Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
12 Real Photographs of Edinburgh Set B.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
Photography
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 876
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 876
Book Description
The British Journal of Photography
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 642
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 642
Book Description
The Amateur Photographer & Photography
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 590
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 590
Book Description
English Mechanic and Mirror of Science and Art
Author:
Publisher:
ISBN:
Category : Technology
Languages : en
Pages : 648
Book Description
Publisher:
ISBN:
Category : Technology
Languages : en
Pages : 648
Book Description
The British Journal Photographic Almanac and Photographer's Daily Companion
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1420
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1420
Book Description
British Journal of Photography
Author: William Crookes
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 1106
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 1106
Book Description
Year-book of Photography and Photographic News Almanac
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 318
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 318
Book Description
Motion Picture Almanac
Author: Terry Ramsaye
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1036
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1036
Book Description
Impressed by Light
Author: Roger Taylor
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.