Author: Robert Silverberg
Publisher:
ISBN: 9781612873381
Category :
Languages : en
Pages : 216
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Book Description
Armchair fiction presents extra large editions of the best in classic science fiction novels and short stories. Here's a top-of-the-line novel by one of sci-fi's most heralded authors, Robert Silverberg. Against the night sky, the nearly completed World's Fair Satellite gleamed like a shiny new penny. You could see it even with low-powered field glasses as it moved in its stately orbit around the Earth: a giant copper-hued globe, the biggest space satellite ever constructed. The Fair's opening day?October 12, 1992?was only some six weeks away. And in very much less time than that, Bill Hastings was going to be up there to begin his year in space. From every loudspeaker in Denver Spaceport came the booming message: ?Attention, passengers for Flight 100 Special Transit to the World's Fair. Boarding has now begun? Don't miss this tremendous sequel to ?Regan's Planet.'
Author: Thomas L. Tedrow
Publisher:
ISBN: 9780590226561
Category : Frontier and pioneer life
Languages : en
Pages : 228
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Book Description
While reporting the events of the St. Louis World's Fair for her local newspaper in 1906, Laura Ingalls Wilder teams up with Alice Roosevelt to stop the inhuman Anthropological Games.
Author: John E. Findling
Publisher: Manchester University Press
ISBN: 9780719036309
Category : Architecture
Languages : en
Pages : 192
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Book Description
Author: Zeynep Ç Elik
Publisher: Univ of California Press
ISBN: 9780520074941
Category : Architecture
Languages : en
Pages : 268
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Book Description
Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century. Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.
Author: Pieter van Wesemael
Publisher: 010 Publishers
ISBN: 9789064503832
Category : Architecture
Languages : en
Pages : 856
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Book Description
Author: Erik Mattie
Publisher: Princeton Architectural Press
ISBN: 9781568981321
Category : History
Languages : en
Pages : 274
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Book Description
As showcases of design, architecture, technology, industry and politics, world's fairs have served as overviews of society's accomplishments as well as barometers of the optimism for the future. While many of the products and ideas promoted at past fairs never materialized, many became commonplace: television, for example, was first shown at the 1939 New York fair. Similarly, while many buildings and landscapes built for fairs have become world-wide icons - the Eiffel Tower, the Crystal Palace, the Barcelona Pavilion, the Seattle Space Needle, the Buckminster Fuller Dome in Montreal - hundreds of splendid structures have been forgotten.
Author: Robert W. Rydell
Publisher: University of Chicago Press
ISBN: 0226732371
Category : History
Languages : en
Pages : 281
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Book Description
In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.
Author: Derrick Fludd
Publisher: Lulu.com
ISBN: 1450728782
Category : History
Languages : en
Pages : 485
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Book Description
Author: Marian Shaw
Publisher:
ISBN:
Category : History
Languages : en
Pages : 120
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Book Description
Author: Annegret Fauser
Publisher: Boydell & Brewer
ISBN: 1580461859
Category : Juvenile Nonfiction
Languages : en
Pages : 417
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Book Description
The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.
