Practical Studies for Cornet and Trumpet, Bk 1 PDF Download
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Author: Robert Ward Getchell
Publisher: Alfred Music Publishing
ISBN: 9780769219578
Category : Music
Languages : en
Pages : 0
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Book Description
This First Book of Practical Studies is designed to develop chord consciousness and to provide additional experience in the fundamental rhythms, key signatures and articulations and to improve accuracy in reading through the use of interesting and melodic studies. It may be used either to supplement or to follow any beginning method book.
Author: Robert Ward Getchell
Publisher: Alfred Music Publishing
ISBN: 9780769219578
Category : Music
Languages : en
Pages : 0
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Book Description
This First Book of Practical Studies is designed to develop chord consciousness and to provide additional experience in the fundamental rhythms, key signatures and articulations and to improve accuracy in reading through the use of interesting and melodic studies. It may be used either to supplement or to follow any beginning method book.
Author: C. Kopprasch
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Herbert L. Clarke
Publisher: Colchis Books
ISBN:
Category : Music
Languages : en
Pages : 55
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Book Description
There are many books written for the Piano, Violin, etc., entirely devoted to Technic. This Work is especially written to enable the Student, by practice and application, to overcome any obstacle which may occur in musical passages written for the Cornet. By controlling the Wind Power to play these Exercises as written, in one breath, the Student will acquire ENDURANCE without strain or injury. Train the Muscles which control the Lips, to make them elastic and strong, as only a slight pressure is necessary, and not brute force. The highest as well as the lowest notes can be played with equal tone quality if practiced according to the instructions that precede each Study. Every Cornet Player should have reached a degree of excellence before attempting to play these Exercises. To become an Expert on the Cornet, one should be familiar with as many Cornet Methods as possible, and so gain the experience of each. Every Exercise in this Book is possible, and not so very difficult if practiced slowly at first, and not too long at a time. I have used them for my daily practice for years, and they have been the means of my reaching the highest notes after playing a two-hour Concert, also of preserving my lips so that they never tire, and what has been a help to me is surely good for other Cornet Players. You cannot expect to attain the highest point of excellence without hard work and perseverance. Never be perfectly satisfied with yourself. Try to make some improvement each day, feeling that it is a pleasure to have conquered that which seemed an impossibility at first. Do not neglect to correct immediately the least fault you make. Bad habits are easily formed, but are difficult to remedy. There are few Celebrated Cornet Soloists, although thousands play the instrument. Most players abuse their practicing by not knowing the proper way, and neglecting to pay more attention to the elementary work. These Studies have been found to be excellent for Clarinet Players as well as Cornet Players. The Clarinet being a Wind Instrument also, all these Exercises will appeal to the Player of that Instrument by following the same instructions.
Author: Robert Brownlow
Publisher: Back to Classic Music in Print Limited
ISBN: 9780692439999
Category :
Languages : en
Pages : 58
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Book Description
Words from the author: It is important that aspiring musicians become fluent in all of the major and minor keys. When I was a student, I was never entirely satisfied with the few choices of resources that contained well-written etudes in all keys. There have been some attempts but many of them have some standard keys missing, others are purely technical and lacking in musicality. Others were too high or too long and left them out of reach of emerging players. Further, finding a single resource that laid out all of the major and minor scales and arpeggios in a simpler manner was more difficult than it should have been. I did not need or want several pages of the same scale written out in a dozen or more rhythmic patterns and meters. As a result, I started playing the scales from memory in a manner that suited me. I have included these scales in this book. I also wrote them in such a way to include arpeggios at the end of each scale. This eliminates the need to have separate scales and arpeggio exercises. I recommend that all players from emerging ones to professionals play all the major and minor scales every day. Once the scales are memorized, the player will be ready to begin playing them with more speed. Eventually, all the scales can be played quite quickly and be completed in a very short time. At this point, you will find that many things may be easier for you as a player: sight-reading, transposition, or improvisation for example. THE ETUDES I have attempted to write etudes that are accessible enough for young, emerging players but still be enjoyable and challenging by even the most advanced players. I tried to avoid writing in a purely technical manner and made a concerted effort to make them musically rewarding, fun to play, and diverse in style and material. Of the 26 etudes, 24 of them are in a unique time signature. Only 4/4 and 6/8 time were used twice. While a few of the meters I chose are rarely used in common practice, it is still important that students are familiar with them. Too many etude books write in only a handful of the most common time signatures and as a result, the rhythmic patterns in the etudes tend to fall in similar and predictable patterns. I made a conscious effort to keep the length of every etude manageable. Some etudes are too long for younger players and they become tests of endurance rather than of technique and musicality. Along these same lines, I avoided writing notes above concert G5. This way, most of these etudes will be able to be played even by players whose range is still developing. TEMPO MARKINGS I did place a metronome marking at the beginning of every etude. They are merely suggestions. Some of them may need to be played slower, especially at first. Others you may choose to play faster than the suggested. OTHER BENEFITS Having been a teacher of music theory for a number of years, I cannot stress enough the importance and benefits of knowing all major and minor scales and arpeggios. The reasons for this are too numerous to explain here. What I can say is that having scales memorized, and being able to recall them quickly will help with the study of intervals, triads, aids melodic dictation skills and more. All of the aforementioned topics are an integral part of any higher education music theory course. To listen to the etudes, visit: www.back2classic.us.
Author:
Publisher:
ISBN: 9780988893337
Category : Trumpet
Languages : en
Pages : 79
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Book Description
Trumpet Etudes
Author: JB Arban
Publisher: Courier Corporation
ISBN: 0486318389
Category : Music
Languages : en
Pages : 369
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Book Description
A complete pedagogical method for students of trumpet and cornet, this "brass bible" contains hundreds of exercises from basics to advanced. Includes the author's famous arrangement of Carnival in Venice.
Author: Larry Newman
Publisher: Createspace Independent Publishing Platform
ISBN: 9781983432613
Category :
Languages : en
Pages : 42
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Book Description
Forty studies for trumpet by Wilhelm Wurm Edited by Larry Newman
Author: Robert J. Brownlow
Publisher:
ISBN: 9780997865523
Category :
Languages : en
Pages :
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Book Description
A companion book to:"Concert Duets for Trumpet" Words from the author: It is important that aspiring musicians become fluent in all of the major and minor keys. When I was a student, I was never entirely satisfied with the few choices of resources that contained well-written etudes in all keys.
Author: Robert W. Getchell
Publisher: Alfred Music
ISBN: 9781457451652
Category : Music
Languages : en
Pages : 36
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Book Description
The Second Book of Practical Studies is designed to logically extend the techniques already presented in the First Book and also to introduce and develop new techniques and rhythms that will offer a challenge to the intermediate student. Through the use of slightly more difficult and more extended studies, it is hoped that the material included in this book may more fully develop general musicianship and more feeling for style and interpretation and thus act as a foundation for solo literature.
Author: Herber Lincoln Clarke
Publisher: Courier Dover Publications
ISBN: 0486853942
Category : Music
Languages : en
Pages : 63
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Book Description
Preeminent cornetist, feature soloist, bandmaster, and composer Herbert L. Clarke (1867-1945) lays the foundation for a lifetime of trumpet mastery in this beginner's guide. Includes 30 lessons and 116 exercises on lip formation (embouchure), positioning the mouthpiece, and strengthening facial muscles to produce a pure tone. Studies are arranged in order of complexity.
