Author: Leonard Koetser Gallery
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 68
Book Description
1962 Tenth Annual Autumn Exhibition Flemish, Dutch and Italian Old Masters
Author: Leonard Koetser Gallery
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 68
Book Description
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 68
Book Description
Bibliography of the Netherlands Institute for Art History
Author: Netherlands. Rijksbureau voor Kunsthistorische Documentatie
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 356
Book Description
National Union Catalog
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 616
Book Description
Includes entries for maps and atlases.
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 616
Book Description
Includes entries for maps and atlases.
Exhibition of Flemish, Dutch, and Italian Old Masters
Author: Leonard Koetser Gallery
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 72
Book Description
The Burlington Magazine
Author: Robert Edward Dell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 568
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 568
Book Description
Catalogues of the Berenson Library of the Harvard University Center for Italian Renaissance Studies at Villa I Tatti, Florence, Italy
Author: Berenson Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 700
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 700
Book Description
Tenth Annual Spring Exhibition of Flemish, Dutch and Italian Old Masters
Author: Spring Exhibition of Flemish, Dutch and Italian Old Masters. 10, 1963, London
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
The Structural Conservation of Panel Paintings
Author: Kathleen Dardes
Publisher: Getty Publications
ISBN: 0892363843
Category : Art
Languages : en
Pages : 582
Book Description
This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.
Publisher: Getty Publications
ISBN: 0892363843
Category : Art
Languages : en
Pages : 582
Book Description
This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.
1963 Tenth Annual Spring Exhibition
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 61
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 61
Book Description