Author: Neil McCaw
Publisher: Ashgate Publishing, Ltd.
ISBN:
Category : History
Languages : en
Pages : 272
Book Description
The representation of the Irish in English canonical fictions was to have been the subject of this monograph. The editor realised the enormity of the task and limited the present volume to an overview of the Irish, Irish authors and Ireland in English literature.
Writing Irishness in Nineteenth-century British Culture
Author: Neil McCaw
Publisher: Ashgate Publishing, Ltd.
ISBN:
Category : History
Languages : en
Pages : 272
Book Description
The representation of the Irish in English canonical fictions was to have been the subject of this monograph. The editor realised the enormity of the task and limited the present volume to an overview of the Irish, Irish authors and Ireland in English literature.
Publisher: Ashgate Publishing, Ltd.
ISBN:
Category : History
Languages : en
Pages : 272
Book Description
The representation of the Irish in English canonical fictions was to have been the subject of this monograph. The editor realised the enormity of the task and limited the present volume to an overview of the Irish, Irish authors and Ireland in English literature.
Irish Novelists and the Victorian Age
Author: James H. Murphy
Publisher: OUP Oxford
ISBN: 0191616591
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
This is the first comprehensive study of the Irish writers of the Victorian age, some of them still remembered, most of them now forgotten. Their work was often directed to a British as well as an Irish reading audience and was therefore disparaged in the era of W.B. Yeats and the Irish Literary Revival with its culturally nationalist agenda. This study is based on a reading of around 370 novels by 150 authors, including still-familiar novelists such as William Carleton, the peasant writer who wielded much influence, and Charles Lever, whose serious work was destroyed by the slur of 'rollicking', as well as Joseph Sheridan LeFanu, George Moore, Emily Lawless, Somerville and Ross, Bram Stoker, and three of the leading authors from the new-woman movement, Sarah Grand, Iota, and George Egerton. James H. Murphy examines the work of these and many other writers in a variety of contexts: the political, economic, and cultural developments of the time; the vicissitudes of the reading audience; the realities of a publishing industry that was for the most part London-based; the often difficult circumstances of the lives of the novelists; and the ever changing genre of the novel itself, to which Irish authors often made a contribution. Politics, history, religion, gender and, particularly, land, over which nineteenth-century Ireland was deeply divided, featured as key themes for fiction. Finally, the book engages with the critical debate of recent times concerning the supposed failure of realism in the nineteenth-century Irish novel, looking for more specific causes than have hitherto been offered and discovering occasions on which realism turned out to be possible.
Publisher: OUP Oxford
ISBN: 0191616591
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
This is the first comprehensive study of the Irish writers of the Victorian age, some of them still remembered, most of them now forgotten. Their work was often directed to a British as well as an Irish reading audience and was therefore disparaged in the era of W.B. Yeats and the Irish Literary Revival with its culturally nationalist agenda. This study is based on a reading of around 370 novels by 150 authors, including still-familiar novelists such as William Carleton, the peasant writer who wielded much influence, and Charles Lever, whose serious work was destroyed by the slur of 'rollicking', as well as Joseph Sheridan LeFanu, George Moore, Emily Lawless, Somerville and Ross, Bram Stoker, and three of the leading authors from the new-woman movement, Sarah Grand, Iota, and George Egerton. James H. Murphy examines the work of these and many other writers in a variety of contexts: the political, economic, and cultural developments of the time; the vicissitudes of the reading audience; the realities of a publishing industry that was for the most part London-based; the often difficult circumstances of the lives of the novelists; and the ever changing genre of the novel itself, to which Irish authors often made a contribution. Politics, history, religion, gender and, particularly, land, over which nineteenth-century Ireland was deeply divided, featured as key themes for fiction. Finally, the book engages with the critical debate of recent times concerning the supposed failure of realism in the nineteenth-century Irish novel, looking for more specific causes than have hitherto been offered and discovering occasions on which realism turned out to be possible.
A Cultural History of the Irish Novel, 1790–1829
Author: Claire Connolly
Publisher: Cambridge University Press
ISBN: 1139503227
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Claire Connolly offers a cultural history of the Irish novel in the period between the radical decade of the 1790s and the gaining of Catholic Emancipation in 1829. These decades saw the emergence of a group of talented Irish writers who developed and advanced such innovative forms as the national tale and the historical novel: fictions that took Ireland as their topic and setting and which often imagined its history via domestic plots that addressed wider issues of dispossession and inheritance. Their openness to contemporary politics, as well as to recent historiography, antiquarian scholarship, poetry, song, plays and memoirs, produced a series of notable fictions; marked most of all by their ability to fashion from these resources a new vocabulary of cultural identity. This book extends and enriches the current understanding of Irish Romanticism, blending sympathetic textual analysis of the fiction with careful historical contextualization.
Publisher: Cambridge University Press
ISBN: 1139503227
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Claire Connolly offers a cultural history of the Irish novel in the period between the radical decade of the 1790s and the gaining of Catholic Emancipation in 1829. These decades saw the emergence of a group of talented Irish writers who developed and advanced such innovative forms as the national tale and the historical novel: fictions that took Ireland as their topic and setting and which often imagined its history via domestic plots that addressed wider issues of dispossession and inheritance. Their openness to contemporary politics, as well as to recent historiography, antiquarian scholarship, poetry, song, plays and memoirs, produced a series of notable fictions; marked most of all by their ability to fashion from these resources a new vocabulary of cultural identity. This book extends and enriches the current understanding of Irish Romanticism, blending sympathetic textual analysis of the fiction with careful historical contextualization.
Irish Culture and the People
Author: Seamus O'Malley
Publisher: Oxford University Press
ISBN: 0192858416
Category : English literature
Languages : en
Pages : 305
Book Description
This book argues that populism has been a shaping force in Irish literary culture. Populist moments and movements have compelled authors to reject established forms and invent new ones. Sometimes, as in the middle period of W.B. Yeats's work, populism forces a writer into impossible stances, spurring ever greater rhetorical and poetic creativity. At other times, as in the critiques of Anna Parnell or Myles na gCopaleen, authors penetrate the rhetoric fog of populist discourse and expose the hollowness of its claims. Yet in both politics and culture, populism can be a generative force. Daniel O'Connell, and later the Land League, utilized populist discourse to advance Irish political freedom and expand rights. The most powerful works of Lady Gregory and Ernie O'Malley are their portraits of The People that borrows from the populist vocabulary. While we must be critical of populist discourse, we dismiss it at our loss. This study synthesizes existing scholarship on populism to explore how Irish texts have evoked The People--a crucial rhetorical move for populist discourse--and how some writers have critiqued, adopted, and adapted the languages of Irish populisms.
Publisher: Oxford University Press
ISBN: 0192858416
Category : English literature
Languages : en
Pages : 305
Book Description
This book argues that populism has been a shaping force in Irish literary culture. Populist moments and movements have compelled authors to reject established forms and invent new ones. Sometimes, as in the middle period of W.B. Yeats's work, populism forces a writer into impossible stances, spurring ever greater rhetorical and poetic creativity. At other times, as in the critiques of Anna Parnell or Myles na gCopaleen, authors penetrate the rhetoric fog of populist discourse and expose the hollowness of its claims. Yet in both politics and culture, populism can be a generative force. Daniel O'Connell, and later the Land League, utilized populist discourse to advance Irish political freedom and expand rights. The most powerful works of Lady Gregory and Ernie O'Malley are their portraits of The People that borrows from the populist vocabulary. While we must be critical of populist discourse, we dismiss it at our loss. This study synthesizes existing scholarship on populism to explore how Irish texts have evoked The People--a crucial rhetorical move for populist discourse--and how some writers have critiqued, adopted, and adapted the languages of Irish populisms.
Samuel Beckett and Europe
Author: Michela Bariselli
Publisher: Cambridge Scholars Publishing
ISBN: 1527509834
Category : Performing Arts
Languages : en
Pages : 193
Book Description
Drawing on the diverse critical debates of the ‘Beckett and Europe’ conference held in Reading, UK, in 2015, this volume brings together a selection of essays to offer an international response to the central question of what ‘Europe’ might mean for our understandings of the work of Samuel Beckett. Ranging from historical and archival work to the close interrogation of language and form, from the influences of various national literary traditions on Beckett’s writing to his influence on the work of other writers and thinkers, this book examines the question of Europe from multiple vantage points so as to reflect the ways in which Beckett’s oeuvre both challenges and enlivens his status as a ‘European writer’. With a full introductory chapter examining the challenging implications of the term ‘Europe’ in the contemporary period, this volume treats Europe as a recognition of the multiple ways that Beckett’s poetry, criticism, prose and drama invite new understandings of the role of history, culture and tradition in one of the most significant bodies of writing of the twentieth century.
Publisher: Cambridge Scholars Publishing
ISBN: 1527509834
Category : Performing Arts
Languages : en
Pages : 193
Book Description
Drawing on the diverse critical debates of the ‘Beckett and Europe’ conference held in Reading, UK, in 2015, this volume brings together a selection of essays to offer an international response to the central question of what ‘Europe’ might mean for our understandings of the work of Samuel Beckett. Ranging from historical and archival work to the close interrogation of language and form, from the influences of various national literary traditions on Beckett’s writing to his influence on the work of other writers and thinkers, this book examines the question of Europe from multiple vantage points so as to reflect the ways in which Beckett’s oeuvre both challenges and enlivens his status as a ‘European writer’. With a full introductory chapter examining the challenging implications of the term ‘Europe’ in the contemporary period, this volume treats Europe as a recognition of the multiple ways that Beckett’s poetry, criticism, prose and drama invite new understandings of the role of history, culture and tradition in one of the most significant bodies of writing of the twentieth century.
Parnell and His Island
Author: George Moore
Publisher: University College Dublin Press
ISBN: 1910820954
Category : History
Languages : en
Pages : 159
Book Description
Moore spares neither landlords nor tenants, priests or nationalists in his narrative.
Publisher: University College Dublin Press
ISBN: 1910820954
Category : History
Languages : en
Pages : 159
Book Description
Moore spares neither landlords nor tenants, priests or nationalists in his narrative.
Sherlock Holmes and Conan Doyle
Author: S. Vanacker
Publisher: Springer
ISBN: 1137291567
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
Sherlock Holmes is an iconic figure within cultural narratives. More recently, Conan Doyle has also appeared as a fictional figure in contemporary novels and films, confusing the boundaries between fiction and reality. This collection investigates how Holmes and Doyle have gripped the public imagination to become central figures of modernity.
Publisher: Springer
ISBN: 1137291567
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
Sherlock Holmes is an iconic figure within cultural narratives. More recently, Conan Doyle has also appeared as a fictional figure in contemporary novels and films, confusing the boundaries between fiction and reality. This collection investigates how Holmes and Doyle have gripped the public imagination to become central figures of modernity.
Weeping Britannia
Author: Thomas Dixon
Publisher: Oxford University Press, USA
ISBN: 0199676054
Category : History
Languages : en
Pages : 451
Book Description
There is a persistent myth about the British: that they are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia--the first history of crying in Britain--comprehensively debunks this myth. Far from being a persistent element in the national character, the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of the nation's past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way). But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century. Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which Britons express and understand their emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.
Publisher: Oxford University Press, USA
ISBN: 0199676054
Category : History
Languages : en
Pages : 451
Book Description
There is a persistent myth about the British: that they are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia--the first history of crying in Britain--comprehensively debunks this myth. Far from being a persistent element in the national character, the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of the nation's past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way). But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century. Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which Britons express and understand their emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.
From Castle Rackrent to Castle Dracula
Author: Paul E. H. Davis
Publisher: Legend Press Ltd
ISBN: 0956071678
Category : Education
Languages : en
Pages : 407
Book Description
Paul E H Davis and the Irish Land Question In his challenging new book, Paul E H Davis offers an entirely new critique of how novelists in nineteenth-century Ireland had to act -both as writers and historians - in their attempts to find a solution to what became the Irish Land Question. Callenging the widely-held nationalist view that Irish novelists of this period had little or nothing to offer, Davis slots these castaway novelists into a new, identifiable category: the agrarian novelists. The book is divided into three parts. Part One considers novelists writing between the Union and the Famine: Maria Edgeworth, Gerald Griffin, John and Michael Banim and William Carleton. Part Two looks at how the agrarian novel 'emigrates' with reference to the novels of Charles Kickham and to the Irish novels of Anthony Trollope. Part Three considers how some agrarian novelists - specifically Thomas Moore and Bram Stoker - felt the solution lay not in the real world but in the world of fantasy. An exceptional book on why the agrarian novelists deserve to be valued for their unique perception of Ireland in the nineteenth century.
Publisher: Legend Press Ltd
ISBN: 0956071678
Category : Education
Languages : en
Pages : 407
Book Description
Paul E H Davis and the Irish Land Question In his challenging new book, Paul E H Davis offers an entirely new critique of how novelists in nineteenth-century Ireland had to act -both as writers and historians - in their attempts to find a solution to what became the Irish Land Question. Callenging the widely-held nationalist view that Irish novelists of this period had little or nothing to offer, Davis slots these castaway novelists into a new, identifiable category: the agrarian novelists. The book is divided into three parts. Part One considers novelists writing between the Union and the Famine: Maria Edgeworth, Gerald Griffin, John and Michael Banim and William Carleton. Part Two looks at how the agrarian novel 'emigrates' with reference to the novels of Charles Kickham and to the Irish novels of Anthony Trollope. Part Three considers how some agrarian novelists - specifically Thomas Moore and Bram Stoker - felt the solution lay not in the real world but in the world of fantasy. An exceptional book on why the agrarian novelists deserve to be valued for their unique perception of Ireland in the nineteenth century.
Charles Stewart Parnell and His Times
Author: N. C. Fleming
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 640
Book Description
Charles Stewart Parnell (1846-1891) wrote remarkably little about himself, but he has attracted the attention of many writers, politicians, and scholars, both during his lifetime and ever since. His controversial and provocative role in Irish and British affairs had him vilified as a murderer in The Times, and afterwards dramatically vindicated by the Westminster Parliament. It cast him as a romantic hero to the young James Joyce, and a self-serving opportunist to the journalists of the Nation. Parnell has been the subject of court cases, parliamentary enquiries and debates, journalism, plays, poems, literary analysis and historical studies. For the first time all these have been collected, catalogued and cross-referenced in one volume, an invaluable resource for scholars of late nineteenth century Ireland and Britain. Divided into fifteen chapters, including a biographical sketch, the volume contains information on manuscript and archival collections, printed primary sources, Parnell's writing, Parnell's speeches in the House of Commons and outside Parliament, contemporary journalism, contemporary writing, and contemporary illustrations on Irish affairs, and a substantial list of scholarly work, including biographies, books, articles, chapters, and theses. This volume offers readers a clear record of the substantial material already available on Parnell, and in doing so offers resources to future research in this area.
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 640
Book Description
Charles Stewart Parnell (1846-1891) wrote remarkably little about himself, but he has attracted the attention of many writers, politicians, and scholars, both during his lifetime and ever since. His controversial and provocative role in Irish and British affairs had him vilified as a murderer in The Times, and afterwards dramatically vindicated by the Westminster Parliament. It cast him as a romantic hero to the young James Joyce, and a self-serving opportunist to the journalists of the Nation. Parnell has been the subject of court cases, parliamentary enquiries and debates, journalism, plays, poems, literary analysis and historical studies. For the first time all these have been collected, catalogued and cross-referenced in one volume, an invaluable resource for scholars of late nineteenth century Ireland and Britain. Divided into fifteen chapters, including a biographical sketch, the volume contains information on manuscript and archival collections, printed primary sources, Parnell's writing, Parnell's speeches in the House of Commons and outside Parliament, contemporary journalism, contemporary writing, and contemporary illustrations on Irish affairs, and a substantial list of scholarly work, including biographies, books, articles, chapters, and theses. This volume offers readers a clear record of the substantial material already available on Parnell, and in doing so offers resources to future research in this area.