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Author: Kristine M. Whaley
Publisher: Wipf and Stock Publishers
ISBN:
Category : Religion
Languages : en
Pages : 223
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Book Description
This volume works through deconstructing traditional models of the imago Dei in search of a more inclusive understanding of the doctrine, one that allows for literature to bring important questions to bear. Brief analyses of Karl Barth and Paul Tillich and then growing dissatisfaction with the two in various liberation theologies brings to light the problems of a perfected image of God. An exploration of four novels by Jean Rhys between 1928 and 1939 then follows the footsteps of Katie Cannon and others who include literature in their theological work. The Rhys novels follow tragic stories of women who are wounded both by others and by their own inability to see themselves as worthy. Through the questions these women ask about themselves and God, the reconstruction of the imago Dei is set up. This reconstruction centers trauma, wounds, and a non-contrastive transcendence that Kathryn Tanner defines. Ultimately it is not in how we are perfect, but rather through our risks, our wounds, and even our grief that we connect to God.
Author: Kristine M. Whaley
Publisher: Wipf and Stock Publishers
ISBN:
Category : Religion
Languages : en
Pages : 223
Get Book Here
Book Description
This volume works through deconstructing traditional models of the imago Dei in search of a more inclusive understanding of the doctrine, one that allows for literature to bring important questions to bear. Brief analyses of Karl Barth and Paul Tillich and then growing dissatisfaction with the two in various liberation theologies brings to light the problems of a perfected image of God. An exploration of four novels by Jean Rhys between 1928 and 1939 then follows the footsteps of Katie Cannon and others who include literature in their theological work. The Rhys novels follow tragic stories of women who are wounded both by others and by their own inability to see themselves as worthy. Through the questions these women ask about themselves and God, the reconstruction of the imago Dei is set up. This reconstruction centers trauma, wounds, and a non-contrastive transcendence that Kathryn Tanner defines. Ultimately it is not in how we are perfect, but rather through our risks, our wounds, and even our grief that we connect to God.
Author: Mark Bowden
Publisher: Atlantic Monthly Press
ISBN: 0802189245
Category : History
Languages : en
Pages : 676
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Book Description
The author of Black Hawk Down vividly recounts a pivotal Vietnam War battle in this New York Times bestseller: “An extraordinary feat of journalism”. —Karl Marlantes, Wall Street Journal In Hue 1968, Mark Bowden presents a detailed, day-by-day reconstruction of the most critical battle of the Tet Offensive. In the early hours of January 31, 1968, the North Vietnamese launched attacks across South Vietnam. The lynchpin of this campaign was the capture of Hue, Vietnam’s intellectual and cultural capital. 10,000 troops descended from hidden camps and surged across the city, taking everything but two small military outposts. American commanders refused to believe the size and scope of the siege, ordering small companies of marines against thousands of entrenched enemy troops. After several futile and deadly days, Lieutenant Colonel Ernie Cheatham would finally come up with a strategy to retake the city block by block, in some of the most intense urban combat since World War II. With unprecedented access to war archives in the United States and Vietnam and interviews with participants from both sides, Bowden narrates each stage of this crucial battle through multiple viewpoints. Played out over 24 days and ultimately costing 10,000 lives, the Battle of Hue was by far the bloodiest of the entire war. When it ended, the American debate was never again about winning, only about how to leave. A Los Angeles Times Book Prize Finalist in History Winner of the 2018 Marine Corps Heritage Foundation Greene Award for a distinguished work of nonfiction
Author: Robert C Dykstra
Publisher: Chalice Press
ISBN: 0827216262
Category : Religion
Languages : en
Pages : 262
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Book Description
This book is an edited volume of works that have predominated over the past several decades in contemporary pastoral theology. Through the writings of nineteen leading voices in the history of pastoral care, Dykstra shows how each contributor developed a metaphor for understanding pastoral care. Such metaphors include the solicitous shepherd, the wounded healer, the intimate stranger, the midwife, and other tangible images. Through these works, the reader gains a sense of the varied identities of pastoral care professionals, their struggles for recognition in this often controversial field, and insight into the history of the disciple. Includes readings by: Anton T. Boisen, Alastair V. Campbell, Donald Capps, James E. Dittes, Robert C. Dykstra, Heije Faber, Charles V. Gerkin, Brita L. Gill-Austern, Karen R. Hanson, Seward Hiltner, Margaret Zipse Kornfeld, Bonnie J. Miller-McLemore, Jeanne Stevenson Moessner, Henri J. M. Nouwen, Gaylord Noyce, Paul W. Pruyser, Edward P. Wimberly.
Author:
Publisher: Bruno Gmuender
ISBN: 9783959850148
Category : Amputees
Languages : en
Pages : 0
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Book Description
A collection of photographs featuring thirteen combat veterans who had been wounded in battle, twelve of whom are amputees.
Author: Dennis Patrick Slattery
Publisher: SUNY Press
ISBN: 9780791443828
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
Explores the wounded body in literature from Homer to Toni Morrison, examining how it functions archetypally as both a cultural metaphor and a poetic image.
Author: Pearl James
Publisher: U of Nebraska Press
ISBN: 0803226950
Category : History
Languages : en
Pages : 416
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Book Description
Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.
Author: Kathryn M. Rudy
Publisher: BRILL
ISBN: 9004326960
Category : Art
Languages : en
Pages : 338
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Book Description
What role did images play in the mania for indulgences during the decades prior to the Protestant Reformation? Rubrics, Images and Indulgences in Late Medieval Netherlandish Manuscripts considers how indulgences (the remission of time in Purgatory) were used to market certain images. Conversely, images helped to spread indulgences, such as those attached to the Virgin in sole and the Mass of St Gregory. Images also began depicting the effects of indulgences: souls escaping Purgatory. Drawing on numerous unpublished sources, Kathryn M. Rudy demonstrates how rubrics modified behaviour and expectations around image-centred devotion. Her work is the first to analyse systematically the way that indulgences and images interacted – indeed, shaped each other – prior to the Reformation.
Author: Anthony Tucker-Jones
Publisher: Bloomsbury Publishing
ISBN: 1472847350
Category : Biography & Autobiography
Languages : en
Pages : 401
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Book Description
'Masterful research, impeccable detail, with a beautifully flowing narrative of which Churchill himself would have been proud.' - Professor Peter Caddick-Adams From his earliest days Winston Churchill was an extreme risk taker and he carried this into adulthood. Today he is widely hailed as Britain's greatest wartime leader and politician. Deep down though, he was foremost a warlord. Just like his ally Stalin, and his arch enemies Hitler and Mussolini, Churchill could not help himself and insisted on personally directing the strategic conduct of World War II. For better or worse he insisted on being political master and military commander. Again like his wartime contemporaries, he had a habit of not heeding the advice of his generals. The results of this were disasters in Norway, North Africa, Greece and Crete during 1940–41. His fruitless Dodecanese campaign in 1943 also ended in defeat. Churchill's pig-headedness over supporting the Italian campaign in defiance of the Riviera landings culminated in him threatening to resign and bring down the British Government. Yet on occasions he got it just right: his refusal to surrender in 1940, the British miracle at Dunkirk and victory in the Battle of Britain, showed that he was a much-needed decisive leader. Nor did he shy away from difficult decisions, such as the destruction of the French Fleet to prevent it falling into German hands and his subsequent war against Vichy France. In this fascinating new book, acclaimed historian Anthony Tucker-Jones explores the record of Winston Churchill as a military commander, assessing how the military experiences of his formative years shaped him for the difficult military decisions he took in office. This book assesses his choices in the some of the most controversial and high-profile campaigns of World War II, and how in high office his decision making was both right and wrong.
Author: Fabrizio Bondi
Publisher: Springer Nature
ISBN: 3030919048
Category : Literary Criticism
Languages : en
Pages : 411
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Book Description
This edited collection explores the image of the wound as a ‘cultural symptom’ and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someone’s body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily wound—from Petrarch’s representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespeare—could respond to the emergence of Modernity as a new cultural feature.
Author: Stijn De Cauwer
Publisher: Routledge
ISBN: 0429534698
Category : Art
Languages : en
Pages : 251
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Book Description
This book illuminates a variety of the key themes and positions that are developed in the work of art historian and philosopher Georges Didi-Huberman, one of the most influential image-theorists of our time. Beginning with a translated exchange on the politics of images between Jacques Rancière and Georges Didi-Huberman, the volume further contains a translation of Didi-Huberman’s essay on Georges Bataille’s writings on art. The articles in this book explore the influence of Theodor Adorno and Aby Warburg on Didi-Huberman’s work, the relationship between ‘image’ and ‘people', his insights on witnessing and memory, the theme of phasmids and his reflections on aura, pathos and the imagination. Taken as a whole, the book will give readers an insight into the rich and expansive work of Didi-Huberman, beyond the books that are currently available in English. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.
