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Author: Susan Rather
Publisher: Paul Mellon Centre
ISBN: 9780300214611
Category : ART
Languages : en
Pages : 0
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Book Description
An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists--John Singleton Copley, Benjamin West, and Gilbert Stuart, among others--with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term "American," which she sees as provisional--the product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art
Author: Susan Rather
Publisher: Paul Mellon Centre
ISBN: 9780300214611
Category : ART
Languages : en
Pages : 0
Get Book Here
Book Description
An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists--John Singleton Copley, Benjamin West, and Gilbert Stuart, among others--with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term "American," which she sees as provisional--the product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art
Author:
Publisher: Yale University Art Gallery
ISBN: 9780300254242
Category : Art
Languages : en
Pages : 308
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Book Description
A tribute to the impressive roster of women artists who have graduated from Yale University Celebrating the 150th anniversary of the first women students at Yale, who came to study at the Yale School of the Fine Arts (now Yale School of Art) when it opened in 1869, and the 50th anniversary of undergraduate coeducation at the University, this volume honors the accomplishments of women artist-graduates of Yale. More than 80 artists--including Rina Banerjee, Janet Fish, Audrey Flack, Eva Hesse, Maya Lin, Howardena Pindell, Sylvia Plimack Mangold, and Mickalene Thomas--are represented with works drawn exclusively from the Yale University Art Gallery. Essays and timelines detail related milestones such as the appointment of art historian Anne Coffin Hanson as the first woman to be hired as a full, tenured professor on campus and Mimi Gardner Gates as the first female director of the Gallery. Amid the rise of feminist movements--from women's suffrage to the #MeToo movement of today--this book asserts the crucial role women have played in pushing creative boundaries at Yale, and in the art world at large.
Author: Daniel Magaziner
Publisher: Ohio University Press
ISBN: 0821445901
Category : History
Languages : en
Pages : 494
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Book Description
From 1952 to 1981, South Africa’s apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station. It is the story of a community that made its way through the travails of white supremacist South Africa and demonstrates how the art students and teachers made together became the art of their lives. Daniel Magaziner radically reframes apartheid-era South African history. Against the dominant narrative of apartheid oppression and black resistance, as well as recent scholarship that explores violence, criminality, and the hopeless entanglements of the apartheid state, this book focuses instead on a small group’s efforts to fashion more fulfilling lives for its members and their community through the ironic medium of the apartheid-era school. There is no book like this in South African historiography. Lushly illustrated and poetically written, it gives us fully formed lives that offer remarkable insights into the now clichéd experience of black life under segregation and apartheid.
Author: George Wilson Pierson
Publisher:
ISBN: 9780300042528
Category : Education
Languages : en
Pages : 275
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Book Description
Author: Christopher Green
Publisher: Yale University Press
ISBN: 9780300099089
Category : Art
Languages : en
Pages : 352
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Book Description
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.
Author: Kristina Wilson
Publisher: Princeton University Press
ISBN: 0691213496
Category : Art
Languages : en
Pages : 264
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Book Description
The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar America In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers. Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counter-narrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture.
Author: Willis Kingery
Publisher:
ISBN: 9781948891028
Category :
Languages : en
Pages :
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Book Description
Author: Willis Kingery
Publisher:
ISBN: 9781948891073
Category :
Languages : en
Pages :
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Book Description
Body of Work showcases the collected work of the graduating MFA class of 2020, and marks the fourth installment of Yale School of Art's all-school MFA book series. Featuring an afterword by Dean Marta Kuzma, and written contributions from Steven Rodriguez and Nicholas Weltyk, Graphic Design '20; Carly Sheehan, Painting/Printmaking '20; Angela Chen, Photography '20; and David Roy, Sculpture '20; and cover illustrations by Timothy Brawner, Painting/Printmaking '20.
Author: Yale University. Art Gallery
Publisher: Yale University Press
ISBN: 9780300122893
Category : Art
Languages : en
Pages : 368
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Book Description
"Distinguished scholars shed new light on American history by examining some of the most familiar and revered objects in American art - paintings by John Trumbull, Charles Willson Peale, John Singleton Copley, Thomas Eakins, Frederic Edwin Church, Albert Bierstadt, and Winslow Homer; silver by Paul Revere and Tiffany & Co.; furniture by Alexander Roux and Henry Connelly; and photographs by William Henry Jackson and Eadweard Muybridge, among others. The authors discuss how issues of cultural heritage, patriotism, politics, moral outrage, material aspirations, and exploration shaped America's art as well as its ideas, attitudes, and traditions." --Book Jacket.
Author: Maria Taroutina
Publisher: Penn State University Press
ISBN: 9780271081045
Category : Art, Byzantine
Languages : en
Pages : 0
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Book Description
Charts the rediscovery and rigorous reassessment of the medieval Russo-Byzantine artistic tradition in Russia in the years 1860-1920. Explores the link between Byzantine revivalism and modernist experimentation, which ultimately made a significant and lasting impact on twentieth-century avant-garde movements.
