Author: Louise Gray
Publisher: New Internationalist
ISBN: 1906523703
Category : Music
Languages : en
Pages : 171
Get Book Here
Book Description
"World music" is an awkward phrase. Used to describe the hugely multifaceted nature of a range of typically non-English-language popular music from the world over, it's a tag that throws up as many problems as it does solutions. Louise Gray's The No-Nonsense Guide to World Music attempts to go behind the phrase to explore the reasons for the contemporary interest in world music, who listens to it, and why. Through chapters that focus on specific areas of music, such as rembetika, fado, trance music, and new folk, Gray explores the genres that have emerged from marginalized communities, music in conflict zones, and music as escapism. In this unique guide, which combines the seduction of sound with politics and social issues, the author makes the case for music as a powerful tool able to bring individuals together. Louise Gray is a writer and editor whose work on music and performing arts has appeared in the New Internationalist, The Wire, The Independent on Sunday, the Guardian, and Art Review. She co-edited Sound and the City (British Council, 2007), a book exploring the changing soundworld of China.
Author: Dafni Tragaki
Publisher: Routledge
ISBN: 1317607996
Category : Music
Languages : en
Pages : 353
Get Book Here
Book Description
Made in Greece: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of contemporary Greek popular music. Each essay covers the major figures, styles, and social contexts of pop music in Greece, first presenting a general description of the history and background of popular music in Greece, followed by essays, written by leading scholars of Greek music, that are organized into thematic sections: Hugely Popular, Art-song Trajectories, Greekness beyond Greekness, Counter Stories, and Present Musical Pasts.
Author: Timothy Rice
Publisher: Routledge
ISBN: 1351544268
Category : Music
Languages : en
Pages : 1174
Get Book Here
Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Jim Samson
Publisher: BRILL
ISBN: 9004250387
Category : Music
Languages : en
Pages : 749
Get Book Here
Book Description
This book asks how a study of many different musics in South East Europe can help us understand the construction of cultural traditions, East and West. It crosses boundaries of many kinds, political, cultural, repertorial and disciplinary. Above all, it seeks to elucidate the relationship between politics and musical practice in a region whose art music has been all but written out of the European story and whose traditional music has been subject to appropriation by one ideology after another. South East Europe, with its mix of ethnicities and religions, presents an exceptionally rich field of study in this respect. The book will be of value to anyone interested in intersections between pre-modern and modern cultures, between empires and nations and between culture and politics.
Author: Dimitris Papanikolaou
Publisher: Routledge
ISBN: 1351196170
Category : Literary Criticism
Languages : en
Pages : 343
Get Book Here
Book Description
"Between 1945 and 1975, in both France and Greece, literature provided the aesthetic criteria, cultural prestige and institutional basis for what aspired to be a higher form of popular song and the authentic representative of a national popular music. Published poems were set to popular music, while critical discourse celebrated some songwriters not only for being 'as good as poets' but for being 'singing poets' in their own right. This challenging and stimulating study is the first to chart the parallel cultural processes in the two countries from a comparative perspective. Bringing together cultural studies with literary criticism, it offers new angles on the work of Georges Brassens, Leo Ferre, Jacques Brel, Mikis Theodorakis, Manos Hadjidakis and Dionysis Savvopoulos."
Author:
Publisher: Greeklines.com
ISBN: 9780993263309
Category : Music
Languages : en
Pages : 320
Get Book Here
Book Description
Markos Vamvakaris, born in 1905 in Syros was a pioneer of rebetiko, the urban folk music of Greece. The bouzouki was a disreputable instrument but he paved its path to glory. He spent many years, first as a stevedore in the port of Piraeus and then as a butcher in the slaughterhouse. During this time he fell in love with a tigress, his first wife, he learnt to smoke hashish and to play the 'sacred' instrument: 'I had a great passion. My life was all bouzouki. It took me over - but it also took me up in the world, way up ...' This is the first ever translation into English of the autobiography compiled by Angeliki Vellou Keil in 1972. It opens a window onto a time of extraordinary creativity in the history of Greek music, an explosion of songwriting in the interwar period. Its composers wrote about themselves and each other, the rituals of hashish smoking and the landmarks of a now vanished city. Markos the repentant sinner and living legend, looks back at childhood idylls in Syros, the arrival of the Asia Minor refugees, the terrible years of the Nazi Occupation, the ceaseless love affairs and disappointments, and the triumphs of the bouzouki. He offers a rare insight into the lives of toiling workers and the lowlife of one of the world's most ancient ports, where East meets West. Out of this melting pot he produced the classic songs that Greeks of all ages still love and know by heart.
Author: Daniel Koglin
Publisher: Taylor & Francis
ISBN: 1134803486
Category : Music
Languages : en
Pages : 291
Get Book Here
Book Description
Greek Rebetiko from a Psychocultural Perspective: Same Songs Changing Minds examines the ways in which audiences in present-day Greece and Turkey perceive and use the Greek popular song genre rebetiko to cultivate specific cultural habits and identities. In the past, rebetiko has been associated chiefly with the lower strata of Greek society. But Daniel Koglin approaches the subject from a different perspective, exploring the mythological and ritual aspects of rebetiko, which intellectual elites on both sides of the Aegean Sea have adapted to their own world views in our age of globalized consumption. Combining qualitative and quantitative methods from ethnomusicology, ritual studies, conceptual history and music psychology, Koglin casts light on the role played by national perceptions in the processes of music production and consumption. His analysis reveals that rebetiko persistently oscillates between conceptual categories: it is a music both ours and theirs, marginal and mainstream, joyful and grievous, sacred and profane. The study culminates in the thesis that this semantic multistability is not only a key concept to understanding the ongoing popularity of rebetiko in Greece, and its recent renaissance in Turkey, but also a fundamental aspect of the human experience on the south-eastern borders of Europe.
Author: Tullia Magrini
Publisher: University of Chicago Press
ISBN: 9780226501659
Category : Music
Languages : en
Pages : 400
Get Book Here
Book Description
Although scholars have long been aware of the crucial roles that gender plays in music, and vice versa, the contributors to this volume are among the first to systematically examine the interactions between the two. This book is also the first to explore the diverse, yet often strikingly similar, musics of the areas bordering the Mediterranean from comparative anthropological perspectives. From Spanish flamenco to Algerian raï, Greek rebetika to Turkish pop music, Sephardi and Berber songs to Egyptian belly dancers, the contributors cover an exceedingly wide range of geographic and musical territories. Individual essays examine musical behavior as representation, assertion, and sometimes transgression of gender identities; compare men's and women's roles in specific musical practices and their historical evolution; and explore how music and gender relate to such issues as ethnicity, nationality, and religion. Anyone studying the musics or cultures of the Mediterranean, or more generally the relations between gender and the arts, will welcome this book. Contributors: Caroline Bithell, Joaquina Labajo, Jane C. Sugarman, Carol Silverman, Goffredo Plastino, Gail Holst-Warhaft, Edwin Seroussi, Marie Virolle, Terry Brint Joseph, Deborah Kapchan, Karin van Nieuwkerk, Svanibor Pettan, Martin Stokes, Philip V. Bohlman
Author: David Cooper
Publisher: Scarecrow Press
ISBN: 9780810854079
Category : Music
Languages : en
Pages : 270
Get Book Here
Book Description
Politically and historically, the Mediterranean has been a space for critical dialogue for competing and often antagonistic voices, and still functions as meeting place for diverse and interdisciplinary approaches. Although other academic disciplines have attempted a unified approach to Mediterranean studies, until recently Mediterranean music as a singular concept has received relatively little scholarly development. This volume is a crucial first step and investigates several musical cultures that have traditionally demonstrated common threads, trends, and interactions. The music of Greece, Crete, Turkey, Albania, Corsica, Italy, Spain, Morocco, Algeria and Palestine are all considered in this volume as the scholars represented here reveal the musical commonality among otherwise divergent traditions. Unnecessary technical jargon is avoided, and an interdisciplinary approach embracing ethnology and material culture considerations makes this volume relevant not only to musicologists and anthropologists, but likewise to the general reader interested in tourism.
Author: Paul Vernon
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 376
Get Book Here
Book Description
Detailed information on almost all ethnic and vernacular recordings from many countries on 78rpm is provided in this seminal work. The current state of discographical research in this wide and varied field is such that a research tool of this nature is badly needed. Jesse Walter Fewkes and Mary Hemenway recorded Native American music as early as 1890; Bela Bartok recorded rural music in the Balkans; Erich von Hornbostel, the grand old man of ethnomusicology in Europe, recorded in Southeast Asia. More than just a discography, this work demonstrates that cultures around the world and over time have more similarities than differences. A necessity for scholars, students, archivists, and individual record collectors and dealers. The goals of this volume are many and varied: to promote thought and discussion toward a concise definition of recorded ethnic music; to assist specialists working on individual discographical projects; to introduce users to the interconnectedness of cultures through regional music; to gather heretofore disparate pieces of information under one cover in a way that for the first time allows specialists to accurately identify all manner of recordings in many languages. The four sections of the volume work together for easy usage through cross referencing. The philosophy behind the volume was expressed by Rodney Gallop when he remarked that music, for him, was often the key to the understanding of other cultures.
