Author: Paul Oliver
Publisher: Cambridge University Press
ISBN: 9780521787772
Category : Music
Languages : en
Pages : 380
Book Description
Yonder Come the Blues combines three influential and much-quoted books: Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues. Updated with additional essays, this 2001 volume discusses the crucial early development of the blues as a music of Blacks in the United States, explaining some of the most significant factors that shaped this music. Together, these three texts emphasise the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues, thus demonstrating the importance of these formative elements in its complex but combined socio-musical history. Redressing some of the misconceptions that persist in writing on African-American music, this book will be essential reading for all enthusiasts of blues, jazz and country music and will be important for students of African-American studies and music, popular music and popular culture.
Yonder Come the Blues
Author: Paul Oliver
Publisher: Cambridge University Press
ISBN: 9780521787772
Category : Music
Languages : en
Pages : 380
Book Description
Yonder Come the Blues combines three influential and much-quoted books: Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues. Updated with additional essays, this 2001 volume discusses the crucial early development of the blues as a music of Blacks in the United States, explaining some of the most significant factors that shaped this music. Together, these three texts emphasise the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues, thus demonstrating the importance of these formative elements in its complex but combined socio-musical history. Redressing some of the misconceptions that persist in writing on African-American music, this book will be essential reading for all enthusiasts of blues, jazz and country music and will be important for students of African-American studies and music, popular music and popular culture.
Publisher: Cambridge University Press
ISBN: 9780521787772
Category : Music
Languages : en
Pages : 380
Book Description
Yonder Come the Blues combines three influential and much-quoted books: Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues. Updated with additional essays, this 2001 volume discusses the crucial early development of the blues as a music of Blacks in the United States, explaining some of the most significant factors that shaped this music. Together, these three texts emphasise the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues, thus demonstrating the importance of these formative elements in its complex but combined socio-musical history. Redressing some of the misconceptions that persist in writing on African-American music, this book will be essential reading for all enthusiasts of blues, jazz and country music and will be important for students of African-American studies and music, popular music and popular culture.
The Blues
Author: Michael V. Uschan
Publisher: Greenhaven Publishing LLC
ISBN: 1420506587
Category : Young Adult Nonfiction
Languages : en
Pages : 114
Book Description
In the early twentieth century, blues music was developed by African Americans in the Deep South. With roots in spirituals, folk music, work songs, and native music, blues contains a medley of influences that create a distinctive culture and sound. Blues moved north with the Great Migration and influenced many popular forms of music such as bluegrass, rock and roll, and country. This compelling volume details the history of blues music and the careers of major performers. It examines the ways the genre reflects the lives and conditions of African Americans during each period of its development and considers the evolution and resurgence of blues in the present day.
Publisher: Greenhaven Publishing LLC
ISBN: 1420506587
Category : Young Adult Nonfiction
Languages : en
Pages : 114
Book Description
In the early twentieth century, blues music was developed by African Americans in the Deep South. With roots in spirituals, folk music, work songs, and native music, blues contains a medley of influences that create a distinctive culture and sound. Blues moved north with the Great Migration and influenced many popular forms of music such as bluegrass, rock and roll, and country. This compelling volume details the history of blues music and the careers of major performers. It examines the ways the genre reflects the lives and conditions of African Americans during each period of its development and considers the evolution and resurgence of blues in the present day.
Voicing the Popular
Author: Richard Middleton
Publisher: Routledge
ISBN: 1136092749
Category : Music
Languages : en
Pages : 343
Book Description
How does popular music produce its subject? How does it produce us as subjects? More specifically, how does it do this through voice--through "giving voice"? And how should we understand this subject--"the people"--that it voices into existence? Is it singular or plural? What is its history and what is its future? Voicing the Popular draws on approaches from musical interpretation, cultural history, social theory and psychoanalysis to explore key topics in the field, including race, gender, authenticity and repetition. Taking most of his examples from across the past hundred years of popular music development--but relating them to the eighteenth- and nineteenth-century "pre-history"--Richard Middleton constructs an argument that relates "the popular" to the unfolding of modernity itself. Voicing the Popular renews the case for ambitious theory in musical and cultural studies, and, against the grain of much contemporary thought, insists on the progressive potential of a politics of the Low.
Publisher: Routledge
ISBN: 1136092749
Category : Music
Languages : en
Pages : 343
Book Description
How does popular music produce its subject? How does it produce us as subjects? More specifically, how does it do this through voice--through "giving voice"? And how should we understand this subject--"the people"--that it voices into existence? Is it singular or plural? What is its history and what is its future? Voicing the Popular draws on approaches from musical interpretation, cultural history, social theory and psychoanalysis to explore key topics in the field, including race, gender, authenticity and repetition. Taking most of his examples from across the past hundred years of popular music development--but relating them to the eighteenth- and nineteenth-century "pre-history"--Richard Middleton constructs an argument that relates "the popular" to the unfolding of modernity itself. Voicing the Popular renews the case for ambitious theory in musical and cultural studies, and, against the grain of much contemporary thought, insists on the progressive potential of a politics of the Low.
The Blues Encyclopedia
Author: Edward Komara
Publisher: Routledge
ISBN: 1135958327
Category : Art
Languages : en
Pages : 1279
Book Description
The first full-length authoritative Encyclopedia on the Blues as a musical form. A to Z in format, this work covers not only the performers, but also musical styles, regions, record labels and cultural aspects of the blues.
Publisher: Routledge
ISBN: 1135958327
Category : Art
Languages : en
Pages : 1279
Book Description
The first full-length authoritative Encyclopedia on the Blues as a musical form. A to Z in format, this work covers not only the performers, but also musical styles, regions, record labels and cultural aspects of the blues.
The Popular Music Teaching Handbook
Author: B. Lee Cooper
Publisher: Bloomsbury Publishing USA
ISBN: 0313072728
Category : Language Arts & Disciplines
Languages : en
Pages : 386
Book Description
The function of print resources as instructional guides and descriptors of popular music pedagogy are addressed in this concise volume. Increasingly, public school teachers and college-level faculty members are introducing and utilizing music-related educational approaches in their classrooms. This book lists reports dealing with popular music resources as classroom teaching materials, and will stimulate further thought among students and teachers. It focuses on the growing spectrum of published scholarship available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles). Building on two recent publications: Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches, Popular Music and Society, XXII, no. 2 (Summer 1998), and American Culture Interpreted through Popular Music: Interdisciplinary Teaching Approaches (Bowling Green State University Popular Press, 2000), this volume focuses on the growing spectrum of published scholarship that is available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles).
Publisher: Bloomsbury Publishing USA
ISBN: 0313072728
Category : Language Arts & Disciplines
Languages : en
Pages : 386
Book Description
The function of print resources as instructional guides and descriptors of popular music pedagogy are addressed in this concise volume. Increasingly, public school teachers and college-level faculty members are introducing and utilizing music-related educational approaches in their classrooms. This book lists reports dealing with popular music resources as classroom teaching materials, and will stimulate further thought among students and teachers. It focuses on the growing spectrum of published scholarship available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles). Building on two recent publications: Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches, Popular Music and Society, XXII, no. 2 (Summer 1998), and American Culture Interpreted through Popular Music: Interdisciplinary Teaching Approaches (Bowling Green State University Popular Press, 2000), this volume focuses on the growing spectrum of published scholarship that is available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles).
Bloomsbury Encyclopedia of Popular Music of the World, Volume 11
Author: David Horn
Publisher: Bloomsbury Publishing USA
ISBN: 1501326104
Category : Music
Languages : en
Pages : 937
Book Description
See:
Publisher: Bloomsbury Publishing USA
ISBN: 1501326104
Category : Music
Languages : en
Pages : 937
Book Description
See:
Give My Poor Heart Ease
Author: William Ferris
Publisher: Univ of North Carolina Press
ISBN: 080789852X
Category : Music
Languages : en
Pages : 319
Book Description
Throughout the 1960s and 1970s, folklorist William Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the diverse musical traditions that form the authentic roots of the blues. Now, Give My Poor Heart Ease puts front and center a searing selection of the artistically and emotionally rich voices from this invaluable documentary record. Illustrated with Ferris's photographs of the musicians and their communities and including a CD of original music, the book features more than twenty interviews relating frank, dramatic, and engaging narratives about black life and blues music in the heart of the American South. Here are the stories of artists who have long memories and speak eloquently about their lives, blues musicians who represent a wide range of musical traditions--from one-strand instruments, bottle-blowing, and banjo to spirituals, hymns, and prison work chants. Celebrities such as B. B. King and Willie Dixon, along with performers known best in their neighborhoods, express the full range of human and artistic experience--joyful and gritty, raw and painful. In an autobiographical introduction, Ferris reflects on how he fell in love with the vibrant musical culture that was all around him but was considered off limits to a white Mississippian during a troubled era. This magnificent volume illuminates blues music, the broader African American experience, and indeed the history and culture of America itself.
Publisher: Univ of North Carolina Press
ISBN: 080789852X
Category : Music
Languages : en
Pages : 319
Book Description
Throughout the 1960s and 1970s, folklorist William Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the diverse musical traditions that form the authentic roots of the blues. Now, Give My Poor Heart Ease puts front and center a searing selection of the artistically and emotionally rich voices from this invaluable documentary record. Illustrated with Ferris's photographs of the musicians and their communities and including a CD of original music, the book features more than twenty interviews relating frank, dramatic, and engaging narratives about black life and blues music in the heart of the American South. Here are the stories of artists who have long memories and speak eloquently about their lives, blues musicians who represent a wide range of musical traditions--from one-strand instruments, bottle-blowing, and banjo to spirituals, hymns, and prison work chants. Celebrities such as B. B. King and Willie Dixon, along with performers known best in their neighborhoods, express the full range of human and artistic experience--joyful and gritty, raw and painful. In an autobiographical introduction, Ferris reflects on how he fell in love with the vibrant musical culture that was all around him but was considered off limits to a white Mississippian during a troubled era. This magnificent volume illuminates blues music, the broader African American experience, and indeed the history and culture of America itself.
Continuum Encyclopedia of Popular Music of the World Volume 8
Author: David Horn
Publisher: A&C Black
ISBN: 1441148744
Category : Music
Languages : en
Pages : 586
Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 8 is one of six volumes within the 'Genre' strand of the series. This volume discusses the genres of North America in relation to their cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology, the music industry and political and economic circumstances; changing stylistic features; notable and influential performers; and relationships to other genres and sub-genres. This volume features over 100 in-depth essays on genres ranging from Adult Contemporary to Alternative Rock, from Barbershop to Bebop, and from Disco to Emo.
Publisher: A&C Black
ISBN: 1441148744
Category : Music
Languages : en
Pages : 586
Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 8 is one of six volumes within the 'Genre' strand of the series. This volume discusses the genres of North America in relation to their cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology, the music industry and political and economic circumstances; changing stylistic features; notable and influential performers; and relationships to other genres and sub-genres. This volume features over 100 in-depth essays on genres ranging from Adult Contemporary to Alternative Rock, from Barbershop to Bebop, and from Disco to Emo.
The Green Book, Vol. 1
Author: Raymond McNeil
Publisher: Dorrance Publishing
ISBN:
Category : History
Languages : en
Pages : 698
Book Description
About the Book THE GREEN BOOK, VOL. 1: The Intertwined Musical and Historical Journey by People of Color in America provides a comprehensive exploration of the music that occurred alongside some of American history’s biggest events. This impressive and extensive guide spans from 1380 until 1959. This book's purpose is to share, illuminate, and stick to the positive achievements of the people who’ve helped to spread the message of music. That will include all the musicians, singers, and lyricists who helped the fans to appreciate the various styles of music that we have today. About the Author Raymond was a native of New York City and a product of schools in Brooklyn. He worked in all three levels of government. He has spent the past fifty five years gathering and exploring America’s musical journey. His primary motivation for writing this book was to seek out and amass a stream of verifiable truths. He is a fan of most styles of music, though he does struggle to find a love for hard rock and bluegrass at times. McNeil’s ultimate goal is to share his love of music and history and the ways in which they intertwine together throughout the years.
Publisher: Dorrance Publishing
ISBN:
Category : History
Languages : en
Pages : 698
Book Description
About the Book THE GREEN BOOK, VOL. 1: The Intertwined Musical and Historical Journey by People of Color in America provides a comprehensive exploration of the music that occurred alongside some of American history’s biggest events. This impressive and extensive guide spans from 1380 until 1959. This book's purpose is to share, illuminate, and stick to the positive achievements of the people who’ve helped to spread the message of music. That will include all the musicians, singers, and lyricists who helped the fans to appreciate the various styles of music that we have today. About the Author Raymond was a native of New York City and a product of schools in Brooklyn. He worked in all three levels of government. He has spent the past fifty five years gathering and exploring America’s musical journey. His primary motivation for writing this book was to seek out and amass a stream of verifiable truths. He is a fan of most styles of music, though he does struggle to find a love for hard rock and bluegrass at times. McNeil’s ultimate goal is to share his love of music and history and the ways in which they intertwine together throughout the years.
Recording the Blues
Author: Robert M. W. Dixon
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 120
Book Description