Author: Nick Parkhouse
Publisher: Authorhouse UK
ISBN: 9781449098476
Category : Musicians
Languages : en
Pages : 0
Book Description
The 1980s was a memorable decade for music. Many of the biggest hits from the era are now regarded as modern standards, played at weddings, parties and on radio stations the world over. Whilst the decade threw up some of the most iconic artists and well-recognised songs in music history, it also produced hundreds of hidden gems; songs which were big hits at the time but have not enjoyed the same level of radio airplay and exposure over the last quarter of a century. 101 Forgotten Pop Hits of the 1980s aims to remedy this and to jog the nation's memory about all those fantastic pop records of the decade that have been criminally sidelined through the passing of time. With twelve number One singles and over eighty further top Ten hits included, this book champions those silver and gold selling records, none of which are obscure and all of which deserve their place in the 1980's Pop Hall of Fame. From sharing cigarettes with Johnny Hates Jazz in the car park of the NEC to appearing on the same bill as Tony Hadley, Nick Parkhouse spent two years meeting and interviewing the artists, performers, musicians, writers and producers that shaped the pop landscape of the decade. 101 Forgotten Pop Hits of the 1980s is the definitive guide to the great music that inspired a generation.
101 Forgotten Pop Hits of the 1980s
Author: Nick Parkhouse
Publisher: Authorhouse UK
ISBN: 9781449098476
Category : Musicians
Languages : en
Pages : 0
Book Description
The 1980s was a memorable decade for music. Many of the biggest hits from the era are now regarded as modern standards, played at weddings, parties and on radio stations the world over. Whilst the decade threw up some of the most iconic artists and well-recognised songs in music history, it also produced hundreds of hidden gems; songs which were big hits at the time but have not enjoyed the same level of radio airplay and exposure over the last quarter of a century. 101 Forgotten Pop Hits of the 1980s aims to remedy this and to jog the nation's memory about all those fantastic pop records of the decade that have been criminally sidelined through the passing of time. With twelve number One singles and over eighty further top Ten hits included, this book champions those silver and gold selling records, none of which are obscure and all of which deserve their place in the 1980's Pop Hall of Fame. From sharing cigarettes with Johnny Hates Jazz in the car park of the NEC to appearing on the same bill as Tony Hadley, Nick Parkhouse spent two years meeting and interviewing the artists, performers, musicians, writers and producers that shaped the pop landscape of the decade. 101 Forgotten Pop Hits of the 1980s is the definitive guide to the great music that inspired a generation.
Publisher: Authorhouse UK
ISBN: 9781449098476
Category : Musicians
Languages : en
Pages : 0
Book Description
The 1980s was a memorable decade for music. Many of the biggest hits from the era are now regarded as modern standards, played at weddings, parties and on radio stations the world over. Whilst the decade threw up some of the most iconic artists and well-recognised songs in music history, it also produced hundreds of hidden gems; songs which were big hits at the time but have not enjoyed the same level of radio airplay and exposure over the last quarter of a century. 101 Forgotten Pop Hits of the 1980s aims to remedy this and to jog the nation's memory about all those fantastic pop records of the decade that have been criminally sidelined through the passing of time. With twelve number One singles and over eighty further top Ten hits included, this book champions those silver and gold selling records, none of which are obscure and all of which deserve their place in the 1980's Pop Hall of Fame. From sharing cigarettes with Johnny Hates Jazz in the car park of the NEC to appearing on the same bill as Tony Hadley, Nick Parkhouse spent two years meeting and interviewing the artists, performers, musicians, writers and producers that shaped the pop landscape of the decade. 101 Forgotten Pop Hits of the 1980s is the definitive guide to the great music that inspired a generation.
The Totally Awesome 80s Pop Music Trivia Book
Author: Michael-Dante Craig
Publisher: iUniverse
ISBN: 0595170102
Category : Games & Activities
Languages : en
Pages : 222
Book Description
The Totally Awesome 80s! If you can name all the members of Duran Duran, lip synch with perfection to a song by Milli Vanilli, or out-dance Madonna in her “Lucky Star” music video, then this is the perfect book for you! It’s all here, from a-ha to ZZ Top. So, slip on your leg warmers or your “Frankie Says Relax” shirt, open a can of New Coke, and put on a Culture Club CD, it’s time to take a trip back to the Wild and Wacky 80s, the most totally awesome decade of all time! Open up this book and you’re sure to have a gnarly good time!!!
Publisher: iUniverse
ISBN: 0595170102
Category : Games & Activities
Languages : en
Pages : 222
Book Description
The Totally Awesome 80s! If you can name all the members of Duran Duran, lip synch with perfection to a song by Milli Vanilli, or out-dance Madonna in her “Lucky Star” music video, then this is the perfect book for you! It’s all here, from a-ha to ZZ Top. So, slip on your leg warmers or your “Frankie Says Relax” shirt, open a can of New Coke, and put on a Culture Club CD, it’s time to take a trip back to the Wild and Wacky 80s, the most totally awesome decade of all time! Open up this book and you’re sure to have a gnarly good time!!!
101 Forgotten Films
Author: Brian Mills
Publisher: Oldacastle Books
ISBN: 1842433903
Category : Performing Arts
Languages : en
Pages : 161
Book Description
Somewhere in the labyrinth of our memories are films that we have seen and cannot forget but frustratingly may never see again because they have mysteriously vanished from the public domain. They may be hidden away in a film studio's vault, buried beneath the floorboards of a filmmaker's home, imprisoned by some ancient legality, refused release at a director's whim, or simply not optioned by a distributor. This book brings back to life 101 films that are entombed in a cinema cemetery and in so doing unearths a film noir masterpiece, a French classic, a Mastroianni feature comparable to Cinema Paradiso, a pioneering Independent film of the 1950s, a Joan Crawford headliner, an amazing Nicholas Ray experimental feature, Italian comedies by Nichetti, and lost gems by Widerberg, Hitchcock, Lang, Ford, Lubitsch, Litvak, Dmytryk, Kazan, Cacoyannis, Boetticher, Zinnemann, Ray, Huston, and many more luminaries of the silver screen. Though critics may acclaim them, audiences applaud them, and Sundance or Cannes may screen them, no film is guaranteed a general release, and too many disappear into oblivion. This book pays homage to those lost films that deserve to be exhibited beyond the screen of our memories.
Publisher: Oldacastle Books
ISBN: 1842433903
Category : Performing Arts
Languages : en
Pages : 161
Book Description
Somewhere in the labyrinth of our memories are films that we have seen and cannot forget but frustratingly may never see again because they have mysteriously vanished from the public domain. They may be hidden away in a film studio's vault, buried beneath the floorboards of a filmmaker's home, imprisoned by some ancient legality, refused release at a director's whim, or simply not optioned by a distributor. This book brings back to life 101 films that are entombed in a cinema cemetery and in so doing unearths a film noir masterpiece, a French classic, a Mastroianni feature comparable to Cinema Paradiso, a pioneering Independent film of the 1950s, a Joan Crawford headliner, an amazing Nicholas Ray experimental feature, Italian comedies by Nichetti, and lost gems by Widerberg, Hitchcock, Lang, Ford, Lubitsch, Litvak, Dmytryk, Kazan, Cacoyannis, Boetticher, Zinnemann, Ray, Huston, and many more luminaries of the silver screen. Though critics may acclaim them, audiences applaud them, and Sundance or Cannes may screen them, no film is guaranteed a general release, and too many disappear into oblivion. This book pays homage to those lost films that deserve to be exhibited beyond the screen of our memories.
101 Albums that Changed Popular Music
Author: Chris Smith
Publisher: Oxford University Press, USA
ISBN: 0195373715
Category : Language Arts & Disciplines
Languages : en
Pages : 304
Book Description
Chris Smith tells the fascinating stories behind the most groundbreaking, influential, and often controversial albums ever recorded.
Publisher: Oxford University Press, USA
ISBN: 0195373715
Category : Language Arts & Disciplines
Languages : en
Pages : 304
Book Description
Chris Smith tells the fascinating stories behind the most groundbreaking, influential, and often controversial albums ever recorded.
Some Wear Leather, Some Wear Lace
Author: Andrea Harriman
Publisher: Intellect Books
ISBN: 1783203536
Category : Performing Arts
Languages : en
Pages : 218
Book Description
It was a scene that had many names: some original members referred to themselves as punks, others, new romantics, new wavers, the bats or the morbids. 'Goth' did not gain lexical currency until the late 1980s. But no matter what term was used, 'postpunk' encompasses all the incarnations of the 1980s alternative movement. Some Wear Leather, Some Wear Lace is a visual and oral history of the first decade of the scene. Featuring interviews with both the performers and the audience to capture the community on and off stage, the book places personal snapshots alongside professional photography to reveal a unique range of fashions, bands and scenes. A book about the music, the individual and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books. Whether you were part of the scene or are just fascinated by different modes of expression, this book will transport you to another time and place.
Publisher: Intellect Books
ISBN: 1783203536
Category : Performing Arts
Languages : en
Pages : 218
Book Description
It was a scene that had many names: some original members referred to themselves as punks, others, new romantics, new wavers, the bats or the morbids. 'Goth' did not gain lexical currency until the late 1980s. But no matter what term was used, 'postpunk' encompasses all the incarnations of the 1980s alternative movement. Some Wear Leather, Some Wear Lace is a visual and oral history of the first decade of the scene. Featuring interviews with both the performers and the audience to capture the community on and off stage, the book places personal snapshots alongside professional photography to reveal a unique range of fashions, bands and scenes. A book about the music, the individual and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books. Whether you were part of the scene or are just fascinated by different modes of expression, this book will transport you to another time and place.
Mars by 1980
Author: David Stubbs
Publisher: Faber & Faber Social
ISBN: 9780571346974
Category : Music
Languages : en
Pages : 464
Book Description
The definitive guide to electronic music. In FUTURE SOUNDS, David Stubbs charts the evolution of electronic music from the earliest mechanical experiments in the late nineteenth century to the pre-World War I inventions of the Futurist Luigi Russolo, author of the "Art Of Noises" manifesto. He takes us through the musique concrète of radical composers such as Edgard Varèse, Pierre Schaeffer, and Karlheinz Stockhausen, to the gradual absorption of electronic instrumentation into the mainstream: be it through the BBC Radiophonic Workshop and the work of pioneers like Delia Derbyshire, grandiose prog rock, or the more DIY approach of electronica, house, and techno. It's a tale of mavericks and future dreamers overcoming Luddite resistance, malfunctioning devices, and sonic mayhem. Its beginnings are in the world of avant-classical composition, but the book also encompasses the cosmic funk of Stevie Wonder, Giorgio Moroder, and unforgettable 80s electronic pop from the likes of Depeche Mode, Pet Shop Boys, and Laurie Anderson - right up to present day innovators on the underground scene. But above all, it's an essential story of authenticity: is this music? Is it legitimate? What drew its creators to make it? Where does it stand, in relation to rock and pop, classical and jazz music, to the modern society that generated it? And why does it resonate more strongly than ever in our own postmodern, seemingly post-futurist times? FUTURE SOUNDS is the definitive account that answers these questions.
Publisher: Faber & Faber Social
ISBN: 9780571346974
Category : Music
Languages : en
Pages : 464
Book Description
The definitive guide to electronic music. In FUTURE SOUNDS, David Stubbs charts the evolution of electronic music from the earliest mechanical experiments in the late nineteenth century to the pre-World War I inventions of the Futurist Luigi Russolo, author of the "Art Of Noises" manifesto. He takes us through the musique concrète of radical composers such as Edgard Varèse, Pierre Schaeffer, and Karlheinz Stockhausen, to the gradual absorption of electronic instrumentation into the mainstream: be it through the BBC Radiophonic Workshop and the work of pioneers like Delia Derbyshire, grandiose prog rock, or the more DIY approach of electronica, house, and techno. It's a tale of mavericks and future dreamers overcoming Luddite resistance, malfunctioning devices, and sonic mayhem. Its beginnings are in the world of avant-classical composition, but the book also encompasses the cosmic funk of Stevie Wonder, Giorgio Moroder, and unforgettable 80s electronic pop from the likes of Depeche Mode, Pet Shop Boys, and Laurie Anderson - right up to present day innovators on the underground scene. But above all, it's an essential story of authenticity: is this music? Is it legitimate? What drew its creators to make it? Where does it stand, in relation to rock and pop, classical and jazz music, to the modern society that generated it? And why does it resonate more strongly than ever in our own postmodern, seemingly post-futurist times? FUTURE SOUNDS is the definitive account that answers these questions.
Yeah! Yeah! Yeah!: The Story of Pop Music from Bill Haley to Beyoncé
Author: Bob Stanley
Publisher: W. W. Norton & Company
ISBN: 0393242706
Category : Music
Languages : en
Pages : 547
Book Description
"[Stanley is] as clear-eyed about music as he is crazy in love with it." —Mikael Wood, Los Angeles Times A monumental work of musical history, Yeah! Yeah! Yeah! traces the story of pop music through songs, bands, musical scenes, and styles from Bill Haley and the Comets’ “Rock around the Clock” (1954) to Beyoncé’s first megahit, “Crazy in Love” (2003). Bob Stanley—himself a musician, music critic, and fan—teases out the connections and tensions that animated the pop charts for decades, and ranges across the birth of rock, soul, R&B, punk, hip hop, indie, house, techno, and more. Yeah! Yeah! Yeah! is a vital guide to the rich soundtrack of the second half of the twentieth century and a book as much fun to argue with as to quote.
Publisher: W. W. Norton & Company
ISBN: 0393242706
Category : Music
Languages : en
Pages : 547
Book Description
"[Stanley is] as clear-eyed about music as he is crazy in love with it." —Mikael Wood, Los Angeles Times A monumental work of musical history, Yeah! Yeah! Yeah! traces the story of pop music through songs, bands, musical scenes, and styles from Bill Haley and the Comets’ “Rock around the Clock” (1954) to Beyoncé’s first megahit, “Crazy in Love” (2003). Bob Stanley—himself a musician, music critic, and fan—teases out the connections and tensions that animated the pop charts for decades, and ranges across the birth of rock, soul, R&B, punk, hip hop, indie, house, techno, and more. Yeah! Yeah! Yeah! is a vital guide to the rich soundtrack of the second half of the twentieth century and a book as much fun to argue with as to quote.
How Music Works
Author: David Byrne
Publisher: Crown
ISBN: 0804188947
Category : Music
Languages : en
Pages : 386
Book Description
NEW YORK TIMES BESTSELLER • David Byrne’s incisive and enthusiastic look at the musical art form, from its very inceptions to the influences that shape it, whether acoustical, economic, social, or technological—now updated with a new chapter on digital curation. “How Music Works is a buoyant hybrid of social history, anthropological survey, autobiography, personal philosophy, and business manual”—The Boston Globe Utilizing his incomparable career and inspired collaborations with Talking Heads, Brian Eno, and many others, David Byrne taps deeply into his lifetime of knowledge to explore the panoptic elements of music, how it shapes the human experience, and reveals the impetus behind how we create, consume, distribute, and enjoy the songs, symphonies, and rhythms that provide the backbeat of life. Byrne’s magnum opus uncovers thrilling realizations about the redemptive liberation that music brings us all.
Publisher: Crown
ISBN: 0804188947
Category : Music
Languages : en
Pages : 386
Book Description
NEW YORK TIMES BESTSELLER • David Byrne’s incisive and enthusiastic look at the musical art form, from its very inceptions to the influences that shape it, whether acoustical, economic, social, or technological—now updated with a new chapter on digital curation. “How Music Works is a buoyant hybrid of social history, anthropological survey, autobiography, personal philosophy, and business manual”—The Boston Globe Utilizing his incomparable career and inspired collaborations with Talking Heads, Brian Eno, and many others, David Byrne taps deeply into his lifetime of knowledge to explore the panoptic elements of music, how it shapes the human experience, and reveals the impetus behind how we create, consume, distribute, and enjoy the songs, symphonies, and rhythms that provide the backbeat of life. Byrne’s magnum opus uncovers thrilling realizations about the redemptive liberation that music brings us all.
Modern American Drama: Playwriting in the 1980s
Author: Sandra G. Shannon
Publisher: Bloomsbury Publishing
ISBN: 135015363X
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
The Decades of Modern American Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: David Mamet: Edmond (1982), Glengarry Glen Ross (1984), Speed-the-Plow (1988) and Oleanna (1992); David Henry Hwang: Family Devotions (1981), The Sound of a Voice (1983) and M. Butterfly (1988); Maria Irene Fornès: The Danube (1982), Mud (1983) and The Conduct of Life (1985); August Wilson: Ma Rainey's Black Bottom (1984), Joe Turner's Come and Gone (1984) and Fences (1987).
Publisher: Bloomsbury Publishing
ISBN: 135015363X
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
The Decades of Modern American Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: David Mamet: Edmond (1982), Glengarry Glen Ross (1984), Speed-the-Plow (1988) and Oleanna (1992); David Henry Hwang: Family Devotions (1981), The Sound of a Voice (1983) and M. Butterfly (1988); Maria Irene Fornès: The Danube (1982), Mud (1983) and The Conduct of Life (1985); August Wilson: Ma Rainey's Black Bottom (1984), Joe Turner's Come and Gone (1984) and Fences (1987).
Encyclopedia of Great Popular Song Recordings
Author: Steve Sullivan
Publisher: Scarecrow Press
ISBN: 0810882965
Category : Music
Languages : en
Pages : 1027
Book Description
From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.
Publisher: Scarecrow Press
ISBN: 0810882965
Category : Music
Languages : en
Pages : 1027
Book Description
From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.