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Author: Ann Marie Stock
Publisher: Intellect Books
ISBN: 178320253X
Category : Performing Arts
Languages : en
Pages : 132
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Book Description
Havana is among the world’s leading cinematic locales. In films made beyond the island as well as those created by local cineastes, Havana is depicted as a vibrant Caribbean city. The quantity and quality of the works representing this tropical cityscape attest to the prominence of this film location and underscore the need for a book dedicated to it. World Film Locations: Havana situates Havana as a modern city in pre-Revolutionary times, noting the architectural and cultural shifts evident during the revolution, and comments on recent reconfigurations of the city and its inhabitants in the wake of global forces. Among the forty-six scene reviews chosen to show the city in all its multifaceted-glory, films such as Our Man in Havana, I Am Cuba, Hello Hemingway, Habana Blues and Chico and Rita are bookended by seven insightful essays. The essays look at the history of revolutionary cinema in Cuba and consider documentary films, from the Latin American Newsreel to avant-garde experimental work, including the island’s documentary tradition showcasing local faces and places that have paved the way for present-day media and audio-visual art. The essays also explore the multifaceted film culture of the capital, the cine club movement, historic cinemas and film venues around the city, the abundance of film festivals such as the International Festival of New Latin American Cinema and film-themed cafeterias, restaurants, bookstores and markets.
Author: Ann Marie Stock
Publisher: Intellect Books
ISBN: 178320253X
Category : Performing Arts
Languages : en
Pages : 132
Get Book Here
Book Description
Havana is among the world’s leading cinematic locales. In films made beyond the island as well as those created by local cineastes, Havana is depicted as a vibrant Caribbean city. The quantity and quality of the works representing this tropical cityscape attest to the prominence of this film location and underscore the need for a book dedicated to it. World Film Locations: Havana situates Havana as a modern city in pre-Revolutionary times, noting the architectural and cultural shifts evident during the revolution, and comments on recent reconfigurations of the city and its inhabitants in the wake of global forces. Among the forty-six scene reviews chosen to show the city in all its multifaceted-glory, films such as Our Man in Havana, I Am Cuba, Hello Hemingway, Habana Blues and Chico and Rita are bookended by seven insightful essays. The essays look at the history of revolutionary cinema in Cuba and consider documentary films, from the Latin American Newsreel to avant-garde experimental work, including the island’s documentary tradition showcasing local faces and places that have paved the way for present-day media and audio-visual art. The essays also explore the multifaceted film culture of the capital, the cine club movement, historic cinemas and film venues around the city, the abundance of film festivals such as the International Festival of New Latin American Cinema and film-themed cafeterias, restaurants, bookstores and markets.
Author:
Publisher:
ISBN: 9781783202546
Category : Motion picture locations
Languages : en
Pages : 125
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Book Description
Author: Ann Marie Stock
Publisher: Intellect (UK)
ISBN: 9781783201976
Category : Motion picture locations
Languages : en
Pages : 0
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Book Description
"World Film Locations: Havana "emphasizes Havana as the modern city in pre-revolutionary times, noting the architectural and cultural shifts evident during the revolution, and comments on recent reconfigurations of the city and its inhabitants in the wake of global forces. The volume looks at the history of revolutionary cinema in Cuba and looks at documentary films- from the Latin American Newsreel, to the avant garde experimental work, and includes the island's documentary tradition showcasing local faces and places that have paved the way for present day media and audiovisual art.
Author: Ann Marie Stock
Publisher:
ISBN:
Category :
Languages : en
Pages : 125
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Book Description
Author: Megan Feeney
Publisher: University of Chicago Press
ISBN: 022659372X
Category : History
Languages : en
Pages : 310
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Book Description
From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political.
Author: Peter Moruzzi
Publisher: Gibbs Smith
ISBN: 142360993X
Category : History
Languages : en
Pages : 257
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Book Description
Take a trip to the golden age of Havana in this gorgeously illustrated volume of vintage photographs, postcards, brochures, and other ephemera. Featuring hundreds of historic images and cultural artifacts, Havana Before Castro documents how the Cuban capital evolved from a Prohibition Era getaway destination to a heady blend of glittering nightclubs, outrageous cabarets, all-night bars, and backstreet brothels. Here, captured in one amazing book, is the drama, passion, intrigue, and opulence of a legendary city during its heyday—before the Castro regime took over and Americans were banned from travel to this tropical paradise. In chapters covering such topics as Cuban rum and cigars, the world-famous Tropicana Club, and Havana’s association with the mob, author Peter Moruzzi provides essential historical context for the many fascinating and evocative images.
Author: María Luisa Lobo Montalvo
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 328
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Book Description
In this exquisite volume, author Maria Luisa Lobo Montalvo presents the architecture and history of Havana - part of which has been declared a UNESCO World Heritage Site - in an accessible and engaging text and specially commissioned color photographs."--BOOK JACKET.
Author: Ann Marie Stock
Publisher: Bloomsbury Publishing
ISBN: 1786722534
Category : Performing Arts
Languages : en
Pages : 362
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Book Description
Contemporary Cuba is opening up to the rest of the world. Its colonial past and the Communist revolution have left a lasting imprint on society, yet there is a tangible sense of rapid change which is reflected in the island's national cinema. New screen technologies and digital distribution media have supported the efficacy and global reach of Cuban filmmakers whose work, somewhat in lieu of adequate distribution and traditional screening facilities in Cuba itself, is often disseminated via 'flash' (USB memory sticks).Channelling an energetic DIY attitude through grassroots movements and ad-hoc resourcefulness, the new filmmakers of Cuba have inspired the editors of this book to embrace their contagious enthusiasm through essays on authentic Cuban cinema. Whilst the book provides a comprehensive overview of the history behind current practices, it also moves beyond this to examine key case studies as well as 'snapshots' of individuals working within the industry today. Chapters celebrate the shared creativity as well as diversity of Cuban cinema, including both productions of the Cuban Film Institute's (ICAIC) as well as those from the industry margins. The films discussed demonstrate a driving cinematic force through social criticism, the emphasis of debate and historical change through film, reassessments of gender relations, the use of new technologies and much more.
Author: Megan Feeney
Publisher: University of Chicago Press
ISBN: 022659369X
Category : History
Languages : en
Pages : 310
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Book Description
From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political.
Author: Pedro Pérez Sarduy
Publisher: AuthorHouse
ISBN: 1467005088
Category : Fiction
Languages : en
Pages : 258
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Book Description
Normal.dotm 0 0 1 55 314 Escritor/Periodista 2 1 385 12.0 Set in Cuba and Miami, from the 1940s to the present, two Afro-Cuban women narrate their life stories. One leaves a small town in the central part of the island to work as a maid in Havana in prerevolutionary Cuba. The other, her friend's daughter, educated in revolutionary Cuba, leaves Havana in the 1980 Mariel boatlift, to find work as a maid in Miami A history full circle?
