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Author: Josephine Miles
Publisher:
ISBN:
Category :
Languages : en
Pages : 181
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Book Description
Author: Josephine Miles
Publisher:
ISBN:
Category :
Languages : en
Pages : 181
Get Book Here
Book Description
Author: Josephine Miles
Publisher:
ISBN:
Category :
Languages : en
Pages : 181
Get Book Here
Book Description
Author: Josephine Miles
Publisher:
ISBN:
Category : Emotions
Languages : en
Pages : 484
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Book Description
Author: G. Kim Blank
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636008
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Wordsworth and Feeling returns to Wordsworth's personal history in order to locate and contextualize some of the most remarkable poetry in the English language. In this study, G. Kim Blank details how this poetry evolves out of Wordsworth's radical subjectivity, but the most pressing feature of that subjectivity is the cluster of subjects - loss, guilt, suffering, endurance, death - which appears throughout much of his poetry up until 1802-4.
Author: Hugh Sykes-Davies
Publisher: Cambridge University Press
ISBN: 0521309093
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
In this book Hugh Sykes Davies addresses Wordworth's major poetry from the perspectives of language, Freud, Coleridge and the Romantic Imagination. A remarkable combination of analytic and empathic intelligence, this book should earn a place among the few essential studies of the poet.
Author: Patrick Michael Ryan
Publisher:
ISBN: 9780991359400
Category :
Languages : en
Pages : 350
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Book Description
Are you feeling elated, or are you more enraptured? Are you a bit glum, or is it more like melancholy? The words we use to express emotions are as plentiful and nuanced as the feelings those words describe.Dictionary of Emotions: Words for Feelings, Moods, and Emotions is a comprehensive reference book of such terms. The book's accompanying definitions are based on the context of feeling and are intended to be a starting point to help shape an individual's interpretation of both the word and their experience.Psychologists, therapists, actors, authors, and those who are associated with these fields will find Dictionary of Emotions an invaluable communication tool. The book will help anyone seeking to enhance their emotional intelligence with a vocabulary of emotional awareness and expression.
Author: Stephen Gill
Publisher: Cambridge University Press
ISBN: 9780521369886
Category : Literary Criticism
Languages : en
Pages : 132
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Book Description
Gill places The Prelude in the context of Wordsworth's life, and discusses the various states in which it survives.
Author: Yimon Lo
Publisher: Liverpool University Press
ISBN: 1837646511
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
In his Essay of 1815, Wordsworth asserts that ‘a pure and refined scheme of harmony’ must prevail in all ‘higher poetry’. This idea of a structured and complex form of ‘harmony’ was similarly noted earlier in The Prelude (1805), where Wordsworth famously claimed that the human mind is ‘framed even like the breath / And harmony of music’. Musical Wordsworth presents an original understanding of Wordsworthian harmony by examining an organised but dynamic sense of musicality that shapes his poetic theory and practice. This book is the first study to draw on music psychology and aesthetics to interpret the function and mechanism of Wordsworth’s aural structure and movement. Engaging with scholarship from the fields of literature and music, it defines Wordsworth’s poetry and the imagination through musical conceptions, and establishes various modes and forms of poetic listening as experiences of musical performance and appreciation. Each chapter explores a pair of musical abstractions – Lyricism and Musicality; Breath and Harmony; Repetition and Resonance; Expectation and Surprise; Rhythm and Dynamics; Rest and Silence. Musical Wordsworth will be of interest to students and researchers of Romantic poetry, long nineteenth-century literature, and music.
Author: Josephine Miles
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 468
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Book Description
Author: Christopher Rovee
Publisher: Fordham Univ Press
ISBN: 1531505139
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
New Critical Nostalgia weighs the future of literary study by reassessing its past. It tracks today's impassioned debates about method back to the discipline’s early professional era, when an unprecedented makeover of American higher education with far-reaching social consequences resulted in what we might call our first crisis of academic life. Rovee probes literary study’s nostalgic attachments to this past, by recasting an essential episode in the historiography of English—the vigorous rejection of romanticism by American New Critics—in the new light of the American university’s tectonic growth. In the process, he demonstrates literary study’s profound investment in romanticism and reveals the romantic lyric’s special affect, nostalgia, as having been part of English’s professional identity all along. New Critical Nostalgia meticulously shows what is lost in reducing mid-century American criticism and the intense, quirky, and unpredictable writings of central figures, such as Cleanth Brooks, Josephine Miles, and W. K. Wimsatt, to a glib monolith of New Critical anti-romanticism. In Rovee’s historically rich account, grounded in analysis of critical texts and enlivened by archival study, readers discover John Crowe Ransom’s and William Wordsworth’s shared existential nostalgia, witness the demolition of the “immature” Percy Shelley in the revolutionary textbook Understanding Poetry, explore the classroom give-and-take prompted by the close reading of John Keats, consider the strange ambivalence toward Lord Byron on the part of formalist critics and romantic scholars alike, and encounter the strikingly contemporary quantitative studies by one of the mid-century’s preeminent poetry scholars, Josephine Miles. These complex and enthralling engagements with the romantic lyric introduce the reader to a dynamic intellectual milieu, in which professionals with varying methodological commitments (from New Critics to computationalists), working in radically different academic locales (from Nashville and New Haven to Baton Rouge and Berkeley), wrangled over what it means to read, with nothing less than the future of the discipline at stake.
