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Author: John Gillow
Publisher:
ISBN: 9780500282472
Category : Antiques & Collectibles
Languages : en
Pages : 240
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Book Description
Shows examples of textiles from around the world, including textiles decorated using paint, dyes, sewing, embroidery, and other embellishments.
Author: John Gillow
Publisher:
ISBN: 9780500282472
Category : Antiques & Collectibles
Languages : en
Pages : 240
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Book Description
Shows examples of textiles from around the world, including textiles decorated using paint, dyes, sewing, embroidery, and other embellishments.
Author: Mary Schoeser
Publisher: Thames & Hudson
ISBN: 0500777799
Category : Design
Languages : en
Pages : 465
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Book Description
The history of textiles, more than that of any other artefact, is a history of human ingenuity. From the very earliest needles of 50,000 years ago to the smart textiles of today, textiles have been fundamental to human existence, and enjoyed, prized and valued by every culture. Silks from China, cottons from India, tapestries from Flanders, dyes from South America the appeal of different weaves, colours and patterns was long a motivation for trade, the exchange of ideas and sometimes even war. Mary Schoesers groundbreaking book, now revised and updated to incorporate new research, presents a chronological survey of textiles around the world from prehistory to the present. It explores how they are made, what they are made from, how they function in society and the ways in which they are valued and given meaning as well as reflecting on the environmental challenges they present today. World Textiles offers an invaluable introduction to this vast and fascinating subject for makers, designers, textile and fashion professionals, collectors and students alike.
Author:
Publisher:
ISBN: 9781566568708
Category : Embroidery
Languages : en
Pages : 0
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Book Description
Featuring textiles from the Balkans, the Middle East, Asia, Africa, Central and South America, this book reveals an eclectic selection of over 150 textiles that illustrate the richness and diversity of world textiles. With expert commentary that highlights the key features of the designs and sets them in their social and cultural context, this book gives insight into the significance of pattern and symbolism and tells the stories behind these spectacular works. Awash with vibrant color, fascinating motifs, and an assortment of striking and intricate patterns, this sourcebook offers a wealth of inspiration for using color and pattern and is a must-have for anyone interested in textile and design. * Includes various techniques of production: embroidery, weaving, printing and dyeing * Shows each individual textile in full through a series of detailed photographs
Author: Virginia Postrel
Publisher: Basic Books
ISBN: 1541617614
Category : History
Languages : en
Pages : 326
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Book Description
From Neanderthal string to 3D knitting, an “expansive” global history that highlights “how textiles truly changed the world” (Wall Street Journal) The story of humanity is the story of textiles—as old as civilization itself. Since the first thread was spun, the need for textiles has driven technology, business, politics, and culture. In The Fabric of Civilization, Virginia Postrel synthesizes groundbreaking research from archaeology, economics, and science to reveal a surprising history. From Minoans exporting wool colored with precious purple dye to Egypt, to Romans arrayed in costly Chinese silk, the cloth trade paved the crossroads of the ancient world. Textiles funded the Renaissance and the Mughal Empire; they gave us banks and bookkeeping, Michelangelo’s David and the Taj Mahal. The cloth business spread the alphabet and arithmetic, propelled chemical research, and taught people to think in binary code. Assiduously researched and deftly narrated, The Fabric of Civilization tells the story of the world’s most influential commodity.
Author: Roseann Sandoval Willink
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
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Book Description
Profiles a West Bengali caste specializing in producing painted narrative scrolls and performing songs to accompany their unrolling.
Author: John Gillow
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 324
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Book Description
"Excellent . . . as colorful and as full of joie de vivre as a room full of Matisse paintings." --The World of Interiors
Author: Giorgio Riello
Publisher: Oxford University Press
ISBN: 0199696160
Category : Business & Economics
Languages : en
Pages : 507
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Book Description
This collection of essays examines the history of cotton textiles at a global level over the period 1200-1850. It provides new answers to two questions: what is it about cotton that made it the paradigmatic first global commodity? And second, why did cotton industries in different parts of the world follow different paths of development?
Author: Multiple Contributors
Publisher: Gulf Professional Publishing
ISBN: 9780444520494
Category : Art
Languages : en
Pages : 318
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Book Description
The World Textiles Thesaurus provides a unique hierarchical overview of all key concepts that are relevant to navigating scientific literature in the textiles and fibres domain. Both the Tree Structure and Term Relations are available for building sophisticated search strategies. In constructing the World Textiles Thesaurus, the same editorial rules were applied as to other successful thesauri such as EMTREE, the life Science Thesaurus.In addition to the Thesaurus, the World Textiles Atlas offers a comprehensive listing of all journals indexed in the World Textiles Abstract database, publishers' details, plus two extensive lists of major Textile Conferences and Organizations.
Author: Victoria Finlay
Publisher: Simon and Schuster
ISBN: 1639361642
Category : History
Languages : en
Pages : 430
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Book Description
A magnificent work of original research that unravels history through textiles and cloth—how we make it, use it, and what it means to us. How is a handmade fabric helping save an ancient forest? Why is a famous fabric pattern from India best known by the name of a Scottish town? How is a Chinese dragon robe a diagram of the whole universe? What is the difference between how the Greek Fates and the Viking Norns used threads to tell our destiny? In Fabric, bestselling author Victoria Finlay spins us round the globe, weaving stories of our relationship with cloth and asking how and why people through the ages have made it, worn it, invented it, and made symbols out of it. And sometimes why they have fought for it. She beats the inner bark of trees into cloth in Papua New Guinea, fails to handspin cotton in Guatemala, visits tweed weavers at their homes in Harris, and has lessons in patchwork-making in Gee's Bend, Alabama - where in the 1930s, deprived of almost everything they owned, a community of women turned quilting into an art form. She began her research just after the deaths of both her parents —and entwined in the threads she found her personal story too. Fabric is not just a material history of our world, but Finlay's own journey through grief and recovery.
Author: Susan Carden
Publisher: Bloomsbury Publishing
ISBN: 1474260284
Category : Design
Languages : en
Pages : 175
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Book Description
The development of digital textile printing at the end of the twentieth century has had a profound effect on the design, creation, use and understanding of textiles. This new technology - combined with advances in fabric and dye chemistry - has made it possible to produce complex images on fabric comprising millions of colours, quickly, inexpensively and in flexible quantities; a revolution that has led to a rapid increase in demand, which is predicted to rise still further. This book is the first to describe the historical and cultural context from which digital textile printing emerged, and to engage critically with the many issues that it raises: the changing role of the designer in the creation of printed textiles; the ways in which the design process is being transformed by new technology; the relationships between producers, clients and the textile industry; and the impact of digital printing on the wider creative industries. At the core of this study are two key questions: what constitutes authenticity in an age when printed textiles are created through the combined agency of the artist/designer and the computer? And how can this new technology be put to work in a sustainable way during a period of spiralling demand?
