Writing the Book of the World PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Writing the Book of the World PDF full book. Access full book title Writing the Book of the World by Theodore Sider. Download full books in PDF and EPUB format.
Author: Theodore Sider
Publisher: Oxford University Press, USA
ISBN: 0199697906
Category : Philosophy
Languages : en
Pages : 333
Get Book Here
Book Description
Theodore Sider presents a broad new vision of metaphysics centred on the idea of structure. To describe the world well we must use concepts that 'carve at the joints', so that conceptual structure matches reality's structure. This approach illuminates a wide range of topics, such as time, modality, ontology, and the status of metaphysics itself.
Author: Theodore Sider
Publisher: Oxford University Press, USA
ISBN: 0199697906
Category : Philosophy
Languages : en
Pages : 333
Get Book Here
Book Description
Theodore Sider presents a broad new vision of metaphysics centred on the idea of structure. To describe the world well we must use concepts that 'carve at the joints', so that conceptual structure matches reality's structure. This approach illuminates a wide range of topics, such as time, modality, ontology, and the status of metaphysics itself.
Author: Peter LaSalle
Publisher: LSU Press
ISBN: 0807174254
Category : Literary Collections
Languages : en
Pages : 194
Get Book Here
Book Description
The World Is a Book, Indeed chronicles in eleven rich personal essays the ongoing quest of award-winning writer Peter LaSalle to embark on offbeat, often startlingly revelatory literary travel. LaSalle spends a summer roaming the lesser-known quarters of Paris, haunted by the writing of the French surrealists. In Hanoi, he meets for beers with the editors—two military men—of the Army Literature and Arts Magazine while investigating Vietnam’s acknowledged great modern novel, Bao Ninh’s The Sorrow of War. Other pieces find LaSalle on a strange nighttime drive through the streets of sprawling São Paulo in search of landmarks associated with Brazilian modernist poetry, bouncing around Africa to interview writers there when very young, exploring Argentine author Jorge Luis Borges's memorable stay in Texas, and traveling to Istanbul, Lisbon, Tunis, and elsewhere, as he considers major writers amid the settings that produced their works. Deeply felt and replete with insight into literature and life itself, even capable of evoking valid mind leaps in its innovative approaches, this is a collection for readers who love books and want to learn more about the places they originated, presented by a well-traveled guide with an intimate voice and a gift for the essay form.
Author: Jerome Rothenberg
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 558
Get Book Here
Book Description
By Jerome Rothenberg. Contributions by Steven Clay.
Author: Elizabeth Sims
Publisher: Penguin
ISBN: 1599635542
Category : Language Arts & Disciplines
Languages : en
Pages : 289
Get Book Here
Book Description
Writing a book is fun and easy--yes, FUN AND EASY--but it may not always feel that way. How do you find the time to write? How do you keep momentum? How do you deal with the horror of showing anyone a single sentence of your work-in-progress? The answers remain fun and easy, and author Elizabeth Sims will take your hand, dispel your worries, and show you how it's done in this stress-free guide to accomplishing your dream of writing your book. In You've Got a Book in You, Elizabeth is that encouraging voice guiding you through the entire process, from finding the right time and place to gathering all of your creative tools to diving right in and getting it done--page by page, step by step. It's easier than you think, and it all starts right here, right now. "This guide is witty, warm, and wise--and wonderfully down-to-earth as well. Elizabeth Sims doesn't just tell you that you've got a book in you, she shows you how to pour it out using your own creative spirit, common sense, and persistence." ~Lori L. Lake, author of The Gun Series and The Public Eye Mystery Series "If you're searching for the spark of inspiration to get started writing a book, and the nourishment to sustain you to THE END, Elizabeth Sims's You've Got a Book in You will show you how to find it in yourself." ~Hallie Ephron, award-winning author of There Was an Old Woman "You won't find an easier-to-follow or more inspirational writing guide." ~L.J. Sellers, author of the bestselling Jackson mysteries "By focusing the high beams of her intelligence (and humor!) on the twisty trail of book-writing, in You've Got a Book in You, Elizabeth Sims proves herself a true writer's friend. As she guides you from the creation of a "working title" through her (brilliant!) "Making-It-Better Process," this well-established pro plays her most impressive cards--stacking the deck in favor of YOU!" ~Jamie Morris, Director, Woodstream Writers "Elizabeth Sims packs a twelve-week writing course into 280 pages. Inspirational and yet extremely hands-on, You've Got a Book In You will give newbies confidence to forge ahead and will remind veteran writers why they began writing in the first place--for the joy of it. I won't be surprised when the brilliant terms 'stormwriting' and 'heartbrain' become part of every writer's lexicon." ~Julie Compton, author of Tell No Lies and Keep No Secrets "The book is encouraging and inspiring, practical and witty. As a seasoned writer, I appreciate the reminders about the importance of putting yourself on a writing schedule. No more excuses. The many 'writing blasts' are very helpful and will get any writer out of the starting blocks. I especially enjoyed the section, 'Writing with the Masters.' What better way to get inspired, get a feel for different styles, and get jump-started on your writing? Excellent advice that I plan to incorporate in my future classes. I concur with Sims that 'writer's block' is greatly exaggerated. Is there any other profession that claims such a phenomenon? 'Excuse, me, but I have 'book-keeping block,' 'playing music block,' or 'painting block' today? I don't think so. Get yourself on a schedule, read some Sims, write with the masters, and you'll be on your way. You'll be glad you met this friend on your journey to becoming a successful writer." ~Gesa Kirsch, Ph.D., Professor of English, Director of Valente Center for the Arts and Sciences, Bentley University
Author: Theodore Sider
Publisher: Oxford University Press
ISBN: 0192539450
Category : Philosophy
Languages : en
Pages : 246
Get Book Here
Book Description
Metaphysics is sensitive to the conceptual tools we choose to articulate metaphysical problems. Those tools are a lens through which we view metaphysical problems, and the same problems will look different when we change the lens. In this book, Theodore Sider identifies how the shift from modal to "postmodal" conceptual tools in recent years has affected the metaphysics of science and mathematics. He highlights, for instance, how the increased consideration of concepts of ground, essence, and fundamentality has transformed the debate over structuralism in many ways. Sider then examines three structuralist positions through a postmodal lens. First, nomic essentialism, which says that scientific properties are secondary and lawlike relationships among them are primary. Second, structuralism about individuals, a general position of which mathematical structuralism and structural realism are instances, which says that scientific and mathematical objects are secondary and the pattern of relations among them is primary. And third, comparativism about quantities, which says that particular values of scientific quantities, such as having exactly 1000g mass, are secondary, and quantitative relations, such as being-twice-as-massive-as, are primary. Sider concludes these discussions by considering the meta-question of when theories are equivalent and how that impacts the debate over structuralism.
Author: Richard E. Miller
Publisher: University of Pittsburgh Pre
ISBN: 0822972840
Category : Education
Languages : en
Pages : 250
Get Book Here
Book Description
What do the humanities have to offer in the twenty-first century? Are there compelling reasons to go on teaching the literate arts when the schools themselves have become battlefields? Does it make sense to go on writing when the world itself is overrun with books that no one reads? In these simultaneously personal and erudite reflections on the future of higher education, Richard E. Miller moves from the headlines to the classroom, focusing in on how teachers and students alike confront the existential challenge of making life meaningful. In meditating on the violent events that now dominate our daily lives—school shootings, suicide bombings, terrorist attacks, contemporary warfare—Miller prompts a reconsideration of the role that institutions of higher education play in shaping our daily experiences, and asks us to reimagine the humanities as centrally important to the maintenance of a compassionate, secular society. By concentrating on those moments when individuals and institutions meet and violence results, Writing at the End of the World provides the framework that students and teachers require to engage in the work of building a better future.
Author:
Publisher: Canongate Books
ISBN: 0857861018
Category : Bibles
Languages : en
Pages : 60
Get Book Here
Book Description
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
Author: Joseph Keim Campbell
Publisher: MIT Press
ISBN: 0262297906
Category : Philosophy
Languages : en
Pages : 367
Get Book Here
Book Description
Reflections on the metaphysics and epistemology of classification from a distinguished group of philosophers. Contemporary discussions of the success of science often invoke an ancient metaphor from Plato's Phaedrus: successful theories should "carve nature at its joints." But is nature really "jointed"? Are there natural kinds of things around which our theories cut? The essays in this volume offer reflections by a distinguished group of philosophers on a series of intertwined issues in the metaphysics and epistemology of classification. The contributors consider such topics as the relevance of natural kinds in inductive inference; the role of natural kinds in natural laws; the nature of fundamental properties; the naturalness of boundaries; the metaphysics and epistemology of biological kinds; and the relevance of biological kinds to certain questions in ethics. Carving Nature at Its Joints offers both breadth and thematic unity, providing a sampling of state-of-the-art work in contemporary analytic philosophy that will be of interest to a wide audience of scholars and students concerned with classification.
Author: Eli Hirsch
Publisher: Oxford University Press
ISBN: 0195057546
Category : Language Arts & Disciplines
Languages : en
Pages : 264
Get Book Here
Book Description
Why does our language divide up reality one way rather than another? On what rational basis does our language contain certain kinds of general words rather than others? Hirsch shows that a language can be constructed which describes reality in ways we would find absurdly irrational, for example by classifying normally disparate items under the same general term. The apparent irrationality of the new language does not depend on its impoverished fact-stating power, as this may be equivalent to the fact-stating power of ordinary language; the problem then is to explain exactly what is wrong with it. Various options are explored and criticized, such as the hypothesis that language must reflect an underlying objective distinction between 'natural' kinds; that there are pragmatic reasons for the way language functions as it does; and that, as a matter of 'metaphysical necessity, ' strange ways of dividing up reality are constructions out of ordinary ways. Having demonstrated that this newly identified problem is in fact a serious one which cannot be easily solved or brushed aside, Hirsch offers his own suggestions for a possible solution.
Author: Tony Vanderwarker
Publisher: Simon and Schuster
ISBN: 1628739150
Category : Language Arts & Disciplines
Languages : en
Pages : 189
Get Book Here
Book Description
With seven unpublished novels wasting away on his hard drive, Tony Vanderwarker is astonished when John Grisham offers to take him under his wing and teach him the secrets of thriller writing. “The beginning and the end are easy,” Grisham tells him. “It’s the three hundred pages in the middle that’s the hard part.” To ensure his plot doesn’t run out of gas, Grisham puts Tony though his outline process. Tony does one, and then Grisham asks for another … and another … and another. As they work together, Grisham reveals the techniques that have helped him create compelling bestsellers for more than two decades—for instance, “You’ve got to hook your reader in the first forty pages or you’ll lose them.” After a year of constructing outlines, Grisham finally gives Tony the go-ahead to start writing. Writing with the Master immerses the reader in the creative process as Tony struggles to produce a successful thriller. It’s a roller coaster ride, sometimes hilarious, and often full of ups and downs. Grisham’s critiques and margin notes to Tony reveal his nimble imagination and plot development genius. For Grisham fans, Vanderwarker’s memoir pulls back the curtain on his writing secrets, and for aspiring writers, it’s a master class in thriller writing. In the end, Tony resolves to take Grisham’s teachings to heart and eventually decides to write what he thinks he was meant to: a book about the creative process and his incredible two years working with John Grisham.
