Organic Photoreceptors for Xerography PDF Download
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Author: Paul M. Borsenberger
Publisher: CRC Press
ISBN: 9780824701734
Category : Technology & Engineering
Languages : en
Pages : 806
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Book Description
Presents fundamental, as well as state-of-the-art, information on the physics, chemistry, materials, fabrication, preparation, application and performance of organic photoreceptors in xerography. The book offers on-the-job situations to problems related to xerographic photoreceptors and related technologies, including electroluminescent, photorefractive, photovoltaic and transistor devices.
Author: Paul M. Borsenberger
Publisher: CRC Press
ISBN: 9780824701734
Category : Technology & Engineering
Languages : en
Pages : 806
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Book Description
Presents fundamental, as well as state-of-the-art, information on the physics, chemistry, materials, fabrication, preparation, application and performance of organic photoreceptors in xerography. The book offers on-the-job situations to problems related to xerographic photoreceptors and related technologies, including electroluminescent, photorefractive, photovoltaic and transistor devices.
Author: Kate Eichhorn
Publisher: MIT Press
ISBN: 0262033968
Category : Art
Languages : en
Pages : 216
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Book Description
How xerography became a creative medium and political tool, arming artists and activists on the margins with an accessible means of making their messages public. This is the story of how the xerographic copier, or “Xerox machine,” became a creative medium for artists and activists during the last few decades of the twentieth century. Paper jams, mangled pages, and even fires made early versions of this clunky office machine a source of fear, rage, dread, and disappointment. But eventually, xerography democratized print culture by making it convenient and affordable for renegade publishers, zinesters, artists, punks, anarchists, queers, feminists, street activists, and others to publish their work and to get their messages out on the street. The xerographic copier adjusted the lived and imagined margins of society, Eichhorn argues, by supporting artistic and political expression and mobilizing subcultural movements. Eichhorn describes early efforts to use xerography to create art and the occasional scapegoating of urban copy shops and xerographic technologies following political panics, using the post-9/11 raid on a Toronto copy shop as her central example. She examines New York's downtown art and punk scenes of the 1970s to 1990s, arguing that xerography—including photocopied posters, mail art, and zines—changed what cities looked like and how we experienced them. And she looks at how a generation of activists and artists deployed the copy machine in AIDS and queer activism while simultaneously introducing the copy machine's gritty, DIY aesthetics into international art markets. Xerographic copy machines are now defunct. Office copiers are digital, and activists rely on social media more than photocopied posters. And yet, Eichhorn argues, even though we now live in a post-xerographic era, the grassroots aesthetics and political legacy of xerography persists.
Author: Carole Louise Morley
Publisher: Johannesburg : University of the Witwatersrand, Department of Bibliography, Librarianship and Typography
ISBN:
Category : Xerography
Languages : en
Pages : 144
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Book Description
Author: John H. Dessauer
Publisher:
ISBN:
Category : Technology & Engineering
Languages : en
Pages : 534
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Book Description
Author:
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 980
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Book Description
Author: Eva Hemmungs Wirtén
Publisher: University of Toronto Press
ISBN: 9780802086082
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
In this scholarly yet highly accessible work, Eva Hemmungs Wirtén traces three main themes within the scope of cultural ownership: authorship as one of the basic features of print culture, the use of intellectual property rights as a privileged instrument of control, and finally globalization as a pre-condition under which both operate. Underwritten by rapid technological change and increased global interdependence, intellectual property rights are designed to protect a production that is no longer industrial, but informational. No Trespassing tells the story of a century of profound change in cultural ownership. It begins with late nineteenth-century Europe, exploring cultural ownership in a number of settings across both spatial and temporal divides, and concludes in today's global, knowledge-based society. Wirtén takes an interdisciplinary and international approach, using a wide array of material from court cases to novels for her purposes. From Victor Hugo and the 1886 Berne Convention, to the translation of Peter Høeg's bestseller Smilla's Sense of Snow, Wirtén charts a history of Intellectual property rights and regulations. She addresses the relationship between author and translator, looks at the challenges to intellectual property by the arrival of the photocopier, takes into account the media conglomerate's search for content as a key asset since the 1960s, and considers how a Western legal framework interacts with attempts to protect traditional knowledge and folklore. No Trespassing is essential reading for all who care about culture and the future regulatory structures of access to it.
Author: Henry R. Luce
Publisher:
ISBN:
Category : Business
Languages : en
Pages : 786
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Book Description
Author: David Owen
Publisher: Simon & Schuster
ISBN: 9780743251181
Category : Business & Economics
Languages : en
Pages : 0
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Book Description
A lone inventor and the story of how one of the most revolutionary inventions of the twentieth century almost didn't happen. Introduced in 1960, the first plain-paper office copier is unusual among major high-technology inventions in that its central process was conceived by a single person. Chester Carlson grew up in unspeakable poverty, worked his way through junior college and the California Institute of Technology, and made his discovery in solitude in the depths of the Great Depression. He offered his big idea to two dozen major corporations -- among them IBM, RCA, and General Electric -- all of which turned him down. So persistent was this failure of capitalistic vision that by the time the Xerox 914 was manufactured, by an obscure photographic-supply company in Rochester, New York, Carlson's original patent had expired. Xerography was so unusual and nonintuitive that it conceivably could have been overlooked entirely. Scientists who visited the drafty warehouses where the first machines were built sometimes doubted that Carlson's invention was even theoretically feasible. Building the first plain-paper office copier -- with parts scrounged from junkyards, cleaning brushes made of hand-sewn rabbit fur, and a built-in fire extinguisher -- required the persistence, courage, and imagination of an extraordinary group of physicists, engineers, and corporate executives whose story has never before been fully told. Copies in Seconds is a tale of corporate innovation and risk-taking at its very best.
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1004
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Book Description
Author:
Publisher:
ISBN:
Category : Business
Languages : en
Pages : 2198
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Book Description
