Author: John Riddell
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554588529
Category : Fiction
Languages : en
Pages : 164
Book Description
In Writing Surfaces, derek beaulieu and Lori Emerson present a collection of John Riddell’s work. Riddell’s poems and short stories are a remarkable mix of largely typewriter-based concrete poetry mixed with fiction and drawings. Riddell’s oeuvre fell out of popular attention, but it has recently garnered interest among poets and critics engaged with media studies (especially studies of the typewriter) and experimental writing. Riddell is best known for his short fiction pieces “H” and “Pope Leo: El Elope,” a pair of graphic fictions written in collaboration with, or dedicated to, bpNichol. However, his work moves well beyond comic strips into a series of radical fictions. Riddell’s work embraces game play, unreadability and illegibility, procedural work, non-representational narrative, photocopy degeneration, collage, handwritten texts, and gestural work. His self-aware and meta-textual short fiction challenges the limits of machine-based composition and his reception as a media-based poet. With media studies increasingly turning to “media archaeology” and the reading and study of antiquated, analogue-based modes of composition (as typified by the photocopier and the fax machine as well as the typewriter), Riddell is a perfect candidate for further appreciation and study by new generations of readers, authors, and scholars.
Writing Surfaces
Author: John Riddell
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554588529
Category : Fiction
Languages : en
Pages : 164
Book Description
In Writing Surfaces, derek beaulieu and Lori Emerson present a collection of John Riddell’s work. Riddell’s poems and short stories are a remarkable mix of largely typewriter-based concrete poetry mixed with fiction and drawings. Riddell’s oeuvre fell out of popular attention, but it has recently garnered interest among poets and critics engaged with media studies (especially studies of the typewriter) and experimental writing. Riddell is best known for his short fiction pieces “H” and “Pope Leo: El Elope,” a pair of graphic fictions written in collaboration with, or dedicated to, bpNichol. However, his work moves well beyond comic strips into a series of radical fictions. Riddell’s work embraces game play, unreadability and illegibility, procedural work, non-representational narrative, photocopy degeneration, collage, handwritten texts, and gestural work. His self-aware and meta-textual short fiction challenges the limits of machine-based composition and his reception as a media-based poet. With media studies increasingly turning to “media archaeology” and the reading and study of antiquated, analogue-based modes of composition (as typified by the photocopier and the fax machine as well as the typewriter), Riddell is a perfect candidate for further appreciation and study by new generations of readers, authors, and scholars.
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554588529
Category : Fiction
Languages : en
Pages : 164
Book Description
In Writing Surfaces, derek beaulieu and Lori Emerson present a collection of John Riddell’s work. Riddell’s poems and short stories are a remarkable mix of largely typewriter-based concrete poetry mixed with fiction and drawings. Riddell’s oeuvre fell out of popular attention, but it has recently garnered interest among poets and critics engaged with media studies (especially studies of the typewriter) and experimental writing. Riddell is best known for his short fiction pieces “H” and “Pope Leo: El Elope,” a pair of graphic fictions written in collaboration with, or dedicated to, bpNichol. However, his work moves well beyond comic strips into a series of radical fictions. Riddell’s work embraces game play, unreadability and illegibility, procedural work, non-representational narrative, photocopy degeneration, collage, handwritten texts, and gestural work. His self-aware and meta-textual short fiction challenges the limits of machine-based composition and his reception as a media-based poet. With media studies increasingly turning to “media archaeology” and the reading and study of antiquated, analogue-based modes of composition (as typified by the photocopier and the fax machine as well as the typewriter), Riddell is a perfect candidate for further appreciation and study by new generations of readers, authors, and scholars.
The International Standard Bible Encyclopedia
Author: Geoffrey William Bromiley
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802837844
Category : Religion
Languages : en
Pages : 1258
Book Description
A comprehensive biblical reference includes a wide range of articles about people, places, customs, events, religious concepts, and philosophical ideas mentioned in the Scriptures.
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802837844
Category : Religion
Languages : en
Pages : 1258
Book Description
A comprehensive biblical reference includes a wide range of articles about people, places, customs, events, religious concepts, and philosophical ideas mentioned in the Scriptures.
Grammalepsy
Author: John Cayley
Publisher: Bloomsbury Publishing USA
ISBN: 1501335766
Category : Social Science
Languages : en
Pages : 313
Book Description
Collecting and recontextualizing writings from the last twenty years of John Cayley's research-based practice of electronic literature, Grammalepsy introduces a theory of aesthetic linguistic practice developed specifically for the making and critical appreciation of language art in digital media. As he examines the cultural shift away from traditional print literature and the changes in our culture of reading, Cayley coins the term “grammalepsy” to inform those processes by which we make, understand, and appreciate language. Framing his previous writings within the overall context of this theory, Cayley eschews the tendency of literary critics and writers to reduce aesthetic linguistic making-even when it has multimedia affordances-to “writing.” Instead, Cayley argues that electronic literature and digital language art allow aesthetic language makers to embrace a compositional practice inextricably involved with digital media, which cannot be reduced to print-dependent textuality.
Publisher: Bloomsbury Publishing USA
ISBN: 1501335766
Category : Social Science
Languages : en
Pages : 313
Book Description
Collecting and recontextualizing writings from the last twenty years of John Cayley's research-based practice of electronic literature, Grammalepsy introduces a theory of aesthetic linguistic practice developed specifically for the making and critical appreciation of language art in digital media. As he examines the cultural shift away from traditional print literature and the changes in our culture of reading, Cayley coins the term “grammalepsy” to inform those processes by which we make, understand, and appreciate language. Framing his previous writings within the overall context of this theory, Cayley eschews the tendency of literary critics and writers to reduce aesthetic linguistic making-even when it has multimedia affordances-to “writing.” Instead, Cayley argues that electronic literature and digital language art allow aesthetic language makers to embrace a compositional practice inextricably involved with digital media, which cannot be reduced to print-dependent textuality.
Writing and Difference
Author: Jacques Derrida
Publisher: University of Chicago Press
ISBN: 0226816079
Category : Philosophy
Languages : en
Pages : 363
Book Description
First published in 1967, Writing and Difference, a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics. The book's first half, which includes the celebrated essay on Descartes and Foucault, shows the development of Derrida's method of deconstruction. In these essays, Derrida demonstrates the traditional nature of some purportedly nontraditional currents of modern thought—one of his main targets being the way in which "structuralism" unwittingly repeats metaphysical concepts in its use of linguistic models. The second half of the book contains some of Derrida's most compelling analyses of why and how metaphysical thinking must exclude writing from its conception of language, finally showing metaphysics to be constituted by this exclusion. These essays on Artaud, Freud, Bataille, Hegel, and Lévi-Strauss have served as introductions to Derrida's notions of writing and différence—the untranslatable formulation of a nonmetaphysical "concept" that does not exclude writing—for almost a generation of students of literature, philosophy, and psychoanalysis. Writing and Difference reveals the unacknowledged program that makes thought itself possible. In analyzing the contradictions inherent in this program, Derrida foes on to develop new ways of thinking, reading, and writing,—new ways based on the most complete and rigorous understanding of the old ways. Scholars and students from all disciplines will find Writing and Difference an excellent introduction to perhaps the most challenging of contemporary French thinkers—challenging because Derrida questions thought as we know it.
Publisher: University of Chicago Press
ISBN: 0226816079
Category : Philosophy
Languages : en
Pages : 363
Book Description
First published in 1967, Writing and Difference, a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics. The book's first half, which includes the celebrated essay on Descartes and Foucault, shows the development of Derrida's method of deconstruction. In these essays, Derrida demonstrates the traditional nature of some purportedly nontraditional currents of modern thought—one of his main targets being the way in which "structuralism" unwittingly repeats metaphysical concepts in its use of linguistic models. The second half of the book contains some of Derrida's most compelling analyses of why and how metaphysical thinking must exclude writing from its conception of language, finally showing metaphysics to be constituted by this exclusion. These essays on Artaud, Freud, Bataille, Hegel, and Lévi-Strauss have served as introductions to Derrida's notions of writing and différence—the untranslatable formulation of a nonmetaphysical "concept" that does not exclude writing—for almost a generation of students of literature, philosophy, and psychoanalysis. Writing and Difference reveals the unacknowledged program that makes thought itself possible. In analyzing the contradictions inherent in this program, Derrida foes on to develop new ways of thinking, reading, and writing,—new ways based on the most complete and rigorous understanding of the old ways. Scholars and students from all disciplines will find Writing and Difference an excellent introduction to perhaps the most challenging of contemporary French thinkers—challenging because Derrida questions thought as we know it.
Writing as Material Practice
Author: Kathryn E. Piquette
Publisher: Ubiquity Press
ISBN: 1909188263
Category : Social Science
Languages : en
Pages : 366
Book Description
Writing as Material Practice grapples with the issue of writing as a form of material culture in its ancient and more recent manifestations, and in the contexts of production and consumption. Fifteen case studies explore the artefactual nature of writing — the ways in which materials, techniques, colour, scale, orientation and visibility inform the creation of inscribed objects and spaces, as well as structure subsequent engagement, perception and meaning making. Covering a temporal span of some 5000 years, from c.3200 BCE to the present day, and ranging in spatial context from the Americas to the Near East, the chapters in this volume bring a variety of perspectives which contribute to both specific and broader questions of writing materialities. The authors also aim to place past graphical systems in their social contexts so they can be understood in relation to the people who created and attributed meaning to writing and associated symbolic modes through a diverse array of individual and wider social practices.
Publisher: Ubiquity Press
ISBN: 1909188263
Category : Social Science
Languages : en
Pages : 366
Book Description
Writing as Material Practice grapples with the issue of writing as a form of material culture in its ancient and more recent manifestations, and in the contexts of production and consumption. Fifteen case studies explore the artefactual nature of writing — the ways in which materials, techniques, colour, scale, orientation and visibility inform the creation of inscribed objects and spaces, as well as structure subsequent engagement, perception and meaning making. Covering a temporal span of some 5000 years, from c.3200 BCE to the present day, and ranging in spatial context from the Americas to the Near East, the chapters in this volume bring a variety of perspectives which contribute to both specific and broader questions of writing materialities. The authors also aim to place past graphical systems in their social contexts so they can be understood in relation to the people who created and attributed meaning to writing and associated symbolic modes through a diverse array of individual and wider social practices.
How Writing Made Us Human, 3000 BCE to Now
Author: Walter Stephens
Publisher: JHU Press
ISBN: 1421446642
Category : History
Languages : en
Pages : 571
Book Description
A sweeping history of how writing has preserved cultural practices, traditions, and knowledge throughout human history. In How Writing Made Us Human, 3000 BCE to Now, Walter Stephens condenses the massive history of the written word into an accessible, engaging narrative. The history of writing is not merely a record of technical innovations—from hieroglyphics to computers—but something far richer: a chronicle of emotional engagement with written culture whose long arc intimates why the humanities are crucial to society. For five millennia, myths and legends provided fascinating explanations for the origins and uses of writing. These stories overflowed with enthusiasm about fabled personalities (both human and divine) and their adventures with capturing speech and preserving memory. Stories recounted how and why an ancient Sumerian king, a contemporary of Gilgamesh, invented the cuneiform writing system—or alternatively, how the earliest Mesopotamians learned everything from a hybrid man-fish. For centuries, Jews and Christians debated whether Moses or God first wrote the Ten Commandments. Throughout history, some myths of writing were literary fictions. Plato's tale of Atlantis supposedly emerged from a vast Egyptian archive of world history. Dante's vision of God as one infinite book inspired Borges's fantasy of the cosmos as a limitless library, while the nineteenth century bequeathed Mary Shelley's apocalyptic tale of a world left with innumerable books but only one surviving reader. Stephens presents a comprehensive history of the written word and demonstrates how writing has preserved and shaped human life since the Bronze Age. These stories, their creators, and their preservation have inspired wonder and an endless appetite for historical revelation.
Publisher: JHU Press
ISBN: 1421446642
Category : History
Languages : en
Pages : 571
Book Description
A sweeping history of how writing has preserved cultural practices, traditions, and knowledge throughout human history. In How Writing Made Us Human, 3000 BCE to Now, Walter Stephens condenses the massive history of the written word into an accessible, engaging narrative. The history of writing is not merely a record of technical innovations—from hieroglyphics to computers—but something far richer: a chronicle of emotional engagement with written culture whose long arc intimates why the humanities are crucial to society. For five millennia, myths and legends provided fascinating explanations for the origins and uses of writing. These stories overflowed with enthusiasm about fabled personalities (both human and divine) and their adventures with capturing speech and preserving memory. Stories recounted how and why an ancient Sumerian king, a contemporary of Gilgamesh, invented the cuneiform writing system—or alternatively, how the earliest Mesopotamians learned everything from a hybrid man-fish. For centuries, Jews and Christians debated whether Moses or God first wrote the Ten Commandments. Throughout history, some myths of writing were literary fictions. Plato's tale of Atlantis supposedly emerged from a vast Egyptian archive of world history. Dante's vision of God as one infinite book inspired Borges's fantasy of the cosmos as a limitless library, while the nineteenth century bequeathed Mary Shelley's apocalyptic tale of a world left with innumerable books but only one surviving reader. Stephens presents a comprehensive history of the written word and demonstrates how writing has preserved and shaped human life since the Bronze Age. These stories, their creators, and their preservation have inspired wonder and an endless appetite for historical revelation.
Huber and Headrick's Handwriting Identification
Author: Heidi H. Harralson
Publisher: CRC Press
ISBN: 1498751326
Category : Law
Languages : en
Pages : 443
Book Description
"Forensic document examination is the study of physical evidence and physical evidence cannot lie. Only its interpretation can err. Only the failure to find it, or to hear its true testimony can deprive it of its value."—Roy Huber This is a comprehensive update of Huber and Headrick's seminal work on handwriting examination. New coverage includes a review of forensic handwriting examination research, handwriting analysis training and proficiency, revised methods and procedures, an updated listing and clarification of terminology and electronic signatures, the analysis of digitized handwriting, and other related technological advances. The book includes updated photographs, several added illustrations, and advances in techniques based on the scientific research conducted in the area over the last 20 years. Features of the new edition include: The latest on electronic signatures, digital handwriting, automated handwriting verification, and the many advances in technology and research over the last two decades An overview of the fundamentals of handwriting examination with updated discussion of the intrinsic and extrinsic variables associated with handwriting identification A review of the criticism of handwriting expert opinions and methodology, addressing both the strengths and scientific limitations of the area Fully revised while remaining true to the spirit and approach of original authors Roy Huber and A. M. Headrick Addition of nearly 200 new references and new glossary terms representing advances in research and methods. With extensive photographs to help clearly illustrate concepts, Huber and Headrick’s Handwriting Identification: Facts and Fundamentals, Second Edition serves as an invaluable reference to law libraries, practicing document examiners, forensic and criminal justice students, and every lawyer handling cases in which the authenticity of handwriting and documents might be disputed.
Publisher: CRC Press
ISBN: 1498751326
Category : Law
Languages : en
Pages : 443
Book Description
"Forensic document examination is the study of physical evidence and physical evidence cannot lie. Only its interpretation can err. Only the failure to find it, or to hear its true testimony can deprive it of its value."—Roy Huber This is a comprehensive update of Huber and Headrick's seminal work on handwriting examination. New coverage includes a review of forensic handwriting examination research, handwriting analysis training and proficiency, revised methods and procedures, an updated listing and clarification of terminology and electronic signatures, the analysis of digitized handwriting, and other related technological advances. The book includes updated photographs, several added illustrations, and advances in techniques based on the scientific research conducted in the area over the last 20 years. Features of the new edition include: The latest on electronic signatures, digital handwriting, automated handwriting verification, and the many advances in technology and research over the last two decades An overview of the fundamentals of handwriting examination with updated discussion of the intrinsic and extrinsic variables associated with handwriting identification A review of the criticism of handwriting expert opinions and methodology, addressing both the strengths and scientific limitations of the area Fully revised while remaining true to the spirit and approach of original authors Roy Huber and A. M. Headrick Addition of nearly 200 new references and new glossary terms representing advances in research and methods. With extensive photographs to help clearly illustrate concepts, Huber and Headrick’s Handwriting Identification: Facts and Fundamentals, Second Edition serves as an invaluable reference to law libraries, practicing document examiners, forensic and criminal justice students, and every lawyer handling cases in which the authenticity of handwriting and documents might be disputed.
Charlemagne's Mustache
Author: P. Dutton
Publisher: Springer
ISBN: 1137062282
Category : History
Languages : en
Pages : 288
Book Description
Charlemagne's Mustache presents the reader with seven engaging studies, 'thick descriptions', of cultural life and thought in the Carolingian world. The author begins by asking questions. Why did Charlemagne have a mustache and why did hair matter? Why did the king own peacocks and other exotic animals? Why was he writing in bed and could he write at all? How did medieval kings become stars? How were secrets kept and conveyed in the early Middle Ages? And why did early medieval peoples believe in storm and hailmakers? The answers, he found, are often surprising.
Publisher: Springer
ISBN: 1137062282
Category : History
Languages : en
Pages : 288
Book Description
Charlemagne's Mustache presents the reader with seven engaging studies, 'thick descriptions', of cultural life and thought in the Carolingian world. The author begins by asking questions. Why did Charlemagne have a mustache and why did hair matter? Why did the king own peacocks and other exotic animals? Why was he writing in bed and could he write at all? How did medieval kings become stars? How were secrets kept and conveyed in the early Middle Ages? And why did early medieval peoples believe in storm and hailmakers? The answers, he found, are often surprising.
Creating Learning Settings
Author: Gary Natriello
Publisher: Taylor & Francis
ISBN: 1000870863
Category : Education
Languages : en
Pages : 222
Book Description
Creating Learning Settings examines the design and implementation of learning settings informed by the newest, most expansive insights into how people learn in the post-industrial age. Educators today are tasked with moving beyond the fixed, traditional practices that have long dominated formal schooling and becoming more dynamic and strategic in arranging learners, facilitators, resources, on-site and virtual environments, and learning experiences. Integrating contemporary theoretical approaches and empirical studies, this book offers a systematic approach to creating settings that leverage the physical, digital, resource, and social dimensions necessary to support learning.
Publisher: Taylor & Francis
ISBN: 1000870863
Category : Education
Languages : en
Pages : 222
Book Description
Creating Learning Settings examines the design and implementation of learning settings informed by the newest, most expansive insights into how people learn in the post-industrial age. Educators today are tasked with moving beyond the fixed, traditional practices that have long dominated formal schooling and becoming more dynamic and strategic in arranging learners, facilitators, resources, on-site and virtual environments, and learning experiences. Integrating contemporary theoretical approaches and empirical studies, this book offers a systematic approach to creating settings that leverage the physical, digital, resource, and social dimensions necessary to support learning.
Forensic Handwriting Identification
Author: Ron N. Morris
Publisher: Academic Press
ISBN: 0124104207
Category : Law
Languages : en
Pages : 322
Book Description
Forensic Handwriting Identification: Fundamental Concepts and Principles teaches the law enforcement and legal communities the major principles involved in handwriting and hand-printing analysis as applied to many types of investigations, including fraud, homicide, suicide, drug trafficking/clandestine labs, sexual offenses, threats and extortion, blackmail, arson, bombings, and theft. Lawyers and investigators will learn how to interpret an examiner's report, the significance of various handwriting opinions and the influencing factors which must be considered. - Reviews basic concepts that affect a person's writing, demonstrates how to obtain handwriting specimens and evidence, and provides the appropriate ASTM and SWIGDOC standards and procedures - Ideally suited for forensic science and legal professionals, investigators working with document examiners, and law enforcement students and professionals - Includes model specimen handwriting forms
Publisher: Academic Press
ISBN: 0124104207
Category : Law
Languages : en
Pages : 322
Book Description
Forensic Handwriting Identification: Fundamental Concepts and Principles teaches the law enforcement and legal communities the major principles involved in handwriting and hand-printing analysis as applied to many types of investigations, including fraud, homicide, suicide, drug trafficking/clandestine labs, sexual offenses, threats and extortion, blackmail, arson, bombings, and theft. Lawyers and investigators will learn how to interpret an examiner's report, the significance of various handwriting opinions and the influencing factors which must be considered. - Reviews basic concepts that affect a person's writing, demonstrates how to obtain handwriting specimens and evidence, and provides the appropriate ASTM and SWIGDOC standards and procedures - Ideally suited for forensic science and legal professionals, investigators working with document examiners, and law enforcement students and professionals - Includes model specimen handwriting forms