08 - The Ugly Duckling (Traditional Chinese Tongyong Pinyin with IPA) PDF Download
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Author: H.Y. Xiao PhD
Publisher: eBooks Series
ISBN:
Category : Education
Languages : zh-CN
Pages : 42
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Book Description
Please see free book catalogs at www urls: tiny.cc/traditional or tiny.cc/simplified. DESCRIPTION: A picture book in English with IPA (International Phonetic Alphabet) translated into Traditional Chinese with Tongyong Pinyin (used predominately in Taiwan). Contents and illustrations are based on a book called “Favorite Fairy Tales” by Logan Marshall. Contains both color illustrations and B&W line drawings. OTHER VERSIONS AVAILABLE: 01 Traditional Chinese; 02 Traditional Chinese Zhuyin Fuhao (Bopomofo); 03 Traditional Chinese Tongyong Pinyin; 04 Traditional Chinese Hanyu Pinyin; 05 Simplified Chinese Hanyu Pinyin; 06 Simplified Chinese; 07 Traditional Chinese Zhuyin Fuhao (Bopomofo) with IPA; 08 Traditional Chinese Tongyong Pinyin with IPA; 09 Traditional Chinese Hanyu Pinyin with IPA; 10 Simplified Chinese Hanyu Pinyin with IPA. Paperback (B&W or Color) of these 10 versions are also available in Amazon.
Author: H.Y. Xiao PhD
Publisher: eBooks Series
ISBN:
Category : Education
Languages : zh-CN
Pages : 42
Get Book Here
Book Description
Please see free book catalogs at www urls: tiny.cc/traditional or tiny.cc/simplified. DESCRIPTION: A picture book in English with IPA (International Phonetic Alphabet) translated into Traditional Chinese with Tongyong Pinyin (used predominately in Taiwan). Contents and illustrations are based on a book called “Favorite Fairy Tales” by Logan Marshall. Contains both color illustrations and B&W line drawings. OTHER VERSIONS AVAILABLE: 01 Traditional Chinese; 02 Traditional Chinese Zhuyin Fuhao (Bopomofo); 03 Traditional Chinese Tongyong Pinyin; 04 Traditional Chinese Hanyu Pinyin; 05 Simplified Chinese Hanyu Pinyin; 06 Simplified Chinese; 07 Traditional Chinese Zhuyin Fuhao (Bopomofo) with IPA; 08 Traditional Chinese Tongyong Pinyin with IPA; 09 Traditional Chinese Hanyu Pinyin with IPA; 10 Simplified Chinese Hanyu Pinyin with IPA. Paperback (B&W or Color) of these 10 versions are also available in Amazon.
Author: Yuen Ren Chao
Publisher:
ISBN: 9780674732872
Category : Foreign Language Study
Languages : en
Pages : 0
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Book Description
Author:
Publisher: Lulu.com
ISBN: 0981007007
Category :
Languages : en
Pages : 296
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Book Description
Author: Elizabeth Wichmann
Publisher: University of Hawaii Press
ISBN: 9780824812218
Category : Music
Languages : en
Pages : 376
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Book Description
"[Wichmann's] writing has authority rarely encountered.... Not only a comprehensive study but [a] study of Beijing theater. A marvelous overview, a virtual encyclopedia." --Choice "Overall, this is a pathbreaking book in terms of contributing to our understanding of the important Chinese art form that is the Beijing opera. It is a model of production. Its wealth of detail does not prevent it from being eminently readable. The author has unparallelled mastery of knowledge, understanding, and appreciation of her subject. The book will certainly help not only to make Beijing opera better understood in the West but also to make it more widely performed and appreciated." --China Review International, Spring 1994
Author: Chengbei Xu
Publisher: Cambridge University Press
ISBN: 0521188210
Category : History
Languages : en
Pages : 139
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Book Description
Peking Opera provides a comprehensive illustrated introduction to the origins and development of this unique performance art.
Author: Joshua Goldstein
Publisher: Univ of California Press
ISBN: 0520247523
Category : History
Languages : en
Pages : 384
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Book Description
Describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. This book looks into the lives of some of the opera's key actors, and explores their methods for earning a living, and their status in an ever-changing society.
Author: Chengbei Xu
Publisher: LONG RIVER PRESS
ISBN: 9781592650576
Category : Music
Languages : en
Pages : 174
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Book Description
"On the Beijing opera stage, every human sound uttered is song, and every movement is dance; realism is taboo and real-life objects are banned." In fascinating detail, jingju aficionado Chengbei Xu, examines the cultural and artistic themes of Beijing Opera. Xu's expert eye unveils the mystery through a dizzying array of observations that only an experienced opera-goer can spot: themes and stories, characters, movement, makeup, props, action, voice, and music. Filled with color performance photos, this is an indispensable reference and definitive guide to perhaps the pinnacle of Chinese performance art.
Author: M. Tian
Publisher: Springer
ISBN: 1137010436
Category : Social Science
Languages : en
Pages : 500
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Book Description
The first book-length study in any language of the presence and influence of Mei Lanfang, the internationally known Chinese actor who specialized in female roles on the twentieth-century international stage. Tian investigates Mei Lanfang's presence and influence and the transnational and intercultural appropriations of his art.
Author: Jin Jiang
Publisher: University of Washington Press
ISBN: 0295988444
Category : History
Languages : en
Pages : 362
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Book Description
Modern forces converge and gender roles are challenged in this volume that explores the influence of Yue opera - a subgenre of Chinese opera that transformed all-male opera into an all-female art forms, with women cross-dressing as male characters.
Author: Colin Mackerras
Publisher: Taylor & Francis
ISBN: 1000582949
Category : Social Science
Languages : en
Pages : 272
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Book Description
The overthrow of the ‘gang of four’ in 1976 had profound effects in all areas of Chinese society, and probably nowhere can this be seen more clearly than in the performing arts. Jiang Qing, Mao Zedong’s widow, was strongly interested in the performing arts and exercised great influence over them. Professor Mackerras describes this influence and the effects its removal had on the arts in the years after Mao’s death, as well as in the years following the Cultural Revolution. This book, first published in 1981, deals not only with opera, the spoken play, music and dance but also with cinema, describing how in all these cases the Chinese have adapted traditional art forms for political, social and propagandist purposes, both domestic and international. It charts the transformations that have taken place in all the multiple aspects of the performing arts and sets them against the development of Chinese society as a whole. It also looks at the role of the actor and performer in society, including their training, social status and livelihood.
