Author: Richard Serra
Publisher: University of Chicago Press
ISBN: 0226748804
Category : Architecture
Languages : en
Pages : 290
Book Description
One of the most important sculptors of this century, Richard Serra has been a spokesman on the nature and status of art in our day. Best known for site-specific works in steel, Serra has much to say about the relation of sculpture to place, whether urban, natural, or architectural, and about the nature of art itself, whether political, decorative, or personal. In interviews with writers including Douglas and Davis Sylvester, he discusses specific installations and offers insights into his approach to the problem each presents. Interviews by Peter Eisenman and Alan Colquhoun elicit Serra's thoughts on the relation of architecture to contemporary sculpture, a primary component in his own work. From essays like "Extended Notes from Sight Point Road" to Serra's extended commentary on the Tilted Arc fiasco, the pieces in this volume comprise a document of one artist's engagement with the practical, philosophical, and political problems of art.
Writings/Interviews
Barnett Newman
Author: Barnett Newman
Publisher: Univ of California Press
ISBN: 9780520078178
Category : Art
Languages : en
Pages : 396
Book Description
Barnett Newman's writings reveal him to be an impassioned and articulate analyst of art and society who never hesitated to make his views known and always stood by them. To understand Newman's unique place in the culture of the twentieth century, we must know both his paintings and his words--a knowledge made possible by this long-awaited volume. "Barnett Newman [1905-1970] was a thinker who chose to develop his ideas both in painting and in writing. He was also a citizen who made his acts of painting and writing political. And he was an artist."--Richard Schiff, from the Introduction Barnett Newman's writings reveal him to be an impassioned and articulate analyst of art and society who never hesitated to make his views known and always stood by them. To understand Newman's unique place in the culture of the twentieth century, we must know both his paintings and his words--a knowledge made possible by this long-awaited volume. "Barnett Newman [1905-1970] was a thinker who chose to develop his ideas both in painting and in writing. He was also a citizen who made his acts of painting and writing political. And he was an artist."--Richard Schiff, from the Introduction
Publisher: Univ of California Press
ISBN: 9780520078178
Category : Art
Languages : en
Pages : 396
Book Description
Barnett Newman's writings reveal him to be an impassioned and articulate analyst of art and society who never hesitated to make his views known and always stood by them. To understand Newman's unique place in the culture of the twentieth century, we must know both his paintings and his words--a knowledge made possible by this long-awaited volume. "Barnett Newman [1905-1970] was a thinker who chose to develop his ideas both in painting and in writing. He was also a citizen who made his acts of painting and writing political. And he was an artist."--Richard Schiff, from the Introduction Barnett Newman's writings reveal him to be an impassioned and articulate analyst of art and society who never hesitated to make his views known and always stood by them. To understand Newman's unique place in the culture of the twentieth century, we must know both his paintings and his words--a knowledge made possible by this long-awaited volume. "Barnett Newman [1905-1970] was a thinker who chose to develop his ideas both in painting and in writing. He was also a citizen who made his acts of painting and writing political. And he was an artist."--Richard Schiff, from the Introduction
Maryanne Amacher: Selected Writings and Interviews
Author: Maryanne Amacher
Publisher: Blank Forms Editions
ISBN: 9781733723572
Category : Art
Languages : en
Pages : 240
Book Description
The first ever book on American composer and sound-art pioneer Maryanne Amacher, with letters, manifestos, notes and more elucidating her eclectic thinking on sound and perception Maryanne Amacher (1938-2009) was a composer of large-scale fixed-duration sound installations and a highly original thinker in the areas of perception, sound spatialization and aural architecture. She is frequently cited as a pioneer of what has come to be called "sound art," although her thought and work challenges assumptions about the limitations of that genre. Maryanne Amacher: Selected Writings and Interviewsrepresents the first ever book-length collection devoted to the composer, whose life and work are as vast as they are as yet unknown. From personal notes and letters to program notes, manifestos and unrealized project proposals, the documents are framed by longer interviews with Amacher that discuss corresponding periods of her life. Because Amacher worked across nearly every imaginable media format, this book will be of tremendous interest to theorists and practitioners in media and communications, urban design, contemporary art history, music studies, sound studies, film, radio, art criticism and performance studies.
Publisher: Blank Forms Editions
ISBN: 9781733723572
Category : Art
Languages : en
Pages : 240
Book Description
The first ever book on American composer and sound-art pioneer Maryanne Amacher, with letters, manifestos, notes and more elucidating her eclectic thinking on sound and perception Maryanne Amacher (1938-2009) was a composer of large-scale fixed-duration sound installations and a highly original thinker in the areas of perception, sound spatialization and aural architecture. She is frequently cited as a pioneer of what has come to be called "sound art," although her thought and work challenges assumptions about the limitations of that genre. Maryanne Amacher: Selected Writings and Interviewsrepresents the first ever book-length collection devoted to the composer, whose life and work are as vast as they are as yet unknown. From personal notes and letters to program notes, manifestos and unrealized project proposals, the documents are framed by longer interviews with Amacher that discuss corresponding periods of her life. Because Amacher worked across nearly every imaginable media format, this book will be of tremendous interest to theorists and practitioners in media and communications, urban design, contemporary art history, music studies, sound studies, film, radio, art criticism and performance studies.
Writings on Glass
Author: Richard Kostelanetz
Publisher: Univ of California Press
ISBN: 9780520214910
Category : Music
Languages : en
Pages : 400
Book Description
Philip Glass, composer of symphonies, operas (Einstein on the Beach, Akhnaten, Orphe), film scores (Kundun, Mishima, Koyaanisqatsi), songs, and music for dance is a musician who determined early on that he wanted to compose independently, apart from institutions. That decision has made him a controversial figure among academic musicians, in spite of his rigorous training at Juilliard, and with Nadia Boulanger in Paris. Richard Kostelanetz has gathered a lively and varied collection of writings about Philip Glass's work, along with several interviews and a conversation between Glass and sculptor Richard Serra. The chronology of the works and discography have been updated for the paperback edition. Philip Glass, composer of symphonies, operas (Einstein on the Beach, Akhnaten, Orphe), film scores (Kundun, Mishima, Koyaanisqatsi), songs, and music for dance is a musician who determined early on that he wanted to compose independently, apart from institutions. That decision has made him a controversial figure among academic musicians, in spite of his rigorous training at Juilliard, and with Nadia Boulanger in Paris. Richard Kostelanetz has gathered a lively and varied collection of writings about Philip Glass's work, along with several interviews and a conversation between Glass and sculptor Richard Serra. The chronology of the works and discography have been updated for the paperback edition.
Publisher: Univ of California Press
ISBN: 9780520214910
Category : Music
Languages : en
Pages : 400
Book Description
Philip Glass, composer of symphonies, operas (Einstein on the Beach, Akhnaten, Orphe), film scores (Kundun, Mishima, Koyaanisqatsi), songs, and music for dance is a musician who determined early on that he wanted to compose independently, apart from institutions. That decision has made him a controversial figure among academic musicians, in spite of his rigorous training at Juilliard, and with Nadia Boulanger in Paris. Richard Kostelanetz has gathered a lively and varied collection of writings about Philip Glass's work, along with several interviews and a conversation between Glass and sculptor Richard Serra. The chronology of the works and discography have been updated for the paperback edition. Philip Glass, composer of symphonies, operas (Einstein on the Beach, Akhnaten, Orphe), film scores (Kundun, Mishima, Koyaanisqatsi), songs, and music for dance is a musician who determined early on that he wanted to compose independently, apart from institutions. That decision has made him a controversial figure among academic musicians, in spite of his rigorous training at Juilliard, and with Nadia Boulanger in Paris. Richard Kostelanetz has gathered a lively and varied collection of writings about Philip Glass's work, along with several interviews and a conversation between Glass and sculptor Richard Serra. The chronology of the works and discography have been updated for the paperback edition.
Writing At Risk
Author: Jason Weiss
Publisher: University of Iowa Press
ISBN: 1587292491
Category :
Languages : en
Pages : 232
Book Description
Much has been made of the image of writers in Paris—romanticized and idealized in fiction and on screen, these émigré artists in sidewalk cafés spark our imagination with unusual force. But rarely do the real-life figures speak to us directly to comment on their work, their lives, and their reasons for choosing to live and work in Paris. In these striking interviews, E. M. Cioran, Julio Cortázar, Brion Gysin, Eugène Ionesco, Carlos Fuentes, Jean-Claude Carrière, Milan Kundera, Nathalie Sarraute, and Edmund Jabès do just this as they speak out on the risks they've taken, on their struggles and discoveries, on tradition, challenge, and their near-unanimous status as émigrés. A consummate interviewer, Jason Weiss spoke in depth with these pathbreaking artists regarding their lives, their craft, and their very special relationship to Paris. Their writings were naturally the main focus of investigation, but Weiss' concern was always to build on previous interviews, to deepen certain lines of inquiry and open new ones, to contribute fresh material to the ongoing record. The result is a series of invigorating, detailed portraits that go beyond personality, habits, and pleasures to examine some of the causes and effects in the unique relationship of place and temperament. Writing at Risk suggests that there is more than we suspect binding writers of such disparate cultures and genres...perhaps their attitudes toward writing, perhaps their common attraction to risk. Readers will relish the immediacy of these interviews and will want to (re)discover the work of these exceptional artists.
Publisher: University of Iowa Press
ISBN: 1587292491
Category :
Languages : en
Pages : 232
Book Description
Much has been made of the image of writers in Paris—romanticized and idealized in fiction and on screen, these émigré artists in sidewalk cafés spark our imagination with unusual force. But rarely do the real-life figures speak to us directly to comment on their work, their lives, and their reasons for choosing to live and work in Paris. In these striking interviews, E. M. Cioran, Julio Cortázar, Brion Gysin, Eugène Ionesco, Carlos Fuentes, Jean-Claude Carrière, Milan Kundera, Nathalie Sarraute, and Edmund Jabès do just this as they speak out on the risks they've taken, on their struggles and discoveries, on tradition, challenge, and their near-unanimous status as émigrés. A consummate interviewer, Jason Weiss spoke in depth with these pathbreaking artists regarding their lives, their craft, and their very special relationship to Paris. Their writings were naturally the main focus of investigation, but Weiss' concern was always to build on previous interviews, to deepen certain lines of inquiry and open new ones, to contribute fresh material to the ongoing record. The result is a series of invigorating, detailed portraits that go beyond personality, habits, and pleasures to examine some of the causes and effects in the unique relationship of place and temperament. Writing at Risk suggests that there is more than we suspect binding writers of such disparate cultures and genres...perhaps their attitudes toward writing, perhaps their common attraction to risk. Readers will relish the immediacy of these interviews and will want to (re)discover the work of these exceptional artists.
Yourself in the World
Author: Glenn Ligon
Publisher:
ISBN: 9780300169096
Category : African American artists
Languages : en
Pages : 0
Book Description
Published to coincide with the exhibition held at the Whitney Museum of American Art, New York, Mar. 10-June 5, 2011, the Los Angeles County Museum of Art, Oct. 23, 2011-Jan. 22, 2012, and the Modern Art Museum of Fort Worth, Feb.-May 2012.
Publisher:
ISBN: 9780300169096
Category : African American artists
Languages : en
Pages : 0
Book Description
Published to coincide with the exhibition held at the Whitney Museum of American Art, New York, Mar. 10-June 5, 2011, the Los Angeles County Museum of Art, Oct. 23, 2011-Jan. 22, 2012, and the Modern Art Museum of Fort Worth, Feb.-May 2012.
Willem De Kooning
Author: Sally Yard
Publisher: Ediciones Polígrafa S.A.
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Text by Sally Yard. Interview by Harold Rosenberg, James T. Valliere.
Publisher: Ediciones Polígrafa S.A.
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Text by Sally Yard. Interview by Harold Rosenberg, James T. Valliere.
Please Pay Attention Please: Bruce Nauman's Words
Author: Bruce Nauman
Publisher: MIT Press
ISBN: 9780262640602
Category : Art
Languages : en
Pages : 438
Book Description
The most comprehensive collection to date of the artist Bruce Nauman's writings plus all of his major interviews from 1965 to 2001. Since the 1960s, the artist Bruce Nauman has developed a highly complex and pluralistic oeuvre ranging from discrete sculpture, performance, film, video, and text-based works to elaborate multipart installations incorporating sound, video recording and monitors, and architectural structures. Nauman's work is often interpreted in terms of movements and mediums, including performance, postminimalism, process, and conceptual art, thereby emphasizing its apparent eclecticism. But what is often overlooked is that underlying these seemingly disparate artistic tendencies are conceptual continuities, one of which is an investigation of the nature of language. Unlike many of his contemporaries, Nauman has refrained from participating in the critical discourse surrounding his own work. He has given relatively few interviews over the course of his career and has little to do with the art press or critical establishment. Indeed, he granted Janet Kraynak and The MIT Press almost complete autonomy in the preparation of this volume. In contrast to Nauman's reputation for silence, however, from the beginning of his career, the incorporation of language has been a central feature of his art. This collection takes as its starting point the seeming paradox of an artist of so few words who produces an art of so many words. Please Pay Attention Please contains all of Nauman's major interviews from 1965 to 2001, as well as a comprehensive body of his writings, including instructions and proposal texts, dialogues transcribed from audio-video works, and prose texts written specifically for installation sculptures. Where relevant, the texts are accompanied by illustrations of the artworks for which they were composed. In the critical essay that serves as the book's introduction, the editor investigates Nauman's art in relation to the linguistic turn in art practices of the 1960s—understanding language through the speech act—and its legacy in contemporary art.
Publisher: MIT Press
ISBN: 9780262640602
Category : Art
Languages : en
Pages : 438
Book Description
The most comprehensive collection to date of the artist Bruce Nauman's writings plus all of his major interviews from 1965 to 2001. Since the 1960s, the artist Bruce Nauman has developed a highly complex and pluralistic oeuvre ranging from discrete sculpture, performance, film, video, and text-based works to elaborate multipart installations incorporating sound, video recording and monitors, and architectural structures. Nauman's work is often interpreted in terms of movements and mediums, including performance, postminimalism, process, and conceptual art, thereby emphasizing its apparent eclecticism. But what is often overlooked is that underlying these seemingly disparate artistic tendencies are conceptual continuities, one of which is an investigation of the nature of language. Unlike many of his contemporaries, Nauman has refrained from participating in the critical discourse surrounding his own work. He has given relatively few interviews over the course of his career and has little to do with the art press or critical establishment. Indeed, he granted Janet Kraynak and The MIT Press almost complete autonomy in the preparation of this volume. In contrast to Nauman's reputation for silence, however, from the beginning of his career, the incorporation of language has been a central feature of his art. This collection takes as its starting point the seeming paradox of an artist of so few words who produces an art of so many words. Please Pay Attention Please contains all of Nauman's major interviews from 1965 to 2001, as well as a comprehensive body of his writings, including instructions and proposal texts, dialogues transcribed from audio-video works, and prose texts written specifically for installation sculptures. Where relevant, the texts are accompanied by illustrations of the artworks for which they were composed. In the critical essay that serves as the book's introduction, the editor investigates Nauman's art in relation to the linguistic turn in art practices of the 1960s—understanding language through the speech act—and its legacy in contemporary art.
My Method
Author: Roberto Rossellini
Publisher: Marsilio Pub
ISBN: 9780941419659
Category : Motion picture producers and directors
Languages : en
Pages : 256
Book Description
Publisher: Marsilio Pub
ISBN: 9780941419659
Category : Motion picture producers and directors
Languages : en
Pages : 256
Book Description
Jeff Wall
Author: Sheena Wagstaff
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 90
Book Description
"Jeff Wall is one of the most highly regarded artists at work in the world today and has played a key role in establishing photography as a contemporary art form. Jeff Wall: Photographs 1978-2004 has been developed in close collaboration with the artist and accompanies a major retrospective exhibition at Tate Modern, London. Featuring Wall's best known works, the large-scale carefully staged scenes presented as illuminated lightboxes, as well as black-and-white photographs, the book includes an insightful essay by Sheena Wagstaff. In it she examines the impact of art history and cinema on Wall's practice, revealing how he combines documentary techniques with meticulous staging and digital collage to realise his extraordinary vision."--BOOK JACKET.
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 90
Book Description
"Jeff Wall is one of the most highly regarded artists at work in the world today and has played a key role in establishing photography as a contemporary art form. Jeff Wall: Photographs 1978-2004 has been developed in close collaboration with the artist and accompanies a major retrospective exhibition at Tate Modern, London. Featuring Wall's best known works, the large-scale carefully staged scenes presented as illuminated lightboxes, as well as black-and-white photographs, the book includes an insightful essay by Sheena Wagstaff. In it she examines the impact of art history and cinema on Wall's practice, revealing how he combines documentary techniques with meticulous staging and digital collage to realise his extraordinary vision."--BOOK JACKET.