony required something more: a pan-European cultural empire that would crown Hitler’s wartime conquests. At a time when the postwar European project is under strain, Benjamin G. Martin brings into focus a neglected aspect of Axis geopolitics, charting the rise and fall of Nazi-fascist “soft power” in the form of a nationalist and anti-Semitic new ordering of European culture. As early as 1934, the Nazis began taking steps to bring European culture into alignment with their ideological aims. In cooperation and competition with Italy’s fascists, they courted filmmakers, writers, and composers from across the continent. New institutions such as the International Film Chamber, the European Writers Union, and the Permanent Council of composers forged a continental bloc opposed to the “degenerate” cosmopolitan modernism that held sway in the arts. In its place they envisioned a Europe of nations, one that exalted traditionalism, anti-Semitism, and the Volk. Such a vision held powerful appeal for conservative intellectuals who saw a European civilization in decline, threatened by American commercialism and Soviet Bolshevism. Taking readers to film screenings, concerts, and banquets where artists from Norway to Bulgaria lent their prestige to Goebbels’s vision, Martin follows the Nazi-fascist project to its disastrous conclusion, examining the internal contradictions and sectarian rivalries that doomed it to failure.
Author: HASTE Corporation
Publisher: HASTE Corporation
ISBN: 1735007404
Category : Fiction
Languages : en
Pages : 473
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Book Description
This work is a Hᴀꜱᴛᴇ Corporation Safework: acceptable for temporal export for all years later than 2███. It also complies with the Laramie Convention of 2███. See front matter for details. Around the time of the 2███ presidential inauguration, sporadic incidents of tone-triggered self-defecation occurred in California communities located between San Francisco and Los Angeles. A week later, members of the deaf community and blind community in particular parts of California experienced their conditions spontaneously disappearing. Then came February, with sleepy, isolated towns taken over for a night with some strange changes, each different from the other, but none with a known cause. Denizens awoke with nary a memory of the events that transformed their towns the night before. Fall into the Interrogation Point and learn how by 4 July the president, alongside the leaders of the earth, called out for a world government. Read about Humanity to the People, those watching their world in the fits of a derangement of society.
Author: Kylo-Patrick R. Hart
Publisher: McFarland
ISBN: 1476642877
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
Arctic cinemas represent a noteworthy new subfield of film studies, and in the current era of unprecedented global warming, interest in the Arctic region and its cinematic portrayals has never been greater. Individually and collectively, films pertaining to Arctic inhabitants and experiences have substantially influenced viewer perceptions of the region throughout the world, often serving as blank slates for the fantasies and projections of individuals elsewhere with regard to its challenging landscape and perceived "otherworldliness." Written by a blend of academic scholars, artists, and filmmakers, this collection of essays provides a transnational overview of the variety of works--ranging from art films and documentaries to horror and road movies--that fall under the conceptual rubric of "Arctic cinemas," and examines their contributions to past and present perceptions of the Arctic. Theoretical and analytical approaches represented here include critical theory, cultural studies, ecocriticism, ethnography, gender studies, genre theory, historiography, and indigenous studies.
Author:
Publisher: Il Castoro
ISBN: 9788880332138
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
Author: Federico Varese
Publisher: Oxford University Press
ISBN: 0190868953
Category : Social Science
Languages : en
Pages : 289
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Book Description
We see mafias as vast, powerful organizations, harvesting billions of dollars across the globe and wrapping their tentacles around everything from governance to finance. But is this the truth? Traveling from mafia initiation ceremonies in far-flung Russian cities to elite gambling clubs in downtown Macau, Federico Varese sets off in search of answers. Using wiretapped conversations, interviews, and previously unpublished police records, he builds up a picture of the real men and women caught up in mafia life, showing their loves and fears, ambitions and disappointments, as well as their crimes. Mafia Life takes us into the real world of organized crime, where henchmen worry about bad managers and have high blood pressure, assassinations are bungled as often as they come off, and increasing pressure from law enforcement means that a life of crime is no longer lived in the lap of luxury. As our world changes, so must mafias. Globalization, migration, and technology are disrupting their traditions and threatening their revenue streams, and the Mafiosi must evolve or die. Mafia Life is an intense and totally compelling look at these organizations and the daily life of their members, as they get to grips with the modern world.
