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Author: Diana Mary Eva Thomas
Publisher: Cambridge Scholars Publishing
ISBN: 1443879428
Category : Social Science
Languages : en
Pages : 261
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Book Description
This study shows how fiction that makes use of textiles as an essential element utilizes synaesthetic writing and synaesthetic metaphor to create an affective link to, and response in, the reader. These links and responses are examined using affect theory from Silvan Tomkins and Brian Massumi and work on synaesthesia by Richard Cytowic, Lawrence Marks, and V.S. Ramachandran, among others. Synaesthetic writing, including synaesthetic metaphors, has been explored in poetry since the 1920s and, more recently, in fiction, but these studies have been general in nature. By narrowing the field of investigation to those novels that specifically employ three types of hand-crafted textiles (quilt-making, knitting and embroidery), the book isolates how these textiles are used in fiction. The combination of synaesthesia, memory, metaphor and, particularly, synaesthetic metaphor in fiction with textiles in the text of the case studies selected, shows how these are used to create affect in readers, enhancing their engagement in the story. The work is framed within the context of the history of textile production and the use of textiles in fiction internationally, but concentrates on Australian authors who have used textiles in their writing. The decision to focus on Australian authors was taken in light of the quality and depth of the writing of textile fiction produced in Australia between 1980 and 2005 in the three categories of hand-crafted textiles – quilt-making, knitting and embroidery. The texts chosen for intensive study are: Kate Grenville’s The Idea of Perfection (1999, quilting); Marele Day’s Lambs of God (1997, knitting) and Anne Bartlett’s Knitting (2005, knitting); Jessica Anderson’s Tirra Lirra by the River (1978, embroidery) and Marion Halligan’s Spider Cup (1990, embroidery).
Author: Diana Mary Eva Thomas
Publisher: Cambridge Scholars Publishing
ISBN: 1443879428
Category : Social Science
Languages : en
Pages : 261
Get Book Here
Book Description
This study shows how fiction that makes use of textiles as an essential element utilizes synaesthetic writing and synaesthetic metaphor to create an affective link to, and response in, the reader. These links and responses are examined using affect theory from Silvan Tomkins and Brian Massumi and work on synaesthesia by Richard Cytowic, Lawrence Marks, and V.S. Ramachandran, among others. Synaesthetic writing, including synaesthetic metaphors, has been explored in poetry since the 1920s and, more recently, in fiction, but these studies have been general in nature. By narrowing the field of investigation to those novels that specifically employ three types of hand-crafted textiles (quilt-making, knitting and embroidery), the book isolates how these textiles are used in fiction. The combination of synaesthesia, memory, metaphor and, particularly, synaesthetic metaphor in fiction with textiles in the text of the case studies selected, shows how these are used to create affect in readers, enhancing their engagement in the story. The work is framed within the context of the history of textile production and the use of textiles in fiction internationally, but concentrates on Australian authors who have used textiles in their writing. The decision to focus on Australian authors was taken in light of the quality and depth of the writing of textile fiction produced in Australia between 1980 and 2005 in the three categories of hand-crafted textiles – quilt-making, knitting and embroidery. The texts chosen for intensive study are: Kate Grenville’s The Idea of Perfection (1999, quilting); Marele Day’s Lambs of God (1997, knitting) and Anne Bartlett’s Knitting (2005, knitting); Jessica Anderson’s Tirra Lirra by the River (1978, embroidery) and Marion Halligan’s Spider Cup (1990, embroidery).
Author: Women of Faith,
Publisher: HarperChristian Resources
ISBN: 0310682665
Category : Religion
Languages : en
Pages : 145
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Book Description
For many of us, reading the Bible—much less studying it—is daunting. The language is archaic, the stories are violent, and it’s difficult to know the takeaways. But the truth is the Bible is critical, because it is the means by which we know God, experience His love, and understand what He expects from us. In Uncovering God’s Word, you will explore practical ways to dive into the content of Scripture and apply it to your life. You will examine what the Bible says about itself, why it is important to know it by heart, and how it reveals what is truly important in life. You will also see why reading the Bible on a daily basis is fundamental for you to mature in Christ and develop your relationship with God. The Women of Faith® Bible Studies provide intriguing insights into topics that are relevant to women’s lives today. Each guide includes twelve weeks of study, down-to-earth illustrations, and reflections to help you move the truth from your head to your heart. A leader’s guide for use with small groups is also included.
Author: Jaki Brien
Publisher: University of Chester
ISBN: 9781902275901
Category : Juvenile Nonfiction
Languages : en
Pages : 128
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Book Description
A collection of the best entries for the Cheshire Prize for Literature 2005, which was for an original and previously unpublished piece of writing for children. The 18 stories and 2 poems in the anthology include the eventual prize winners. The First Prize was won by David Whitley and the Runner-Up Prizes by Tricia Durdey and Sheila Powell, while John Mead won the Prize awarded for the entry that most impressed an advisory panel of young readers. The book also contains an introduction by the former Children's Laureate, Michael Morpurgo, who contributed to the final stages of the judging.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
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Book Description
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Author: Jennifer Harris
Publisher: John Wiley & Sons
ISBN: 1118768906
Category : Design
Languages : en
Pages : 528
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Book Description
A lively and innovative collection of new and recent writings on the cultural contexts of textiles The study of textile culture is a dynamic field of scholarship which spans disciplines and crosses traditional academic boundaries. A Companion to Textile Culture is an expertly curated compendium of new scholarship on both the historical and contemporary cultural dimensions of textiles, bringing together the work of an interdisciplinary team of recognized experts in the field. The Companion provides an expansive examination of textiles within the broader area of visual and material culture, and addresses key issues central to the contemporary study of the subject. A wide range of methodological and theoretical approaches to the subject are explored—technological, anthropological, philosophical, and psychoanalytical, amongst others—and developments that have influenced academic writing about textiles over the past decade are discussed in detail. Uniquely, the text embraces archaeological textiles from the first millennium AD as well as contemporary art and performance work that is still ongoing. This authoritative volume: Offers a balanced presentation of writings from academics, artists, and curators Presents writings from disciplines including histories of art and design, world history, anthropology, archaeology, and literary studies Covers an exceptionally broad chronological and geographical range Provides diverse global, transnational, and narrative perspectives Included numerous images throughout the text to illustrate key concepts A Companion to Textile Culture is an essential resource for undergraduate and postgraduate students, instructors, and researchers of textile history, contemporary textiles, art and design, visual and material culture, textile crafts, and museology.
Author: Women of Faith,
Publisher: Thomas Nelson
ISBN: 1418583383
Category : Religion
Languages : en
Pages : 146
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Book Description
Many women find reading the Scriptures to be a daunting prospect, let alone actually studying them. Questions arise. Is studying the Bible different from reading it? Why do we study God's Word? How do you study God's Word? Knowing God's Word will prepare women to approach the Bible with confidence and excitement. Reaching an audience across racial, socio-economic, denominational, and age boundaries, these guides will enhance the lives of women as they empower them in their weekly devotions. The study guides can be used for both individual and group settings. Women are asking good questions about their faith. With our study guides, we want to join them in their quest for knowledge and lead them in finding the answers they are seeking.
Author: J. P. Mallory
Publisher: Oxford University Press, USA
ISBN: 0199287910
Category : Foreign Language Study
Languages : en
Pages : 756
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Book Description
The authors introduce Proto-Indo-European describing its construction and revealing the people who spoke it between 5,500 and 8,000 years ago. Using archaeological evidence and natural history they reconstruct the lives, passions, culture, society and mythology of the Proto-Indo-Europeans.
Author: Tony Caves
Publisher: MWI Publishing
ISBN: 0954445090
Category : Philosophy
Languages : en
Pages : 216
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Book Description
Mindessence contains ideas and methods to deepen our understanding of life and death and bring us to a realisation of our true nature. To the author, the idea that some of us are somehow 'sane' and some 'insane, ' is false, he believes we are all absolutely sane - it is just a matter of degree. What Society calls 'mental illness' Tony Caves calls Perplexity. Transparency is the name he gives to a state of freedom from Perplexity. Transparency gives us space in which to experience Mindessence which is a state of dynamic ease and relaxed alertness beyond ordinary notions of sanity. The book explores the ways in which we are conditioned by society, through our upbringing and education, to live and die in a dream world of our own making. It then explores methods for de-conditioning ourselves through simple techniques, such as the use of static and moving Meditation, to help us become aware of our vast and timeless Heartmind and to plant the seeds of Transparency which then flower into Mindessence.
Author: E. Castelli
Publisher: Springer
ISBN: 1137048301
Category : Social Science
Languages : en
Pages : 552
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Book Description
This up-to-date and forward-looking collection of essays on gender and religion fills a crucial gap. Interdisciplinary and multi-traditional, this volume highlights the contributions that different disciplinary approaches make to feminist/gender studies and religion. Designed for the classroom, the Reader simultaneously assesses the state of the field and raises questions for further inquiry and investigation.
Author: A.D. Cousins
Publisher: Routledge
ISBN: 0429686420
Category : Language Arts & Disciplines
Languages : en
Pages : 311
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Book Description
Writers of the English Renaissance, like their European contemporaries, frequently reflect on the phenomenon of exile—an experience that forces the individual to establish a new personal identity in an alien environment. Although there has been much commentary on this phenomenon as represented in English Renaissance literature, there has been nothing written at length about its counterpart, namely, internal exile: marginalization, or estrangement, within the homeland. This volume considers internal exile as a simultaneously twofold experience. It studies estrangement from one’s society and, correlatively, from one’s normative sense of self. In doing so, it focuses initially on the sonnet sequences by Sidney, Spenser, and Shakespeare (which is to say, the problematics of romance); then it examines the verse satires of Donne, Hall, and Marston (likewise, the problematics of anti-romance). This book argues that the authors of these major texts create mythologies—via the myths of (and accumulated mythographies about) Cupid, satyrs, and Proteus—through which to reflect on the doubleness of exile within one’s own community. These mythologies, at times accompanied by theologies, of alienation suggest that internal exile is a fluid and complex experience demanding multifarious reinterpretation of the incongruously expatriate self. The monograph thus establishes a new framework for understanding texts at once diverse yet central to the Elizabethan literary achievement.
