Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
Book Description
28 Annual of Advertising and Editorial Art [...].
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
Book Description
28th Annual of Advertising and Editorial Art
Author: ART DIRECTORS' CLUB (NEW YORK)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
28 Annual of Advertising and Editorial Art
Author:
Publisher:
ISBN:
Category : Commercial art
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Commercial art
Languages : en
Pages : 312
Book Description
28 Annual of Advertising and Editorial Art
Author:
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 312
Book Description
Annual of Advertising and Editorial Art and Design
Author:
Publisher:
ISBN:
Category : Commercial art
Languages : en
Pages : 382
Book Description
Publisher:
ISBN:
Category : Commercial art
Languages : en
Pages : 382
Book Description
Annual of Advertising and Editorial Art and Design
Author:
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 158
Book Description
Vols. for 1973- include 13th- Annual copy awards of the Copy Club of New York.
Publisher:
ISBN:
Category : Advertising
Languages : en
Pages : 158
Book Description
Vols. for 1973- include 13th- Annual copy awards of the Copy Club of New York.
27th Annual of Advertising and Editorial Art
Author: ART DIRECTORS' CLUB (NEW YORK)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Annual of Advertising, Editorial, TV Art and Design
Author:
Publisher:
ISBN:
Category : Commercial art
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Commercial art
Languages : en
Pages :
Book Description
Saul Bass
Author: Jan-Christopher Horak
Publisher: University Press of Kentucky
ISBN: 0813147190
Category : Biography & Autobiography
Languages : en
Pages : 380
Book Description
Iconic graphic designer and Academy Award–winning filmmaker Saul Bass (1920–1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger's The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy Wilder's The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass's stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men. The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public. This long-overdue book sheds light on the creative process of the undisputed master of film title design—a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.
Publisher: University Press of Kentucky
ISBN: 0813147190
Category : Biography & Autobiography
Languages : en
Pages : 380
Book Description
Iconic graphic designer and Academy Award–winning filmmaker Saul Bass (1920–1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger's The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy Wilder's The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass's stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men. The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public. This long-overdue book sheds light on the creative process of the undisputed master of film title design—a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.
30th Annual of Advertising and Editorial Art
Author: Art Directors Club (New York, N.Y.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description