15th Century Woodcuts and Other Relief Prints in the Collection of the Metropolitan Museum of Art [New York] PDF Download
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Author: Richard Sampson Field
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Category :
Languages : en
Pages :
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![15th Century Woodcuts and Other Relief Prints in the Collection of the Metropolitan Museum of Art [New York] PDF](https://books.google.com/books/content/images/frontcover/CAc2twAACAAJ?fife=w80-h100)
Author: Richard Sampson Field
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Category :
Languages : en
Pages :
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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 36
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Author: Metropolitan Museum of Art (Nova York, Nova York)
Publisher:
ISBN:
Category :
Languages : en
Pages : 26
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Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 774
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Book Description
Author: Susan Dackerman
Publisher: Penn State Press
ISBN: 9780271022352
Category : Art
Languages : en
Pages : 324
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Book Description
Betr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiées faces de la mort", Lyon 1538 (S. 176-179).
Author: Peter W. Parshall
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
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Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Author: DavidS. Areford
Publisher: Routledge
ISBN: 135153968X
Category : Art
Languages : en
Pages : 347
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Book Description
Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
Author: Peter W. Parshall
Publisher: Ngw-Stud Hist Art
ISBN:
Category : Art
Languages : en
Pages : 422
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The advent of printing in Western Europe is a familiar historical milestone; far less known is the emergence of a technology of image printing more than a generation before Gutenberg.
Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
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Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 828
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