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Author: The Paris Review
Publisher: Penguin
ISBN: 0698408926
Category : Fiction
Languages : en
Pages : 305
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Book Description
"A dispatch from the front lines of literature." —The Atlantic The Unprofessionals is an energetic collection celebrating the bold writers at the forefront of today’s literary world—featuring stories, essays, and poems from “America’s greatest literary journal” (Time) For more than half a century, the Paris Review has launched some of the most exciting new literary voices, from Philip Roth to David Foster Wallace. But rather than trading on nostalgia, the storied journal continues to search outside the mainstream for the most exciting emerging writers. Harmonizing a timeless literary feel with impeccable modern taste, its pages are vivid proof that the best of today’s writing more than upholds the lofty standards that built the magazine’s reputation. The Unprofessionals collects pieces from the new iteration of the Paris Review by contemporary writers who treat their art not as a profession, but as a calling. Some, like Zadie Smith, Ben Lerner, and John Jeremiah Sullivan, are already major literary presences, while others, like Emma Cline, Benjamin Nugent, and Ottessa Moshfegh, will soon be household names. A master class in contemporary writing across genres, this collection introduces the must-know voices in the modern literary scene.
Author: The Paris Review
Publisher: Penguin
ISBN: 0698408926
Category : Fiction
Languages : en
Pages : 305
Get Book Here
Book Description
"A dispatch from the front lines of literature." —The Atlantic The Unprofessionals is an energetic collection celebrating the bold writers at the forefront of today’s literary world—featuring stories, essays, and poems from “America’s greatest literary journal” (Time) For more than half a century, the Paris Review has launched some of the most exciting new literary voices, from Philip Roth to David Foster Wallace. But rather than trading on nostalgia, the storied journal continues to search outside the mainstream for the most exciting emerging writers. Harmonizing a timeless literary feel with impeccable modern taste, its pages are vivid proof that the best of today’s writing more than upholds the lofty standards that built the magazine’s reputation. The Unprofessionals collects pieces from the new iteration of the Paris Review by contemporary writers who treat their art not as a profession, but as a calling. Some, like Zadie Smith, Ben Lerner, and John Jeremiah Sullivan, are already major literary presences, while others, like Emma Cline, Benjamin Nugent, and Ottessa Moshfegh, will soon be household names. A master class in contemporary writing across genres, this collection introduces the must-know voices in the modern literary scene.
Author: Janice MacLeod
Publisher: Macmillan Publishers Aus.
ISBN: 1743519532
Category : Biography & Autobiography
Languages : en
Pages : 234
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Book Description
What do you do when your great life-plan works out, and you're still unhappy? Successful, but on the verge of burnout, Janice MacLeod saved enough money to buy herself two years of freedom in Europe. Days into her stop in Paris, she met Christophe, and her fate was sealed. Forced to find a way to fund her expat future, Janice created a painted letter subscription service, sending out thousands of letters to people who are hungry to receive something beautiful. Paris Letters is the inspiring story of a woman who dared to discover a life she could love.
Author: Marcy E. Schwartz
Publisher: SUNY Press
ISBN: 9780791441510
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Explores Paris as a desired and imagined place in Latin American postcolonial identity, uncovering the city's class, gender, political, and aesthetic resonances for Latin America
Author: Janet Hulstrand
Publisher: Winged Words Publishing
ISBN: 9781543953510
Category : Travel
Languages : en
Pages : 0
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Book Description
"Demystifying the French: How to Love Them, and Make Them Love You is aimed at first-time visitors to France as well as long-term expatriates. Designed to help readers 'crack the code,' avoid common mistakes, and get off on the right foot with the French, the book begins with five easy-to-follow essential tips 'for even brief encounters' by introducing a few French phrases and how to say them that will pave the way for a positive experience in France. The tips are followed by 10 chapters that go into a deeper explanation of French habits, manners, and ways of viewing the world. Hulstrand shares the perspective she has gained in nearly 40 years of time spent living, working, teaching, and traveling in France, and illustrates the principles she is discussing with sometimes touching, and often amusing, personal anecdotes... Reflections contributed by David Downie, Adrian Leeds, Harriet Welty Rochefort, and other well-known commentators on Franco-American cultural differences provide additional perspective and depth. A glossary of French terms that is both substantive and whimsical provides surprising insights into historical as well as cultural reasons for the French being 'the way they are.' Aimed mainly at an American audience, this book will be helpful for anyone who wants to better understand the French, and have fun while doing so."--Amazon.com.
Author: David L. Ulin
Publisher: Sasquatch Books
ISBN: 157061721X
Category : Literary Criticism
Languages : en
Pages : 89
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Book Description
Reading is a revolutionary act, an act of engagement in a culture that wants us to disengage. In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesn't matter. The key is the act of reading, and it's seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the accompanying focus required to let the mind run free in a world that is not one's own. Are we willing to risk our collective interest in contemplation, nuanced thinking, and empathy? Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, to pages.
Author:
Publisher: Macmillan
ISBN: 0312422385
Category : Fiction
Languages : en
Pages : 930
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Book Description
To commemorate the 50th anniversary of the venerable "Paris Review" comes a unique anthology based on the themes of modern life.
Author: J. Gerald Kennedy
Publisher: Yale University Press
ISBN: 9780300061024
Category : Travel
Languages : en
Pages : 296
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Book Description
Explores how living in Paris shaped the literary works of five expatriate Americans: Gertrude Stein, Ernest Hemingway, Henry Miller, F. Scott Fitzgerald and Djuna Barnes. The book treats these figures and their works as instances of the effect of place on writing and the formation of the self.
Author: Donald Hall
Publisher: HarperCollins
ISBN: 1328826317
Category : Biography & Autobiography
Languages : en
Pages : 229
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Book Description
Former poet laureate of the United States Donald Hall’s final collection of essays, from the vantage point of very old age, once again “alternately lyrical and laugh-out-loud funny.”* *(New York Times) “Why should a nonagenarian hold anything back?” Donald Hall answers his own question in these self-knowing, fierce, and funny essays on aging, the pleasures of solitude, and the sometimes astonishing freedoms arising from both. Nearing ninety at the time of writing, he intersperses memories of exuberant days in his youth, with uncensored tales of literary friendships spanning decades—with James Wright, Richard Wilbur, Seamus Heaney, and other luminaries. Cementing his place alongside Roger Angell and Joan Didion as a generous and profound chronicler of loss, this final work is as original and searing as anything Hall wrote during his extraordinary literary lifetime.
Author: Ursula K. Le Guin
Publisher: Library of America
ISBN: 1598534947
Category : Fiction
Languages : en
Pages : 682
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Book Description
Library of America gathers for the first time the entire body of work set in the imaginary central European nation of Orsinia—the enchanting, richly imagined historical fiction series written by Hugo, Nebula, and National Book Award winner Ursula K. Le Guin. In a career spanning half a century, Ursula K. Le Guin has produced a body of work that testifies to her abiding faith in the power and art of words. She is perhaps best known for imagining future intergalactic worlds in brilliant books that challenge our ideas of what is natural and inevitable in human relations—and that celebrate courage, endurance, risk-taking, and above all, freedom in the face of the psychological and social forces that lead to authoritarianism and fanaticism. It is less well known that she first developed these themes in the richly imagined historical fiction collected in this volume, which inaugurates the Library of America edition of her works. Written before Ursula K. Le Guin turned to science fiction, the novel Malafrena is a tale of love and duty set in the central European country of Orsinia in the early nineteenth century, when it is ruled by the Austrian empire. The stories originally published in Orsinian Tales (1976) offer brilliantly rendered episodes of personal drama set against a history that spans Orsinia’s emergence as an independent kingdom in the twelfth century to its absorption by the eastern Bloc after World War II. The volume is rounded out by two additional stories that bring the history of Orsinia up to 1989, the poem “Folksong from the Montayna Province,” Le Guin’s first published work, and two never-before-published songs in the Orisinian language. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Author: Donald Pizer
Publisher: LSU Press
ISBN: 9780807122204
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
Montparnasse and its café life, the shabby working-class area of the place de la Contrescarpe and the Pantheon, the small restaurants and cafés along the Seine, and the Right Bank world of the well-to-do . . . for American writers self-exiled to Paris during the 1920s and 1930s, the French capital represented what their homeland could not: a milieu that, through the freedom of thought and action it permitted and the richness of life it offered, nurtured the full expression of the creative imagination. How these expatriates interpreted and gave modernist shape to the myth of “the Paris moment” in their writing is the altogether fresh focus of Donald Pizer’s study of seven of their major works. Pizer elucidates a striking difference between the genres of expatriate autobiography and fiction, and arranges his discussion accordingly. He first examines Ernest Hemingway’s A Moveable Feast, Gertrude Stein’s The Autobiography of Alice B. Toklas, and The Diary of Anaïs Nin, 1931–1934, all of which depict the emergence and triumph of the creative imagination within the Paris context. He then turns to Hemingway’s The Sun Also Rises, John Dos Passos’ Nineteen-Nineteen, and F. Scott Fitzgerald’s Tender Is the Night, which dramatize the tragic potential in seeking a richness and intensity of creative expression within the city’s setting. Henry Miller’s Tropic of Cancer, a relatively late example of American expatriate writing, constitutes a synthesis of the two tendencies, Pizer shows. Through careful readings of the texts, Pizer identifies both the common threads in the expatriates’ response to the Paris moment and the distinctive expression each work gives to their shared experience. Most important, he addresses the neglected question of how the portrayal of the Paris scene helps shape a specific work’s themes and form. He traces such experimental devices as fragmented or cubistic narrative forms, the dramatic representation of consciousness, and sexual explicitness, and explores the powerful and evocative tropes of mobility and feeding. As Pizer demonstrates, Paris between the two world wars was for the American expatriates more than a geographical entity. It was a state of mind, an experience, that engendered the formal expression of a personal aesthetic. The engaging and significant interplay between artist, place, and innovative self-reflexive forms composes, Pizer maintains, the most distinctive contribution of expatriate writing to the literary movement called high modernism.
