Author: Lucie Guiheneuf
Publisher: Cambridge Scholars Publishing
ISBN: 1527512932
Category : Biography & Autobiography
Languages : en
Pages : 189
Book Description
New creative forms of life writing have emerged over the past four decades. Following in the footsteps of the “New Biographers,” who more than half a century earlier had trusted art and imagination to uncover some truth about a singular existence, some late-twentieth and twenty-first century novelists, playwrights and essayists staged the lives of writers they loved, wanted to vindicate, or whose influence they needed to acknowledge and ward off. In other cases, they turned to another sort of genealogy and, blurring the lines between biography and autobiography, told the story of their parents’ lives. This volume includes ten essays on American, British and Canadian writers’ biographies and family histories, ranging, chronologically speaking, from Virginia Woolf’s Orlando (1928) to Lila Azam Zanganeh’s The Enchanter: Nabokov and Happiness (2011). The connection between biography and fiction is explored, and analysed in the light of different veins of postmodernism—ludic, nostalgic and subversive. The contributors give pride of place to those biographical enterprises in which generic distinctions yield to transgeneric recompositions, ontological frontiers are crossed, genders are queered, women artists empowered, and the creating subject revealed to be fundamentally elusive and plural.
Writers' Biographies and Family Histories in 20th- and 21st-Century Literature
Author: Lucie Guiheneuf
Publisher: Cambridge Scholars Publishing
ISBN: 1527512932
Category : Biography & Autobiography
Languages : en
Pages : 189
Book Description
New creative forms of life writing have emerged over the past four decades. Following in the footsteps of the “New Biographers,” who more than half a century earlier had trusted art and imagination to uncover some truth about a singular existence, some late-twentieth and twenty-first century novelists, playwrights and essayists staged the lives of writers they loved, wanted to vindicate, or whose influence they needed to acknowledge and ward off. In other cases, they turned to another sort of genealogy and, blurring the lines between biography and autobiography, told the story of their parents’ lives. This volume includes ten essays on American, British and Canadian writers’ biographies and family histories, ranging, chronologically speaking, from Virginia Woolf’s Orlando (1928) to Lila Azam Zanganeh’s The Enchanter: Nabokov and Happiness (2011). The connection between biography and fiction is explored, and analysed in the light of different veins of postmodernism—ludic, nostalgic and subversive. The contributors give pride of place to those biographical enterprises in which generic distinctions yield to transgeneric recompositions, ontological frontiers are crossed, genders are queered, women artists empowered, and the creating subject revealed to be fundamentally elusive and plural.
Publisher: Cambridge Scholars Publishing
ISBN: 1527512932
Category : Biography & Autobiography
Languages : en
Pages : 189
Book Description
New creative forms of life writing have emerged over the past four decades. Following in the footsteps of the “New Biographers,” who more than half a century earlier had trusted art and imagination to uncover some truth about a singular existence, some late-twentieth and twenty-first century novelists, playwrights and essayists staged the lives of writers they loved, wanted to vindicate, or whose influence they needed to acknowledge and ward off. In other cases, they turned to another sort of genealogy and, blurring the lines between biography and autobiography, told the story of their parents’ lives. This volume includes ten essays on American, British and Canadian writers’ biographies and family histories, ranging, chronologically speaking, from Virginia Woolf’s Orlando (1928) to Lila Azam Zanganeh’s The Enchanter: Nabokov and Happiness (2011). The connection between biography and fiction is explored, and analysed in the light of different veins of postmodernism—ludic, nostalgic and subversive. The contributors give pride of place to those biographical enterprises in which generic distinctions yield to transgeneric recompositions, ontological frontiers are crossed, genders are queered, women artists empowered, and the creating subject revealed to be fundamentally elusive and plural.
Genealogical Writing in the 21st Century
Author: Michael J. Leclerc
Publisher: New England Historic Genealogical Society(NEHGS)
ISBN: 9780880821995
Category : Genealogy
Languages : en
Pages : 130
Book Description
Publisher: New England Historic Genealogical Society(NEHGS)
ISBN: 9780880821995
Category : Genealogy
Languages : en
Pages : 130
Book Description
History of 20th-century Literature
Author: Simon Beesley
Publisher: Hamlyn (UK)
ISBN: 9780600598077
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
"Primo Levi, Colette, Angela Carter, Sinclair Lewis, Boris Pasternak, D. H. Lawrence and Agatha Christie are a few of the luminaries featured....Divided into categories such as "Magic Realism" (including Marquez are Rushdie), "African-American Writing" (Baldwin, Wright, and Ellison), "Metafictions" (Calvino, Eco), "Cult Fiction" (Richard Brautigan, John Kennedy Toole) and "Feminine Perspectives" (Iris Murdoch, Murial Spark), and replete with movie stills and photographs of many authors and their times, this accessible study treats highlights of mainstream world literature."--Publishers Weekly.
Publisher: Hamlyn (UK)
ISBN: 9780600598077
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
"Primo Levi, Colette, Angela Carter, Sinclair Lewis, Boris Pasternak, D. H. Lawrence and Agatha Christie are a few of the luminaries featured....Divided into categories such as "Magic Realism" (including Marquez are Rushdie), "African-American Writing" (Baldwin, Wright, and Ellison), "Metafictions" (Calvino, Eco), "Cult Fiction" (Richard Brautigan, John Kennedy Toole) and "Feminine Perspectives" (Iris Murdoch, Murial Spark), and replete with movie stills and photographs of many authors and their times, this accessible study treats highlights of mainstream world literature."--Publishers Weekly.
Writing Women's Literary History
Author: Margaret J. M. Ezell
Publisher: JHU Press
ISBN: 9780801855085
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
Ezell critically examines these successful women's literary histories and applies to them the same self-conscious feminism that critics have applied to more traditional methods. Drawing both on French feminisms and on recent historicist scholarship, Ezell points us to new possibilities for the recovery of early modern women's literary history. By championing the recovery of "lost" women writers and insisting on reevaluating the past, women's studies and feminist theory have effected dramatic changes in the ways English literary history is written and taught. In Writing Women's Literary History, Margaret Ezell critically examines these successful women's literary histories and applies to them the same self-conscious feminism that critics have applied to more traditional methods. According to Ezell, by relying not only on past male scholarship but also on inherited notions of "tradition," some feminist historicists replicate the evolutionary, narrative model of history that originally marginalized women who wrote before 1700. Drawing both on French feminisms and on recent historicist scholarship, Ezell points us to new possibilities for the recovery of early modern women's literary history.
Publisher: JHU Press
ISBN: 9780801855085
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
Ezell critically examines these successful women's literary histories and applies to them the same self-conscious feminism that critics have applied to more traditional methods. Drawing both on French feminisms and on recent historicist scholarship, Ezell points us to new possibilities for the recovery of early modern women's literary history. By championing the recovery of "lost" women writers and insisting on reevaluating the past, women's studies and feminist theory have effected dramatic changes in the ways English literary history is written and taught. In Writing Women's Literary History, Margaret Ezell critically examines these successful women's literary histories and applies to them the same self-conscious feminism that critics have applied to more traditional methods. According to Ezell, by relying not only on past male scholarship but also on inherited notions of "tradition," some feminist historicists replicate the evolutionary, narrative model of history that originally marginalized women who wrote before 1700. Drawing both on French feminisms and on recent historicist scholarship, Ezell points us to new possibilities for the recovery of early modern women's literary history.
New Books on Women and Feminism
Author:
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 128
Book Description
A Critical Dictionary of English Literature, and British and American Authors
Author: Samuel Austin Allibone
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 836
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 836
Book Description
A Critical Dictionary of English Literature, and British and American Authors, Living and Deceased, from the Earliest Accounts to the Middle of the Nineteenth Century
Author: Samuel Austin Allibone
Publisher:
ISBN:
Category :
Languages : en
Pages : 832
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 832
Book Description
New Books on Women, Gender and Feminism
Author:
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 120
Book Description
The New England Bibliopolist, Or Notices of Books on American History, Biography, Genealogy, Etc
Author:
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 424
Book Description
Encountering Difference: New Perspectives on Genre, Travel and Gender
Author: Gigi Adair
Publisher: Vernon Press
ISBN: 1622738705
Category : Literary Criticism
Languages : en
Pages : 155
Book Description
This edited collection poses crucial questions about the relationship between gender and genre in travel writing, asking how gender shapes formal and thematic approaches to the various generic forms employed to represent and recreate travel. While the question of the genre of travel writing has often been debated (is it a genre, a hybrid genre, a sub-genre of autobiography?), and recent years have been much attention to travel writing and gender, these have rarely been combined. This book sheds light on how the gendered nature of writing and reading about travel affect the genre choices and strategies of writers, as well as the way in which travel writing is received. It reconsiders traditional and frequently studied forms of travel writing, both European and non-European. In addition, it pursues questions about the connections between travel writing and other genres, such as the novel and films, minor forms including journalism and blogging, and new sub-genres such as the ‘new nature writing’; focusing in particular on the political ramifications of genre in travel writing. The collection is international in focus with discussions of works by authors from Europe, Asia, Australia, and both North and South America; consequently, it will be of great interest to scholars and historians in those regions.
Publisher: Vernon Press
ISBN: 1622738705
Category : Literary Criticism
Languages : en
Pages : 155
Book Description
This edited collection poses crucial questions about the relationship between gender and genre in travel writing, asking how gender shapes formal and thematic approaches to the various generic forms employed to represent and recreate travel. While the question of the genre of travel writing has often been debated (is it a genre, a hybrid genre, a sub-genre of autobiography?), and recent years have been much attention to travel writing and gender, these have rarely been combined. This book sheds light on how the gendered nature of writing and reading about travel affect the genre choices and strategies of writers, as well as the way in which travel writing is received. It reconsiders traditional and frequently studied forms of travel writing, both European and non-European. In addition, it pursues questions about the connections between travel writing and other genres, such as the novel and films, minor forms including journalism and blogging, and new sub-genres such as the ‘new nature writing’; focusing in particular on the political ramifications of genre in travel writing. The collection is international in focus with discussions of works by authors from Europe, Asia, Australia, and both North and South America; consequently, it will be of great interest to scholars and historians in those regions.