Author: Yvonne Rainer
Publisher:
ISBN:
Category : Modern dance
Languages : en
Pages : 338

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Book Description

Author: Yvonne Rainer
Publisher:
ISBN: 9781732098633
Category : Art
Languages : en
Pages : 344

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Book Description
"It goes without saying that a dance is a dance and a book about dance is a book. Though they may meet at the intersection of Art and Good Intentions, I find myself greedy. I have a longstanding infatuation with language, a not-easily assailed conviction that it, above all else, offers a key to clarity. Not that it can replace experience, but rather holds a mirror to our experience, gives us distance when we need it. So here I am, in a sense, trying to 'replace' my performances with a book, greedily pushing language to clarify what already was clear in other terms. But, alas, gone. This has seemed one good reason to compile a book out of the remains of my performances, letting the language fall where it may. Let it be said 'She usually makes performances and has also made a book.'" -Yvonne Rainer Forty-five years after its publication, Primary Information brings Yvonne Rainer's classic book back into print in an exact facsimile. In 1974, Yvonne Rainer published Work 1961-73, an illustrated catalog of her performance works up to that point. In these years, as the art world turned toward minimalism, Rainer and her Judson Dance Theater colleagues were engaged in a parallel, and equally radical, redefinition of dance. Stripping dance of its pomp and self-serious virtuosity, they created what dancer and choreographer Pat Catterson has called "the people's dance." Or, as Rainer put it, instead of the "overblown plot" of traditional dance, she explored the "obvious" alternative: "stand, walk, run, eat, carry bricks, show movies, or move and be moved by some thing other than oneself." Work 1961-73 chronicles the years when Rainer found herself and her work at the heart of a revolution in dance, performance and art. Written in Rainer's wonderful frank, funny and perceptive prose, and illustrated with photographs, handwritten scores, sketches, press articles and ephemera, Work 1961-73 is a period document and an instruction manual, an archive and a manifesto. A sought-after, rare classic, Work 1961-73 is brought back into print in a true facsimile edition by Primary Information; the only change is the small addition of new notes at the back of the book. One of the most influential artists of her generation, dancer, choreographer and filmmaker Yvonne Rainer (born 1934) was a founding member of Judson Dance Theater in New York City and a leading figure in the development of minimalist and postmodern dance.

Author: Yvonne Rainer
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 504

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If you're interested in Plato, you're reading the wrong book. If you're interested in difficult childhoods, sexual misadventures, aesthetics, cultural history, and the reasons that a club sandwich and other meals--including breakfast--have remained in the memory of the present writer, keep reading. --from Feelings Are Facts In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic coming of age. Feelings Are Facts(the title comes from a dictum by Rainer's one-time psychotherapist) uses diary entries, letters, program notes, excerpts from film scripts, snapshots, and film frame enlargements to present a vivid portrait of an extraordinary artist and woman in postwar America. Rainer tells of a California childhood in which she was farmed out by her parents to foster families and orphanages, of sexual and intellectual initiations in San Francisco and Berkeley, and of artistic discoveries and accomplishments in the New York City dance world. Rainer studied with Martha Graham (and heard Graham declare, "when you accept yourself as a woman, you will have turn-out"--that is, achieve proper ballet position) and Merce Cunningham in the late 1950s and early 1960s, cofounded the Judson Dance Theater in 1962 (dancing with Trisha Brown, Steve Paxton, David Gordon, and Lucinda Childs), hobnobbed with New York artists including Robert Rauschenberg, Robert Morris (her lover and partner for several years), and Yoko Ono, and became involved with feminist and anti-war causes in the 1970s and 1980s. Rainer writes about how she constructed her dances--including The Mind Is a Muscleand its famous section, Trio A, as well as the recent After Many a Summer Dies the Swan--and about turning from dance to film and back to dance. And she writes about meeting her longtime partner Martha Gever and discovering the pleasures of domestic life. The mosaic-like construction of Feelings Are Factsrecalls the composition-by-juxtaposition of Rainer's work in film and dance, displaying prismatic variations from what she calls her "reckless past" for our amazement and appreciation.

Author: Robert Dallek
Publisher: Oxford University Press
ISBN: 0195054652
Category : Biography & Autobiography
Languages : en
Pages : 785

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Book Description
Lone Star Rising, the first volume in Robert Dallek's biography of LBJ, was hailed as "a triumphant portrait of Lyndon Johnson as rich and oversized and complex as the nation that shaped him." Now, in the final volume, Dallek takes us through Johnson's tumultuous years in the White House, hisunprecedented accomplishments there, and the tragic war that would be his downfall. In these pages Johnson emerges as a character of almost Shakespearean dimensions, a man riddled with contradictions, a man of towering intensity and anguished insecurity, of grandiose ambition and grave self-doubt, a man who was brilliant, crude, intimidating, compassionate, overbearing,driven: "A tornado in pants." Drawing on hundreds of newly released tapes and extensive interviews with those closest to LBJ--including fresh insights from Ladybird and his press secretary Bill Moyers--Dallek takes us behind the scenes to give us a portrait of Johnson that is at once even-handedand completely engrossing. We see Johnson as the visionary leader who worked his will on Congress like no president before or since, enacting a range of crucial legislation, from Medicare, environmental protection, and the establishment of the National Endowment of the Arts and Humanities to themost significant advances in civil rights for black Americans ever achieved. And we see for the first time the depth of Johnson's private anguish as he became increasingly ensnared in Vietnam, a war he did not want to expand and which destroyed his hopes for The Great Society and a second term. Exhaustively researched and gracefully written, Flawed Giant reveals both the greatness and the tangled complexities of one of the most extravagant characters ever to step onto the presidential stage.

Author: Lonnie M. Long Gary B. Blackburn
Publisher: iUniverse
ISBN: 147599057X
Category : History
Languages : en
Pages : 493

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Book Description
Traces the activities of the Army Security Agency and its members during the Vietnam war.

Author: Michael Asher
Publisher: Halifax, N.S. : Press of the Nova Scotia College of Art and Design and the Museum of Contemporary Art Los Angeles
ISBN:
Category : Art, American
Languages : en
Pages : 252

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Book Description

Author: Frederick Kempe
Publisher: Penguin
ISBN: 1101515023
Category : History
Languages : en
Pages : 826

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Book Description
In June 1961, Nikita Khrushchev called Berlin "the most dangerous place on earth." He knew what he was talking about. Much has been written about the Cuban Missile Crisis a year later, but the Berlin Crisis of 1961 was more decisive in shaping the Cold War-and more perilous. It was in that hot summer that the Berlin Wall was constructed, which would divide the world for another twenty-eight years. Then two months later, and for the first time in history, American and Soviet fighting men and tanks stood arrayed against each other, only yards apart. One mistake, one nervous soldier, one overzealous commander-and the tripwire would be sprung for a war that could go nuclear in a heartbeat. On one side was a young, untested U.S. president still reeling from the Bay of Pigs disaster and a humiliating summit meeting that left him grasping for ways to respond. It would add up to be one of the worst first-year foreign policy performances of any modern president. On the other side, a Soviet premier hemmed in by the Chinese, East Germans, and hardliners in his own government. With an all-important Party Congress approaching, he knew Berlin meant the difference not only for the Kremlin's hold on its empire-but for his own hold on the Kremlin. Neither man really understood the other, both tried cynically to manipulate events. And so, week by week, they crept closer to the brink. Based on a wealth of new documents and interviews, filled with fresh-sometimes startling-insights, written with immediacy and drama, Berlin 1961 is an extraordinary look at key events of the twentieth century, with powerful applications to these early years of the twenty-first. Includes photographs

Author: Miguel de Baca
Publisher: Univ of California Press
ISBN: 0520286618
Category : Art
Languages : en
Pages : 162

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Book Description
"Memory Work demonstrates the evolution of the pioneering minimalist sculptor Anne Truitt, analyzing the key theme of memory in her practice. In addition to the artist's own popular published writings, which detail the unique challenges facing female artists, Memory Work draws on unpublished manuscripts, private recordings, and never-before-seen working drawings to validate Truitt's original ideas about the link between perception and mnemonic reference in contemporary art."--Provided by publisher.

Author: J. P. Den Hartog
Publisher: Courier Corporation
ISBN: 0486156907
Category : Science
Languages : en
Pages : 354

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Book Description
In addition to coverage of customary elementary subjects (tension, torsion, bending, etc.), this introductory text features advanced material on engineering methods and applications, plus 350 problems and answers. 1949 edition.

Author: Isobel Harbison
Publisher: MIT Press
ISBN: 0262350807
Category : Social Science
Languages : en
Pages : 257

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Book Description
An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era. In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation—from home video to social media—suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms. Harbison argues that while we produce images, images also produce us—those that we take and share, those that we see and assimilate through mass media and social media, those that we encounter in museums and galleries. Although all the artists she examines express their relation to images uniquely, they also offer a vantage point on today's productive-consumptive image circuits in which billions of us are caught. This unregulated, all-encompassing image performativity, Harbison writes, puts us to work, for free, in the service of global corporate expansion. Harbison offers a three-part interpretive framework for understanding this new proximity to images as it is negotiated by these artworks, a detailed outline of a set of connected practices—and a declaration of the value of art in an economy of attention and a crisis of representation.