Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
Zemira e Azore, a new Comic Opera; as performed at the King's Theatre ... Translated [from the French of J. F. Marmontel] into Italian by Signor Verazzi, and into English by Mrs. Rigaud, etc. Ital. & Eng
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
Zemira e Azore. A comic opera, as performed at the King's Theatre ... Translated [from the French of J. F. Marmontel] into Italian by Signor Verazzi, etc. Ital. & Eng
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
Catalogue of Opera Librettos Printed Before 1800
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
Book Description
“The” Harmonicon
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 608
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 608
Book Description
A Descriptive Catalogue of the Music Collection at Burghley House, Stamford
Author: Gerald Gifford
Publisher: Routledge
ISBN: 1351786121
Category : Social Science
Languages : en
Pages : 394
Book Description
This title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.
Publisher: Routledge
ISBN: 1351786121
Category : Social Science
Languages : en
Pages : 394
Book Description
This title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.
Music and Theatre in Handel's World
Author: Donald Burrows
Publisher: Oxford University Press, USA
ISBN: 9780198166542
Category : Music
Languages : en
Pages : 1268
Book Description
James Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.
Publisher: Oxford University Press, USA
ISBN: 9780198166542
Category : Music
Languages : en
Pages : 1268
Book Description
James Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.
Catalogue of Opera Librettos Printed Before 1800
Author: Oscar George Theodore Sonneck
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516
Book Description
Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788
Book Description
Catalogue of Opera Librettos Printed Before 1800: Author list, composer list and aria index
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 520
Book Description
British Museum Catalogue of printed Books
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 742
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 742
Book Description