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Author: Siyuan Liu
Publisher: Cambridge University Press
ISBN: 100909954X
Category : Drama
Languages : en
Pages : 129
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Book Description
This Element focuses on Xin Fengxia (1927–1998), a star of the regional xiqu form pingju, and her prominent role in transforming the genre from folk entertainment for the lower class to one of the most notable winners of the xiqu reform after the establishment of the People's Republic of China (PRC) in 1949. The Element's four sections expand from this core concept to include the four stages of her life experience and artistry that shaped her legacy: growing up in China's third largest theatre market Tianjin before 1949, national stardom in Beijing (1949–1957), restricted creativity amidst political upheavals (1957–1975), and as a prominent author after a stroke (1977–1998). Rather than following a biographical approach, these sections zero in on the environment before and after 1949 that made her a prominent pingju reformer and the consequent price of such success.
Author: Siyuan Liu
Publisher: Cambridge University Press
ISBN: 100909954X
Category : Drama
Languages : en
Pages : 129
Get Book Here
Book Description
This Element focuses on Xin Fengxia (1927–1998), a star of the regional xiqu form pingju, and her prominent role in transforming the genre from folk entertainment for the lower class to one of the most notable winners of the xiqu reform after the establishment of the People's Republic of China (PRC) in 1949. The Element's four sections expand from this core concept to include the four stages of her life experience and artistry that shaped her legacy: growing up in China's third largest theatre market Tianjin before 1949, national stardom in Beijing (1949–1957), restricted creativity amidst political upheavals (1957–1975), and as a prominent author after a stroke (1977–1998). Rather than following a biographical approach, these sections zero in on the environment before and after 1949 that made her a prominent pingju reformer and the consequent price of such success.
Author: Haili Ma
Publisher: Springer Nature
ISBN: 3031458745
Category : Social Science
Languages : en
Pages : 163
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Book Description
This book examines the development of Cultural and Creative Industries (CCI) in China through the angle of Chinese Theatre, xiqu. It focuses on the political and socio-economic transition period at the turn of the 21st century, as China evolves from ‘Made in China’ to ‘Created in China’, highlighting associated class reconstruction and cultural production and consumption. There are many forms of Chinese Theatre, the most popular one throughout Chinese history to date is the sing-song drama, collectively refers to as xiqu, which currently has over 300 regional styles across China. In 2014, President Xi Jinping’s Beijing Talk on Arts and Literature, which serves as China’s latest Chinese Communist Party (CCP) ideological direction and cultural policy, stressed that ‘the future of Chinese cultural and creative industries is to be anchored on traditional art forms, such as xiqu’. Such Chinese cultural and creative industry distinction will be addressed in this book.
Author: Jessica Nakamura
Publisher: University of Michigan Press
ISBN: 0472903845
Category : Performing Arts
Languages : en
Pages : 291
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Book Description
Existing scholarly discussions of theatrical realism have been predominantly limited to 19th-century European and Russian theater, with little attention paid to wider explorations and alternative definitions of the practice. Examining theater forms and artists from China, Japan, and Korea, Realisms in East Asian Performance brings together a group of theater historians to reconsider realism through the performing arts of East Asia. The book’s contributors emphasize trans-regional conversations and activate inter-Asian dialogues on theatrical production. Tracing historical trajectories, starting from premodern periods through today, the book seeks to understand realisms’ multiple origins, forms, and cultural significances, and examines their continuities, disruptions, and divergences. In its diversity of topics, geographic locations, and time periods, Realisms in East Asian Performance aims to globalize and de-center the dominant narratives surrounding realism in theater, and revise assumptions about the spectacular and theatrical forms of Asian performance. Understanding realism as a powerful representational style, chapters collectively reevaluate acts of representation on stage not just for East Asia, but for theater and performance studies more broadly.
Author: Erika Fischer-Lichte
Publisher: Taylor & Francis
ISBN: 1040016146
Category : Performing Arts
Languages : en
Pages : 851
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Book Description
Investigating more than 70 key concepts relating to the performing arts in more than six non-European languages, this volume provides a groundbreaking research tool and one-of-a-kind reference source for theatre, performance and dance studies worldwide. The Companion features in-depth explorations of and expert introductions to a select number of performance-related key concepts in Arabic, Chinese, Japanese, Korean, Yorùbá as well as the Indian languages Sanskrit, Hindi and Tamil. Key concepts—such as Furǧa فرجة in Arabic, for example, or Jiadingxing 假定性 in Chinese, Gei 芸 in Japanese, Ìparadà in Yorùbá and Imyeon 이면 in Korean—that defy easy translation from one language to another (and especially into English as the world’s lingua franca) and that reflect culturally specific ways of thinking and talking about the performing arts are thoroughly examined in in-depth articles. Written by more than 60 distinguished scholars from around the globe, the articles describe in detail each concept’s dynamic history, its flexible scope of meaning and current range of usage. The Companion also includes extensive introductions to each language section, in which internationally renowned experts explain how the presented key concepts are situated within, and are constitutive of, distinct and dynamic epistemic systems that have different yet always interlinked histories and orientations. Offers a fascinating insight into the unique histories, characteristics, and orientations of linguistically and culturally distinct epistemic systems related to the performative arts Contains extensive cross-references and bibliographies An invaluable research tool and one-of-a-kind reference source for scholars and students worldwide and across the humanities, especially in the fields of theatre, performance, dance, translation, area and cultural studies An accessible handbook for everybody interested in performance cultures and performance-related knowledge systems existing in the world today. This volume provides an invaluable research tool and one-of-a-kind reference source for scholars and students worldwide and across the humanities, especially in the fields of theatre, performance, dance, translation and area studies, history (of science and the humanities) and cultural studies.
Author: Michael M. Chemers
Publisher: Taylor & Francis
ISBN: 1040145671
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
Bringing together international perspectives on the figure of the “monster” in performance, this edited collection builds on discussions in the fields of posthumanism, bioethics, and performance studies. The collection aims to redefine “monstrosity” to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant, whether by race, gender, sexuality, nationality, immigration status, or physical or psychological extraordinariness. The book explores themes of race, white supremacy, and migration with the aim of investigating how the figure of the monster has been used to explore representations of race and identity. To these, we add discussions on gender, queer identities, and how the figure of the “monster” has been used to explore the gendered body to finally understand how monstrosity intersects with contemporary issues of technology and the natural world. Navigating the fields of disability studies, performance-centered monster studies, and representation in performance, editors Michael M. Chemers and Analola Santana have brought together perspectives on the figure of the “monster” from across a variety of fields that intersect with performance studies. This book is essential reading for Theatre and Performance students of all levels as well as scholars. It will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly.
Author: Lisa Peck
Publisher: Cambridge University Press
ISBN: 1009287206
Category : Drama
Languages : en
Pages : 138
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Book Description
This is a love story but not as you know it. Should an academic study be framed in this way? Love seems an unlikely bedfellow for critical thinking. Watching an Emma Rice production and being in her rehearsal room you feel the love: a warm and generous welcoming in; a joyful celebration of the theatrical exchange. What produces this pleasurable affect and how might we consider its political potential? This Element positions Emma's theatre-making, a body of work spanning three decades, as feminist acts of love. Drawing on fieldwork research her practice is viewed through the critical lenses of feminisms and affect to consider its contextual tensions, its ethics of affirmation, staging of femininities and contribution to queer worldmaking. Mapping her work from this perspective brings to light her important contribution to UK feminist theatre; its love activism offering an emergent strategy for change.
Author: Xiaoping Cong
Publisher: Cambridge University Press
ISBN: 1107148561
Category : History
Languages : en
Pages : 347
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Book Description
Explores the social and cultural significance of Chinese communist legal practice in constructing marriage and gender relations in the turbulent period from 1940 to 1960.
Author: Xiaomei Chen
Publisher: University of Michigan Press
ISBN: 0472128515
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
The profound political, economic, and social changes in China in the second half of the twentieth century have produced a wealth of scholarship; less studied however is how cultural events, and theater reforms in particular, contributed to the dynamic landscape of contemporary Chinese society. Rethinking Chinese Socialist Theaters of Reform fills this gap by investigating the theories and practice of socialist theater and their effects on a diverse range of genres, including Western-style spoken drama, Chinese folk opera, dance drama, Shanghai opera, Beijing opera, and rural theater. Focusing on the 1950s and ’60s, when theater art occupied a prominent political and cultural role in Maoist China, this book examines the efforts to remake theater in a socialist image. It explores the unique dynamics between official discourse, local politics, performance practice, and audience reception that emerged under the pressures of highly politicized cultural reform as well as the off-stage, lived impact of rapid policy change on individuals and troupes obscured by the public record. This multidisciplinary collection by leading scholars covers a wide range of perspectives, geographical locations, specific research methods, genres of performance, and individual knowledge and experience. The richly diverse approach leads readers through a nuanced and complex cultural landscape as it contributes significantly to our understanding of a crucial period in the development of modern Chinese theater and performance.
Author: Joslin McKinney
Publisher: Cambridge University Press
ISBN: 1316347788
Category : Drama
Languages : en
Pages : 406
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Book Description
Scenography – the manipulation and orchestration of the performance environment – is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists.
Author: Maria Shevtsova
Publisher: Cambridge University Press
ISBN: 0521888433
Category : Drama
Languages : en
Pages : 281
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Book Description
In this book, nine leading international theatre directors discuss their work and careers, providing fascinating insight into their approaches and creative relationships with actors. Each conversation is framed by an introduction to the work of the director, a detailed chronology of productions and an indicative bibliography to inspire further reading and research.
