Author: Thora Brylowe
Publisher: Cambridge University Press
ISBN: 1108426409
Category : Art
Languages : en
Pages : 283
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Book Description
Explores the developing cultural tensions and connections that created a 'sister-art' movement between creative visual art and its literary counterparts.
Author: Joseph Leo Koerner
Publisher:
ISBN: 9780300065473
Category : Art
Languages : en
Pages : 256
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Book Description
Author: Nicholas Saul
Publisher: Cambridge University Press
ISBN: 0521848911
Category : History
Languages : en
Pages : 363
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Book Description
Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.
Author: Jonathan P. Ribner
Publisher: Routledge
ISBN: 1000461890
Category : Art
Languages : en
Pages : 358
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Book Description
An interdisciplinary examination of nineteenth-century French art pertaining to religion, exile, and the nation’s demise as a world power, this study concerns the consequences for visual culture of a series of national crises—from the assault on Catholicism and the flight of émigrés during the Revolution of 1789, to the collapse of the Empire and the dashing of hope raised by the Revolution of 1830. The central claim is that imaginative response to these politically charged experiences of loss constitutes a major shaping force in French Romantic art, and that pursuit of this theme in light of parallel developments in literature and political debate reveals a pattern of disenchantment transmuted into cultural capital. Focusing on imagery that spoke to loss through visual and verbal idioms particular to France in the aftermath of the Revolution and Empire, the book illuminates canonical works by major figures such as Eugène Delacroix, Théodore Chassériau, and Camille Corot, as well as long-forgotten images freighted with significance for nineteenth-century viewers. A study in national bereavement—an urgent theme in the present moment—the book provides a new lens through which to view the coincidence of imagination and strife at the heart of French Romanticism. The book will be of interest to scholars working in art history, French literature, French history, French politics, and religious studies.
Author: William Vaughan
Publisher: Yale University Press
ISBN: 9780300060478
Category : Art
Languages : en
Pages : 290
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Book Description
The early 19th century was a period in German art in which painting played a significant part in the cultural resurgence commonly known as the Romantic Movement. This Movement and some of its chief exponents are examined against a background of German literature, philosophy and music.
Author: Stephanie O'Rourke
Publisher: Cambridge University Press
ISBN: 1316519023
Category : Art
Languages : en
Pages : 273
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Book Description
Innovative, alternative account of romanticism, exploring how art and science together contested the evidentiary authority of the human body.
Author: Thomas Pfau
Publisher: Duke University Press
ISBN: 9780822320913
Category : Art
Languages : en
Pages : 492
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Book Description
Explores how the Romantic period gave birth to a seductive cognitive cultural program that retains far reaching implications for contemporary views on individuality and relationships between the individual and larger groups of identification. Established
Author: Michael Löwy
Publisher: Duke University Press
ISBN: 9780822327943
Category : History
Languages : en
Pages : 332
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Book Description
DIVA translation from the French of Michael Lowy and Robert Sayre’s attempt to unify discussion of the diverse manifestations of of Romanicism./div
Author: Andrew Burkett
Publisher: State University of New York Press
ISBN: 1438463286
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Finalist in the 2016 Foreword INDIES Book of the Year Award in the Social Sciences category Romantic Mediations investigates the connections among British Romantic writers, their texts, and the history of major forms of technical media from the turn of the nineteenth century to the present. Opening up the vital new subfield of Romantic media studies through interventions in both media archaeology and contemporary media theory, Andrew Burkett addresses the ways that unconventional techniques and theories of storage and processing media engage with classic texts by William Blake, Lord Byron, John Keats, Mary Wollstonecraft Shelley, and others. Ordered chronologically and structured by four crucial though often overlooked case studies that delve into Romanticism's role in the histories of incipient technical media systems, the book focuses on different examples of the ways that imaginative literature and art of the period become taken up and transformed by—while simultaneously shaping considerably—new media environments and platforms of photography, phonography, moving images, and digital media.
Author: Cordula Grewe
Publisher: Routledge
ISBN: 1351555227
Category : Art
Languages : en
Pages : 437
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Book Description
After a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography. Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art. This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meanin
