Author: Andrew Grant Jackson
Publisher: Macmillan
ISBN: 1466864974
Category : Music
Languages : en
Pages : 376
Book Description
“For music lovers who were there and for those who wish they were, the book is a well-researched cultural history that leaves no rolling stone unturned.” —Huffington Post Friendly rivalry between musicians turned 1965 into the year rock evolved into the premier art form of its time and accelerated the drive for personal freedom throughout the Western world. The Beatles made their first artistic statement with Rubber Soul. Bob Dylan released “Like a Rolling Stone, arguably the greatest song of all time, and went electric at the Newport Folk Festival. The Rolling Stones’s “Satisfaction” catapulted the band to world-wide success. New genres such as funk, psychedelia, folk rock, proto-punk, and baroque pop were born. Soul music became a prime force of desegregation as Motown crossed over from the R&B charts to the top of the Billboard Hot 100. Country music reached new heights with Nashville and the Bakersfield sound. Musicians raced to innovate sonically and lyrically against the backdrop of seismic cultural shifts wrought by the Civil Rights Movement, Vietnam, psychedelics, the Pill, long hair for men, and designer Mary Quant’s introduction of the miniskirt. In 1965, Andrew Grant Jackson combines fascinating and often surprising personal stories with a panoramic historical narrative. “Jackson has a better ear than a lot of music writers, and one of the best parts of this book is his many casual citings of songs that echo others . . . [He] show[s] us the familiar through fresh eyes, as . . . he returns us to a year when a lot of us were young and poor and not as happy as we thought we were, yet there was always a great song on the radio.” —Washington Post
1965
Author: Andrew Grant Jackson
Publisher: Macmillan
ISBN: 1466864974
Category : Music
Languages : en
Pages : 376
Book Description
“For music lovers who were there and for those who wish they were, the book is a well-researched cultural history that leaves no rolling stone unturned.” —Huffington Post Friendly rivalry between musicians turned 1965 into the year rock evolved into the premier art form of its time and accelerated the drive for personal freedom throughout the Western world. The Beatles made their first artistic statement with Rubber Soul. Bob Dylan released “Like a Rolling Stone, arguably the greatest song of all time, and went electric at the Newport Folk Festival. The Rolling Stones’s “Satisfaction” catapulted the band to world-wide success. New genres such as funk, psychedelia, folk rock, proto-punk, and baroque pop were born. Soul music became a prime force of desegregation as Motown crossed over from the R&B charts to the top of the Billboard Hot 100. Country music reached new heights with Nashville and the Bakersfield sound. Musicians raced to innovate sonically and lyrically against the backdrop of seismic cultural shifts wrought by the Civil Rights Movement, Vietnam, psychedelics, the Pill, long hair for men, and designer Mary Quant’s introduction of the miniskirt. In 1965, Andrew Grant Jackson combines fascinating and often surprising personal stories with a panoramic historical narrative. “Jackson has a better ear than a lot of music writers, and one of the best parts of this book is his many casual citings of songs that echo others . . . [He] show[s] us the familiar through fresh eyes, as . . . he returns us to a year when a lot of us were young and poor and not as happy as we thought we were, yet there was always a great song on the radio.” —Washington Post
Publisher: Macmillan
ISBN: 1466864974
Category : Music
Languages : en
Pages : 376
Book Description
“For music lovers who were there and for those who wish they were, the book is a well-researched cultural history that leaves no rolling stone unturned.” —Huffington Post Friendly rivalry between musicians turned 1965 into the year rock evolved into the premier art form of its time and accelerated the drive for personal freedom throughout the Western world. The Beatles made their first artistic statement with Rubber Soul. Bob Dylan released “Like a Rolling Stone, arguably the greatest song of all time, and went electric at the Newport Folk Festival. The Rolling Stones’s “Satisfaction” catapulted the band to world-wide success. New genres such as funk, psychedelia, folk rock, proto-punk, and baroque pop were born. Soul music became a prime force of desegregation as Motown crossed over from the R&B charts to the top of the Billboard Hot 100. Country music reached new heights with Nashville and the Bakersfield sound. Musicians raced to innovate sonically and lyrically against the backdrop of seismic cultural shifts wrought by the Civil Rights Movement, Vietnam, psychedelics, the Pill, long hair for men, and designer Mary Quant’s introduction of the miniskirt. In 1965, Andrew Grant Jackson combines fascinating and often surprising personal stories with a panoramic historical narrative. “Jackson has a better ear than a lot of music writers, and one of the best parts of this book is his many casual citings of songs that echo others . . . [He] show[s] us the familiar through fresh eyes, as . . . he returns us to a year when a lot of us were young and poor and not as happy as we thought we were, yet there was always a great song on the radio.” —Washington Post
1965: The Most Revolutionary Year in Music
Author: Andrew Grant Jackson
Publisher: Macmillan
ISBN: 1250059623
Category : History
Languages : en
Pages : 353
Book Description
Documents the cultural and social influences that rendered 1965 a groundbreaking year in music history, exploring the rises of such artists as The Beatles and Bob Dylan, as well as the emergence of soul music and other definitive genres.
Publisher: Macmillan
ISBN: 1250059623
Category : History
Languages : en
Pages : 353
Book Description
Documents the cultural and social influences that rendered 1965 a groundbreaking year in music history, exploring the rises of such artists as The Beatles and Bob Dylan, as well as the emergence of soul music and other definitive genres.
Still the Greatest
Author: Andrew Grant Jackson
Publisher: Scarecrow Press
ISBN: 081088223X
Category : Music
Languages : en
Pages : 355
Book Description
As recommended by USA Today and excerpted on Rolling Stone.com! More than forty years after breaking up, The Beatles remain the biggest-selling and most influential group in the history of popular music. Fans endlessly replay their songs, craving more, while thousands of cover versions of their songs have been recorded and performed. Band biographies, pop music histories, song books, and academic titles on the Fab Four clutter shelves. But never has there been a definitive guide to the finest songs of The Beatles after they called it quits. Still the Greatest is a love song to the songwriting and recording achievements of Paul, John, George, and Ringo after each struck out on his own. In this creative history, Jackson selects the best songs in each solo career and organizes them into fantasy albums they might have formed had the legendary group stayed together. This romp through the post–Beatles history of each artist delves into the circumstances behind the composition, recording, and reception of each work, offering a refreshing take on how spectacular much of The Beatles’ second act truly is. Jackson assesses the more than seventy albums and nine hundred songs the four collectively released, selecting the crème de la crème of their output. Still the Greatest brims with facts (release dates, writing and performing credits, and information about production techniques) and insightful analyses of the music and lyrics. In telling the stories behind the songs, Jackson recounts the remarkable influence the Post Fab Four continued to have long after the big split. Both a handy reference and an engrossing cover-to-cover read, Still the Greatest is an invaluable companion for those who thought it all ended with the 1970 album Let It Be.
Publisher: Scarecrow Press
ISBN: 081088223X
Category : Music
Languages : en
Pages : 355
Book Description
As recommended by USA Today and excerpted on Rolling Stone.com! More than forty years after breaking up, The Beatles remain the biggest-selling and most influential group in the history of popular music. Fans endlessly replay their songs, craving more, while thousands of cover versions of their songs have been recorded and performed. Band biographies, pop music histories, song books, and academic titles on the Fab Four clutter shelves. But never has there been a definitive guide to the finest songs of The Beatles after they called it quits. Still the Greatest is a love song to the songwriting and recording achievements of Paul, John, George, and Ringo after each struck out on his own. In this creative history, Jackson selects the best songs in each solo career and organizes them into fantasy albums they might have formed had the legendary group stayed together. This romp through the post–Beatles history of each artist delves into the circumstances behind the composition, recording, and reception of each work, offering a refreshing take on how spectacular much of The Beatles’ second act truly is. Jackson assesses the more than seventy albums and nine hundred songs the four collectively released, selecting the crème de la crème of their output. Still the Greatest brims with facts (release dates, writing and performing credits, and information about production techniques) and insightful analyses of the music and lyrics. In telling the stories behind the songs, Jackson recounts the remarkable influence the Post Fab Four continued to have long after the big split. Both a handy reference and an engrossing cover-to-cover read, Still the Greatest is an invaluable companion for those who thought it all ended with the 1970 album Let It Be.
1973: Rock at the Crossroads
Author: Andrew Grant Jackson
Publisher: Macmillan + ORM
ISBN: 1250299993
Category : Music
Languages : en
Pages : 318
Book Description
A fascinating account of the music and epic social change of 1973, a defining year for David Bowie, Bruce Springsteen, Pink Floyd, Elton John, the Rolling Stones, Eagles, Elvis Presley, and the former members of The Beatles. 1973 was the year rock hit its peak while splintering—just like the rest of the world. Ziggy Stardust travelled to America in David Bowie’s Aladdin Sane. The Dark Side of the Moon began its epic run on the Billboard charts, inspired by the madness of Pink Floyd's founder, while all four former Beatles scored top ten albums, two hitting #1. FM battled AM, and Motown battled Philly on the charts, as the era of protest soul gave way to disco, while DJ Kool Herc gave birth to hip hop in the Bronx. The glam rock of the New York Dolls and Alice Cooper split into glam metal and punk. Hippies and rednecks made peace in Austin thanks to Willie Nelson, while outlaw country, country rock, and Southern rock each pointed toward modern country. The Allman Brothers, Grateful Dead, and the Band played the largest rock concert to date at Watkins Glen. Led Zep’s Houses of the Holy reflected the rise of funk and reggae. The singer songwriter movement led by Bob Dylan, Neil Young, and Joni Mitchell flourished at the Troubadour and Max’s Kansas City, where Bruce Springsteen and Bob Marley shared bill. Elvis Presley’s Aloha from Hawaii via Satellite was NBC’s top-rated special of the year, while Elton John’s albums dominated the number one spot for two and a half months. Just as U.S. involvement in Vietnam drew to a close, Roe v. Wade ignited a new phase in the culture war. While the oil crisis imploded the American dream of endless prosperity, and Watergate’s walls closed in on Nixon, the music of 1973 both reflected a shattered world and brought us together.
Publisher: Macmillan + ORM
ISBN: 1250299993
Category : Music
Languages : en
Pages : 318
Book Description
A fascinating account of the music and epic social change of 1973, a defining year for David Bowie, Bruce Springsteen, Pink Floyd, Elton John, the Rolling Stones, Eagles, Elvis Presley, and the former members of The Beatles. 1973 was the year rock hit its peak while splintering—just like the rest of the world. Ziggy Stardust travelled to America in David Bowie’s Aladdin Sane. The Dark Side of the Moon began its epic run on the Billboard charts, inspired by the madness of Pink Floyd's founder, while all four former Beatles scored top ten albums, two hitting #1. FM battled AM, and Motown battled Philly on the charts, as the era of protest soul gave way to disco, while DJ Kool Herc gave birth to hip hop in the Bronx. The glam rock of the New York Dolls and Alice Cooper split into glam metal and punk. Hippies and rednecks made peace in Austin thanks to Willie Nelson, while outlaw country, country rock, and Southern rock each pointed toward modern country. The Allman Brothers, Grateful Dead, and the Band played the largest rock concert to date at Watkins Glen. Led Zep’s Houses of the Holy reflected the rise of funk and reggae. The singer songwriter movement led by Bob Dylan, Neil Young, and Joni Mitchell flourished at the Troubadour and Max’s Kansas City, where Bruce Springsteen and Bob Marley shared bill. Elvis Presley’s Aloha from Hawaii via Satellite was NBC’s top-rated special of the year, while Elton John’s albums dominated the number one spot for two and a half months. Just as U.S. involvement in Vietnam drew to a close, Roe v. Wade ignited a new phase in the culture war. While the oil crisis imploded the American dream of endless prosperity, and Watergate’s walls closed in on Nixon, the music of 1973 both reflected a shattered world and brought us together.
1968 in America
Author: Charles Kaiser
Publisher: Grove Press
ISBN: 9780802135308
Category : Fiction
Languages : en
Pages : 362
Book Description
Charles Kaiser’s 1968 in America is widely recognized as one of the best historical accounts of the 1960s. This book devotes equal attention to the personal and the political — and speaks with authority about such diverse figures as Bob Dylan, Eugene McCarthy, Janis Joplin, and Lyndon Johnson.
Publisher: Grove Press
ISBN: 9780802135308
Category : Fiction
Languages : en
Pages : 362
Book Description
Charles Kaiser’s 1968 in America is widely recognized as one of the best historical accounts of the 1960s. This book devotes equal attention to the personal and the political — and speaks with authority about such diverse figures as Bob Dylan, Eugene McCarthy, Janis Joplin, and Lyndon Johnson.
1966
Author: Jon Savage
Publisher: Faber & Faber
ISBN: 0571277640
Category : Social Science
Languages : en
Pages : 507
Book Description
WINNER OF THE PENDERYN MUSIC PRIZEA GUARDIAN MUSIC BOOK OF THE YEAR, 2015Award-winning, Sunday Times bestselling author Jon Savage's monument to the year that shaped the future of global pop cultural history. In America, in London, in Amsterdam, in Paris, revolutionary ideas fomenting since the late 1950s reached boiling point, culminating in a year in which the transient pop moment burst forth. Exploring the canonical figures, from The Beatles and Boty to Warhol and Reagan, 1966 delves deep into the social and cultural heart of the decade through masterfully compiled archival primary sources.'A marvel of hisotrical reconstruction and pop insight.' OBSERVER'Absorbing . . . this is not only fine pop writing, but social history of a high order.'GUARDIAN'Savage is rightly regarded as one of the finest cultural critics of the past 40 years . . . an enthralling, exhiliarting read.'IRISH TIMES'Exceptional.'MOJO
Publisher: Faber & Faber
ISBN: 0571277640
Category : Social Science
Languages : en
Pages : 507
Book Description
WINNER OF THE PENDERYN MUSIC PRIZEA GUARDIAN MUSIC BOOK OF THE YEAR, 2015Award-winning, Sunday Times bestselling author Jon Savage's monument to the year that shaped the future of global pop cultural history. In America, in London, in Amsterdam, in Paris, revolutionary ideas fomenting since the late 1950s reached boiling point, culminating in a year in which the transient pop moment burst forth. Exploring the canonical figures, from The Beatles and Boty to Warhol and Reagan, 1966 delves deep into the social and cultural heart of the decade through masterfully compiled archival primary sources.'A marvel of hisotrical reconstruction and pop insight.' OBSERVER'Absorbing . . . this is not only fine pop writing, but social history of a high order.'GUARDIAN'Savage is rightly regarded as one of the finest cultural critics of the past 40 years . . . an enthralling, exhiliarting read.'IRISH TIMES'Exceptional.'MOJO
Beatles '66
Author: Steve Turner
Publisher: HarperCollins
ISBN: 0062475592
Category : Music
Languages : en
Pages : 252
Book Description
A riveting look at the transformative year in the lives and careers of the legendary group whose groundbreaking legacy would forever change music and popular culture. They started off as hysteria-inducing pop stars playing to audiences of screaming teenage fans and ended up as musical sages considered responsible for ushering in a new era. The year that changed everything for the Beatles was 1966—the year of their last concert and their first album, Revolver, that was created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. It was the year their records were burned in America after John’s explosive claim that the group was "more popular than Jesus," the year they were hounded out of the Philippines for "snubbing" its First Lady, the year John met Yoko Ono, and the year Paul conceived the idea for Sgt. Pepper’s Lonely Hearts Club Band. On the fiftieth anniversary of this seminal year, music journalist and Beatles expert Steve Turner slows down the action to investigate in detail the enormous changes that took place in the Beatles’ lives and work during 1966. He looks at the historical events that had an impact on the group, the music they made that in turn profoundly affected the culture around them, and the vision that allowed four young men from Liverpool to transform popular music and serve as pioneers for artists from Coldplay to David Bowie, Jay-Z to U2. By talking to those close to the group and by drawing on his past interviews with key figures such as George Martin, Timothy Leary, and Ravi Shankar—and the Beatles themselves—Turner gives us the compelling, definitive account of the twelve months that contained everything the Beatles had been and anticipated everything they would still become.
Publisher: HarperCollins
ISBN: 0062475592
Category : Music
Languages : en
Pages : 252
Book Description
A riveting look at the transformative year in the lives and careers of the legendary group whose groundbreaking legacy would forever change music and popular culture. They started off as hysteria-inducing pop stars playing to audiences of screaming teenage fans and ended up as musical sages considered responsible for ushering in a new era. The year that changed everything for the Beatles was 1966—the year of their last concert and their first album, Revolver, that was created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. It was the year their records were burned in America after John’s explosive claim that the group was "more popular than Jesus," the year they were hounded out of the Philippines for "snubbing" its First Lady, the year John met Yoko Ono, and the year Paul conceived the idea for Sgt. Pepper’s Lonely Hearts Club Band. On the fiftieth anniversary of this seminal year, music journalist and Beatles expert Steve Turner slows down the action to investigate in detail the enormous changes that took place in the Beatles’ lives and work during 1966. He looks at the historical events that had an impact on the group, the music they made that in turn profoundly affected the culture around them, and the vision that allowed four young men from Liverpool to transform popular music and serve as pioneers for artists from Coldplay to David Bowie, Jay-Z to U2. By talking to those close to the group and by drawing on his past interviews with key figures such as George Martin, Timothy Leary, and Ravi Shankar—and the Beatles themselves—Turner gives us the compelling, definitive account of the twelve months that contained everything the Beatles had been and anticipated everything they would still become.
Here, There and Everywhere
Author: Geoff Emerick
Publisher: Penguin
ISBN: 110121824X
Category : Biography & Autobiography
Languages : en
Pages : 658
Book Description
An all-access, firsthand account of the life and music of one of history's most beloved bands--from an original mastering engineer at Abbey Road Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in 1962 at age fifteen, and was present as a new band called the Beatles recorded their first songs. He later worked with the Beatles as they recorded their singles “She Loves You” and “I Want to Hold Your Hand,” the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into professional, polished musicians as they put to tape classic songs such as “Eight Days A Week” and “I Feel Fine.” Then, in 1966, at age nineteen, Geoff Emerick became the Beatles’ chief engineer, the man responsible for their distinctive sound as they recorded the classic album Revolver, in which they pioneered innovative recording techniques that changed the course of rock history. Emerick would also engineer the monumental Sgt. Pepper and Abbey Road albums, considered by many the greatest rock recordings of all time. In Here, There and Everywhere he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. Emerick also brings to light the personal dynamics of the band, from the relentless (and increasingly mean-spirited) competition between Lennon and McCartney to the infighting and frustration that eventually brought a bitter end to the greatest rock band the world has ever known.
Publisher: Penguin
ISBN: 110121824X
Category : Biography & Autobiography
Languages : en
Pages : 658
Book Description
An all-access, firsthand account of the life and music of one of history's most beloved bands--from an original mastering engineer at Abbey Road Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in 1962 at age fifteen, and was present as a new band called the Beatles recorded their first songs. He later worked with the Beatles as they recorded their singles “She Loves You” and “I Want to Hold Your Hand,” the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into professional, polished musicians as they put to tape classic songs such as “Eight Days A Week” and “I Feel Fine.” Then, in 1966, at age nineteen, Geoff Emerick became the Beatles’ chief engineer, the man responsible for their distinctive sound as they recorded the classic album Revolver, in which they pioneered innovative recording techniques that changed the course of rock history. Emerick would also engineer the monumental Sgt. Pepper and Abbey Road albums, considered by many the greatest rock recordings of all time. In Here, There and Everywhere he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. Emerick also brings to light the personal dynamics of the band, from the relentless (and increasingly mean-spirited) competition between Lennon and McCartney to the infighting and frustration that eventually brought a bitter end to the greatest rock band the world has ever known.
Dreams to Remember: Otis Redding, Stax Records, and the Transformation of Southern Soul
Author: Mark Ribowsky
Publisher: W. W. Norton & Company
ISBN: 0871408740
Category : Music
Languages : en
Pages : 444
Book Description
A Kirkus Reviews Best Book of the Year (Nonfiction) Finalist for the Marfield Prize, National Award for Arts Writing “Evokes the fire of Redding.... Ribowsky tells the story with nonstop energy, while always probing for the larger social and musical pictures.” —New York Times Book Review When he died in one of rock's string of tragic plane crashes, Otis Redding was only twenty-six, yet already the avatar of a new kind of soul music. The beating heart of Memphis-based Stax Records, he had risen to fame belting out gospel-flecked blues in stage performances that seemed to ignite not only a room but an entire generation. If Berry Gordy's black-owned kingdom in Motown showed the way in soul music, Redding made his own way, going where not even his two role models who had preceded him out of Macon, Georgia—Little Richard and James Brown—had gone. Now, in this transformative work, New York Times Notable Book author Mark Ribowsky contextualizes his subject's short career within the larger cultural and social movements of the era, tracing the crooner's rise from preacher's son to a preacher of three-minute soul sermons. And what a quick rise it was. At the tender age of twenty-one, Redding needed only a single unscheduled performance to earn a record deal, his voice so "utterly unique" (Atlantic) that it catapulted him on a path to stardom and turned a Memphis theater-turned-studio into a music mecca. Soon he was playing at sold-out venues across the world, from Finsbury Park in London to his ultimate conquest, the 1967 Monterrey Pop Festival in California, where he finally won over the flower-power crowd. Still, Redding was not always the affable, big-hearted man's man the PR material painted him to be. Based on numerous new interviews and prodigious research, Dreams to Remember reintroduces an incredibly talented yet impulsive man, one who once even risked his career by shooting a man in the leg. But that temperament masked a deep vulnerability that was only exacerbated by an industry that refused him a Grammy until he was in his grave—even as he shaped the other Stax soul men around him, like Wilson Pickett, Sam and Dave, and Booker T. and The MG's. As a result, this requiem is one of great conquest but also grand tragedy: a soul king of truth, a mortal man with an immortal voice and a pain in his heart. Now he, and the forces that shaped his incomparable sound, are reclaimed, giving us a panoramic of an American original who would come to define an entire era, yet only wanted what all men deserve—a modicum of respect and a place to watch the ships roll in and away again.
Publisher: W. W. Norton & Company
ISBN: 0871408740
Category : Music
Languages : en
Pages : 444
Book Description
A Kirkus Reviews Best Book of the Year (Nonfiction) Finalist for the Marfield Prize, National Award for Arts Writing “Evokes the fire of Redding.... Ribowsky tells the story with nonstop energy, while always probing for the larger social and musical pictures.” —New York Times Book Review When he died in one of rock's string of tragic plane crashes, Otis Redding was only twenty-six, yet already the avatar of a new kind of soul music. The beating heart of Memphis-based Stax Records, he had risen to fame belting out gospel-flecked blues in stage performances that seemed to ignite not only a room but an entire generation. If Berry Gordy's black-owned kingdom in Motown showed the way in soul music, Redding made his own way, going where not even his two role models who had preceded him out of Macon, Georgia—Little Richard and James Brown—had gone. Now, in this transformative work, New York Times Notable Book author Mark Ribowsky contextualizes his subject's short career within the larger cultural and social movements of the era, tracing the crooner's rise from preacher's son to a preacher of three-minute soul sermons. And what a quick rise it was. At the tender age of twenty-one, Redding needed only a single unscheduled performance to earn a record deal, his voice so "utterly unique" (Atlantic) that it catapulted him on a path to stardom and turned a Memphis theater-turned-studio into a music mecca. Soon he was playing at sold-out venues across the world, from Finsbury Park in London to his ultimate conquest, the 1967 Monterrey Pop Festival in California, where he finally won over the flower-power crowd. Still, Redding was not always the affable, big-hearted man's man the PR material painted him to be. Based on numerous new interviews and prodigious research, Dreams to Remember reintroduces an incredibly talented yet impulsive man, one who once even risked his career by shooting a man in the leg. But that temperament masked a deep vulnerability that was only exacerbated by an industry that refused him a Grammy until he was in his grave—even as he shaped the other Stax soul men around him, like Wilson Pickett, Sam and Dave, and Booker T. and The MG's. As a result, this requiem is one of great conquest but also grand tragedy: a soul king of truth, a mortal man with an immortal voice and a pain in his heart. Now he, and the forces that shaped his incomparable sound, are reclaimed, giving us a panoramic of an American original who would come to define an entire era, yet only wanted what all men deserve—a modicum of respect and a place to watch the ships roll in and away again.
Where's Ringo?
Author: Andrew Grant Jackson
Publisher: White Lion Publishing
ISBN: 1781312184
Category : Biography & Autobiography
Languages : en
Pages : 99
Book Description
An album-sized hide-and-seek seek caper through the story of the Beatles, 'Where's Ringo?' features 20 fantastically intricate original artworks inspired by key periods in the Fab Four's evolution. Throughout, the ever-present Ringo Starr has been cleverly hidden for the reader to find, along with an array of Beatle friends and memorabilia, including John Lennon's glasses, Mick Jagger and the Blue Meanies.
Publisher: White Lion Publishing
ISBN: 1781312184
Category : Biography & Autobiography
Languages : en
Pages : 99
Book Description
An album-sized hide-and-seek seek caper through the story of the Beatles, 'Where's Ringo?' features 20 fantastically intricate original artworks inspired by key periods in the Fab Four's evolution. Throughout, the ever-present Ringo Starr has been cleverly hidden for the reader to find, along with an array of Beatle friends and memorabilia, including John Lennon's glasses, Mick Jagger and the Blue Meanies.