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Author: Curt Sachs
Publisher:
ISBN:
Category : Dance
Languages : en
Pages :
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Book Description
Author: Curt Sachs
Publisher:
ISBN:
Category : Dance
Languages : en
Pages :
Get Book Here
Book Description
Author: Curt Sachs
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 522
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Book Description
Author: Curt Sachs
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 469
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Book Description
Author: Karin Schlapbach
Publisher: Oxford University Press
ISBN: 0198807724
Category : History
Languages : en
Pages : 352
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Book Description
Within the newly thriving field of ancient Greek and Roman performance and dance studies, The Anatomy of Dance Discourse offers a fresh and original perspective on ancient perceptions of dance. Focusing on the second century CE, it provides an overview of the dance discourse of this period and explores the conceptualization of dance across an array of different texts, from Plutarch and Lucian of Samosata, to the apocryphal Acts of John, Longus, and Apuleius. The volume is divided into two Parts: while the second Part discusses ekphraseis of dance performance in prose and poetry of the Roman imperial period, the first delves more deeply into an examination of how both philosophical and literary treatments of dance interacted with other areas of cultural expression, whether language and poetry, rhetoric and art, or philosophy and religion. Its distinctive contribution lies in this juxtaposition of ancient theorizations of dance and philosophical analyses of the medium with literary depictions of dance scenes and performances, and it attends not only to the highly encoded genre of pantomime, which dominated the stage in the Roman empire, but also to acrobatic, non-representational dances. This twofold nature of dance sparked highly sophisticated reflections on the relationship between dance and meaning in the ancient world, and the volume defends the novel claim that in the imperial period it became more and more palpable that dance, unlike painting or sculpture, could be representational or not a performance of nothing but itself. It argues that dance was understood as a practice in which human beings, whether as dancers or spectators, are confronted with the irreducible reality of their own physical existence, which is constantly changing, and that its way to cognition and action is physical experience.
Author: Valerie Preston-Dunlop
Publisher: Routledge
ISBN: 1134361297
Category : Performing Arts
Languages : en
Pages : 748
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Book Description
In her unique collection of the verbal language of dance practitioners and researchers, Valerie Preston-Dunlop presents a comprehensive view of people in dance: what they do, their movement, their sound, and the space in which they work - from the standpoint of the performers, choreographers, audiences, administrators, and teachers. The words and phrases of their technical and vernacular languages, which are used to communicate what is essentially a non-verbal activity, have been collected in rehearsal classes and workshops by interviews, and from published sources. In this first collection of its kind Valerie Preston-Dunlop extends her selection of verbal language to include the various social and theatrical domains of dance.
Author: Curt Sachs
Publisher:
ISBN:
Category :
Languages : en
Pages : 469
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Book Description
Author: Kimerer L. LaMothe
Publisher: BRILL
ISBN: 9004390006
Category : Religion
Languages : en
Pages : 122
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Book Description
The relationship between religion and dance is as old as humankind. Contemporary methods for studying this relationship date back a century. The difference between these two time frames is significant: scholars are still developing theories and methods capable of illuminating this vast history that take account of their limited place within it. A History of Theory and Method in the Study of Religion and Dance takes on a primary challenge of doing so: overcoming a conceptual dichotomy between “religion” and “dance” forged in the colonial era that justified western Christian hostility towards dance traditions across six continents over six centuries. Beginning with its enlightenment roots, LaMothe narrates a selective history of this dichotomy, revealing its ongoing work in separating dance studies from religious studies. Turning to the Bushmen of the African Kalahari, LaMothe introduces an ecokinetic approach that provides scholars with conceptual resources for mapping the generative interdependence of phenomena that appear as “dance” and/or “religion.”
Author: C. SACHS
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Curt Sachs
Publisher:
ISBN:
Category :
Languages : en
Pages : 469
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Book Description
Author: Anthony Shay
Publisher: Intellect (UK)
ISBN: 9781783209996
Category : Folk dancing
Languages : en
Pages : 0
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Book Description
In this book Anthony Shay examines the life and works of renowned choreographer Igor Moiseyev and his dance company.
