World War II in American Art PDF Download
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Author: Robert Henkes
Publisher: McFarland
ISBN: 9780786409853
Category : Art
Languages : en
Pages : 180
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Book Description
Analyzes American painting depicting various aspects of World War II, including battle, prisoners, the homefront, recreation, and victory.
Author: Robert Henkes
Publisher: McFarland
ISBN: 9780786409853
Category : Art
Languages : en
Pages : 180
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Book Description
Analyzes American painting depicting various aspects of World War II, including battle, prisoners, the homefront, recreation, and victory.
Author: Robert Cozzolino
Publisher: Princeton University Press
ISBN: 0691172692
Category : Art
Languages : en
Pages : 320
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Book Description
-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---
Author: Monica Bohm-Duchen
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848220331
Category : Art and design
Languages : en
Pages : 0
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Book Description
First published in 2013 by Lund Humphries.
Author: David M. Lubin
Publisher: Oxford University Press
ISBN: 0190218614
Category : Art
Languages : en
Pages : 380
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Book Description
War, modernism, and the academic spirit -- Women in peril -- Mirroring masculinity -- Opposing visions -- Opening the floodgates -- To see or not to see -- Being there -- Behind the mask -- Monsters in our midst.
Author: Sean Price
Publisher: Heinemann-Raintree Library
ISBN: 9781410931146
Category : Juvenile Nonfiction
Languages : en
Pages : 40
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Book Description
Examines various aspects of World War II, focusing on how the U.S. and other countries used posters to encourage support of the war effort.
Author: Edward Reep
Publisher: University Press of Kentucky
ISBN: 0813182174
Category : Art
Languages : en
Pages : 303
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Book Description
A WWII combat artist shares his recollections—and his arresting artwork—from the frontlines of the Italian campaign in this military memoir. Many artists have fought in wars and later recorded heroic scenes of great battles. Yet few artists have created their work on the frontlines as they fought alongside their comrades. Edward Reep, as an official combat artist in World War II, painted and sketched while the battles of the Italian campaign raged around him. At Monte Cassino, the earth trembled as he attempted to paint the historic bombing of that magnificent abbey. Later, racing into Milan with armed partisans on the fenders of his Jeep, he saw the bodies of Mussolini and his beautiful mistress cut down from the gas station where they had been hanged by their heels. That same day he witnessed the spectacle of a large German army force holed up in a high-rise office tower, waiting for the chance to surrender to the proper American brass for fear of falling into the hands of the vengeful partisans. Reep’s recollections of such desperate days are captured in Combat Artist, both in the text and in the many painfully vivid paintings and drawings that accompany it. Reep’s battlefield drawings show us, with unrelenting honesty, the horrors and griefs?and the bitter comedy?of battle.
Author: Donna B. Knaff
Publisher: University Press of Kansas
ISBN: 0700619666
Category : Social Science
Languages : en
Pages : 224
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Book Description
The iconic bicep-flexing poster image of "Rosie the Riveter" has long conveyed the impression that women were welcomed into the World War II work force and admired for helping "free a man to fight." Donna Knaff, however, shows that "Rosie" only revealed part of the reality and that women depicted in other World War II visual art-both in the private sector and the military-reflected decidedly mixed feelings about the status of women within American society. Beyond Rosie the Riveter takes readers back to a time before television's dominance, to the golden age of print art and its singular power over public opinion. Focusing specifically on instances of "female masculinity" when women entered previously all-male fields, Knaff places these images within the context of popular discussions of gender roles and examines their historical, cultural, and textual contexts. As Knaff reveals, visual messages received by women through war posters, magazine cartoons, comic strips, and ads may have acknowledged their importance to the war effort but also cautioned them against taking too many liberties or losing their femininity. Her study examines the subtle and not-so subtle cultural battles that played out in these popular images, opening a new window on American women's experience. Some images implicitly argued that women should maintain their femininity despite adopting masculinity for the war effort; others dealt with society's deep-seated fear that masculinized women might feminize men; and many reflected the dilemma that a woman was both encouraged to express and suppress her sexuality so that she might be perceived as neither promiscuous nor lesbian. From these cases, Knaff draws a common theme: while being outwardly empowered or celebrated for their wartime contributions, women were kept in check by being held responsible for everything from distracting male co-workers to compromising machinery with their long hair and jewelry. Knaff also notes the subtle distinctions among the images: government war posters targeted blue-collar women, New Yorker content was aimed at socialites, Collier's addressed middle-class women, and Wonder Woman was geared to young girls. Especially through its focus on visual arts, Knaff's book gives us a new look at American society decades before the modern women's rights movement, torn between wartime needs and antiquated gender roles. It provides much-needed nuance to a glossed-over chapter in our history, charting the difficult negotiations that granted-and ultimately took back-American women's wartime freedoms.
Author: Howard B. Capponi
Publisher:
ISBN: 9781425731212
Category : War in art
Languages : en
Pages : 66
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Book Description
James M. Sessions "WWII Brush Reporter"This unique book illustrated by James Sessions chronicles Major WWII battles combined with period historic events.A tribute to all the fighting forces of America containing 28 of his finest wartime paintings, plus a comprehensive biography detailing his extraordinary career in American art. *Tarawa* Guam* Pearl Harbor* Monte Casino*
Author: Kathleen Broome Williams
Publisher: US Naval Institute Press
ISBN: 9781682474266
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
This is a book about a Scottish artist George Plante and how his art served an alliance between Britainand the United States during WorldWar II.
Author: Darlene J. Sadlier
Publisher: University of Texas Press
ISBN: 0292749805
Category : History
Languages : en
Pages : 264
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Book Description
Cultural diplomacy—“winning hearts and minds” through positive portrayals of the American way of life—is a key element in U.S. foreign policy, although it often takes a backseat to displays of military might. Americans All provides an in-depth, fine-grained study of a particularly successful instance of cultural diplomacy—the Office of the Coordinator of Inter-American Affairs (CIAA), a government agency established by President Franklin D. Roosevelt in 1940 and headed by Nelson A. Rockefeller that worked to promote hemispheric solidarity and combat Axis infiltration and domination by bolstering inter-American cultural ties. Darlene J. Sadlier explores how the CIAA used film, radio, the press, and various educational and high-art activities to convince people in the United States of the importance of good neighbor relations with Latin America, while also persuading Latin Americans that the United States recognized and appreciated the importance of our southern neighbors. She examines the CIAA’s working relationship with Hollywood’s Motion Picture Society of the Americas; its network and radio productions in North and South America; its sponsoring of Walt Disney, Orson Welles, John Ford, Gregg Toland, and many others who traveled between the United States and Latin America; and its close ties to the newly created Museum of Modern Art, which organized traveling art and photographic exhibits and produced hundreds of 16mm educational films for inter-American audiences; and its influence on the work of scores of artists, libraries, book publishers, and newspapers, as well as public schools, universities, and private organizations.
