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Author: Aline Chipman Brandauer
Publisher: SF Design, LLC / Frescobooks
ISBN:
Category : Art
Languages : en
Pages : 226
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Book Description
An exciting exploration of the work of over thirty New Mexico artists who create in three dimensions.
Author: Aline Chipman Brandauer
Publisher: SF Design, LLC / Frescobooks
ISBN:
Category : Art
Languages : en
Pages : 226
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Book Description
An exciting exploration of the work of over thirty New Mexico artists who create in three dimensions.
Author: Henry Staten
Publisher: Bloomsbury Academic
ISBN: 1472592891
Category : Philosophy
Languages : en
Pages : 217
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Book Description
Only since the Romantic period has art been understood in terms of an ineffable aesthetic quality of things like poems, paintings, and sculptures, and the art-maker as endowed with an inexplicable power of creation. From the Greeks to the 18th century, art was conceived as techne--the skill and know-how by which things and states of affairs are ordered. Techne Theory shows how to use this concept to cut through the Romantic notion of art as a kind of magic by returning to the original sense of art as techne, the standpoint of the person who actually knows how to make a work of art. Understood as techne, art-making, like all other cultural accomplishments, is a form of work performed by an artisan who has inherited the know-how of previous generations of artisans. Along the way, Techne Theory cuts through the humanist-structuralist impasse over the question of artistic agency and explains what 'form' really means.
Author:
Publisher:
ISBN:
Category : Arts, American
Languages : en
Pages : 470
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Book Description
Author: Michael Boylan
Publisher: Routledge
ISBN: 0429771185
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
What is the philosophical voice within literature? Does literature have a voice of its own? Can this voice really be philosophical in its own right? In this book, Michael Boylan argues that some literary works indeed can make their own unique claims in different areas of philosophy. He calls this method fictive narrative philosophy. The first part of the book presents an overview of traditional thinking about philosophy and literature across classical, modern, and contemporary periods. It does not seek to denigrate these methods of studying literature, but rather to ask more of them. The second part then sets out a rigorous definition of what constitutes fictive narrative philosophy. This definition outlines detailed conceptions of the methods of presentation, audience engagement, logical mechanics, and constructional devices of fictive narrative philosophy. The author brings this definition to bear on individual authors and works that can be considered prime examples of fictive narrative philosophy. Finally, the book sets out why and when fictive narratives might be more favorable than traditional philosophical discourse, and how the concept of fictive narrative philosophy can move teaching and scholarship forward in a positive direction. Fictive Narrative Philosophy presents an entirely new and unique approach in which literature can be a form of philosophy. It will appeal to scholars and upper-level students interested in philosophy and literature.
Author: Tom Angier
Publisher: A&C Black
ISBN: 0826462715
Category : Philosophy
Languages : en
Pages : 188
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Book Description
Argues for the importance of the concept of 'techne' in constructing a new understanding of Aristotle's moral philosophy.
Author: Mark Amerika
Publisher: Leonardo Books
ISBN:
Category : Art
Languages : en
Pages : 470
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Book Description
A collection of writings by a digital artist that blends personal memoir, net art theory, fictional narrative, satirical reportage, scholarly history, and network-infused language art. It tells the early history of a net art world "gone wild," while constructing a parallel poetics of net art that complements the author's own artistic practice
Author: David Roochnik
Publisher: Penn State Press
ISBN: 0271041420
Category : Philosophy
Languages : en
Pages : 318
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Book Description
A comprehensive discussion of Plato's treatment of techne (technical knowledge), which shows that the final goal of Platonic philosophy is nontechnical wisdom. The Greek word &"techne,&" typically translated as &"art,&" but also as &"craft,&" &"skill,&" &"expertise,&" &"technical knowledge,&" and even &"science,&" has been decisive in shaping our &"technological&" culture. Here David Roochnik comprehensively analyzes Plato's treatment of this crucial word. Roochnik maintains that Plato's understanding of both the goodness of techne, as well as its severe limitations and consequent need to be supplemented by &"nontechnical&" wisdom, can speak directly to our own concerns about the troubling impact technology has had on contemporary life. For most commentators, techne functions as a positive, theoretical model through which Plato attempts to articulate the nature of moral knowledge. Scholars such as Terence Irwin and Martha Nussbaum argue that Plato&’s version of moral knowledge is structurally similar to techne. In arguing thus, they attribute to Plato what Nietzsche called &"theoretical optimism,&" the view that technical knowledge can become an efficient panacea for the dilemmas and painful contingencies of human life. Conventional wisdom has it, in short, that for Plato technical, moral knowledge can solve life's problems. By systematically analyzing Socrates&’ analogical arguments, Roochnik shows the weakness of the conventional view. The basic pattern of these arguments is this: if moral knowledge is analogous to techne, then insurmountable difficulties arise, and moral knowledge becomes impossible. Since moral knowledge is not impossible, it cannot be analogous to techne. In other words, the purpose of Socrates' analogical arguments is to reveal the limitations of techne as a model for the wisdom Socrates so ardently seeks. For all the reasons Plato is so careful to present in his dialogues, wisdom cannot be rendered technical; it cannot become techne. Thus, Roochnik concludes, Plato wrote dialogues instead of technical treatises, as they are the appropriate vehicle for his expression of nontechnical wisdom.
Author: Julia Tum
Publisher: Routledge
ISBN: 1136369937
Category : Antiques & Collectibles
Languages : en
Pages : 226
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Book Description
Radiography can be an invaluable tool for the study of a diverse array of cultural materials including metals, ceramics, paper, paintings and human and animal remains. In this book, experts in the field bring to life their experiences with the different materials, describing the techniques that can be employed to discover the stories behind the objects. This second edition, available in paperback for the first time, includes new case studies and images, as well as whole new sections on digital imaging, quality control and animal mummies.
Author: Roger F. Malina
Publisher: Elsevier
ISBN: 1483293769
Category : Art
Languages : en
Pages : 133
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Book Description
Computers are more and more becoming creative tools in music as well as in the visual arts and design. In the last few years, it has become clear that digital technology provides a platform for multimedia productions as well as a medium for new art forms. Computer Music and Computer Graphics & Animation have their own international forums. The need was felt, however, to bring together the diverse disciplines within art and technology in one international event - the First International Symposium on Electronic Art (FISEA). The Symposium attracted considerable interest and hundreds of papers and proposals were submitted, of which a selection were accepted. This book, also published as a supplement to the journal Leonardo, publishes 20 of these selected papers under the editorship of Wim van der Plas, Ton Hokken and Johan den Biggelaar. This richly illustrated issue on Electronic Art reflects the enormous international interest which FISEA generated and will further stimulate interest in applications of new technology in music, visual arts and design.
Author: Timothy M. Harrison
Publisher: University of Chicago Press
ISBN: 022672526X
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
In Coming To, Timothy M. Harrison uncovers the forgotten role of poetry in the history of the idea of consciousness. Drawing our attention to a sea change in the English seventeenth century, when, over the course of a half century, “conscience” made a sudden shift to “consciousness,” he traces a line that leads from the philosophy of René Descartes to the poetry of John Milton, from the prenatal memories of theologian Thomas Traherne to the unresolved perspective on natality, consciousness, and ethics in the philosophy of John Locke. Each of these figures responded to the first-person perspective by turning to the origins of how human thought began. Taken together, as Harrison shows, this unlikely group of thinkers sheds new light on the emergence of the concept of consciousness and the significance of human natality to central questions in the fields of literature, philosophy, and the history of science.
