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Author: Sara Hillnhuetter
Publisher: Routledge
ISBN: 1000365328
Category : Photography
Languages : en
Pages : 289
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Book Description
This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities. It operates on the assumption that when photography was introduced, it did not oust other methods of image production but rather became part of ever more specialized and sophisticated technologies of representation. The epistemological break commonly set with the advent of photography since the nineteenth century has probably been triggered by photographic techniques but certainly owes much to the availability of a plethora of hybrid media—media that influence the relation of sciences, humanities, and their methods and subjects. This book will be of interest to scholars in art and visual culture, photography, and history of photography.
Author: Sara Hillnhuetter
Publisher: Routledge
ISBN: 1000365328
Category : Photography
Languages : en
Pages : 289
Get Book Here
Book Description
This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities. It operates on the assumption that when photography was introduced, it did not oust other methods of image production but rather became part of ever more specialized and sophisticated technologies of representation. The epistemological break commonly set with the advent of photography since the nineteenth century has probably been triggered by photographic techniques but certainly owes much to the availability of a plethora of hybrid media—media that influence the relation of sciences, humanities, and their methods and subjects. This book will be of interest to scholars in art and visual culture, photography, and history of photography.
Author: Laurie Excell
Publisher: Peachpit Press
ISBN: 0321794508
Category : Photography
Languages : en
Pages : 240
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Book Description
In 'Wildlife Photography' Laurie Excell shows aspiring wildlife photographers how to get the best shots of birds, bears, and bugs - whether they're on Safari, on vacation, or on a nature walk around their own backyard.
Author:
Publisher:
ISBN:
Category : Wildlife conservation
Languages : en
Pages : 946
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Book Description
Author: Yale University
Publisher:
ISBN:
Category :
Languages : en
Pages : 672
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Book Description
Author: Martin Stevens
Publisher: Cambridge University Press
ISBN: 1139496239
Category : Medical
Languages : en
Pages : 387
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Book Description
In the last decade, research on the previously dormant field of camouflage has advanced rapidly, with numerous studies challenging traditional concepts, investigating previously untested theories and incorporating a greater appreciation of the visual and cognitive systems of the observer. Using studies of both real animals and artificial systems, this book synthesises the current state of play in camouflage research and understanding. It introduces the different types of camouflage and how they work, including background matching, disruptive coloration and obliterative shading. It also demonstrates the methodologies used to study them and discusses how camouflage relates to other subjects, particularly with regard to what it can tell us about visual perception. The mixture of primary research and reviews shows students and researchers where the field currently stands and where exciting and important problems remain to be solved, illustrating how the study of camouflage is likely to progress in the future.
Author: U.S. Fish and Wildlife Service
Publisher:
ISBN:
Category : Animals
Languages : en
Pages : 346
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Book Description
Author: Enrico Savazzi
Publisher: Lulu.com
ISBN: 0557911338
Category : Art
Languages : en
Pages : 705
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Book Description
Photography is the primary tool for visually documenting specimens, experimental findings and laboratory setups in many scientific fields. Photographic illustrations in these fields must satisfy criteria of clarity, objectivity and adherence to accepted standards, in addition to a pleasant but not distracting composition and illumination. This book concentrates on the choice and practical use of digital cameras, lenses and related equipment of types commonly available at research institutions and museums. The described techniques are suitable for subject sizes between approximately half a millimeter and half a meter, and differ from those used in general photography and microscopy. The intended audience of this book includes professional scientific photographers, scientists and students who need to carry out photography in support of their own research or as part-time scientific photographers at a research institution, and advanced amateur photographers who wish to master these techniques.
Author: Gevaert Photo-Producten N.V.
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 506
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Book Description
Author: Isla Forsyth
Publisher: Bloomsbury Publishing
ISBN: 1474222617
Category : History
Languages : en
Pages : 318
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Book Description
Second World War British Military Camouflage offers an original approach to the cultures and geographies of military conflict, through a study of the history of camouflage. Isla Forsyth narrates the scientific biography of Dr Hugh Cott (1900-1987), eminent zoologist and artist turned camoufleur, and entwines this with the lives of other camouflage practitioners, to trace the sites of camouflage's developments. Moving through the scientists' fieldsite, the committee boardroom, the military training site and the soldiers' battlefield, this book uncovers the history of this ambiguous military invention, and subverts a long-dominant narrative of camouflage as solely a protective technology. This study demonstrates that, as camouflage transformed battlefields into unsettling theatres of war, there were lasting consequences not only for military technology and knowledge, but also for the ethics of battle and the individuals enrolled in this process.
Author: Sara Hillnhuetter
Publisher: Routledge
ISBN: 100036528X
Category : Photography
Languages : en
Pages : 200
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Book Description
This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities. It operates on the assumption that when photography was introduced, it did not oust other methods of image production but rather became part of ever more specialized and sophisticated technologies of representation. The epistemological break commonly set with the advent of photography since the nineteenth century has probably been triggered by photographic techniques but certainly owes much to the availability of a plethora of hybrid media—media that influence the relation of sciences, humanities, and their methods and subjects. This book will be of interest to scholars in art and visual culture, photography, and history of photography.
