Brush Your Gums and Chew Some Gum PDF Download
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Author: Stephen O'Connor
Publisher: Capstone
ISBN: 151581808X
Category : Juvenile Nonfiction
Languages : en
Pages : 25
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Book Description
Everybody has a body that can walk, work, play and sing along to funny songs! This sing-along picture book celebrates body words with double meanings. Chew some gum and brush your gums. Back up and do a back bend. Young readers will giggle their way through this catchy song about body homonyms.
Author: Stephen O'Connor
Publisher: Capstone
ISBN: 151581808X
Category : Juvenile Nonfiction
Languages : en
Pages : 25
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Book Description
Everybody has a body that can walk, work, play and sing along to funny songs! This sing-along picture book celebrates body words with double meanings. Chew some gum and brush your gums. Back up and do a back bend. Young readers will giggle their way through this catchy song about body homonyms.
Author:
Publisher: BRILL
ISBN: 9004334068
Category : History
Languages : en
Pages : 332
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Book Description
The eighteen interdisciplinary essays in this volume were presented in 2001 in Sydney, Australia, at the Third International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The conference celebrated the sixty-fifth birthday of Steven Paul Scher, arguably the central figure in word and music studies during the last thirty-five years. The first section of this volume comprises ten articles that discuss, or are methodologically based upon, Scher’s many analyses of and critical commentaries on the field, particularly on interrelationships between words and music. The authors cover such topics as semiotics, intermediality, hermeneutics, the de-essentialization of the arts, and the works of a wide range of literary figures and composers that include Baudelaire, Mallarmé, Proust, T. S. Eliot, Goethe, Hölderlin, Mann, Britten, Schubert, Schumann, and Wagner. The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate – and often problematize – widespread assumptions regarding ‘national’ and ‘cultural’ music, language, plots, and production values in musical stage works. Topics include the National Socialists’ construction of German national identity; reception-based examinations of cultural identity and various “national” opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works.
Author: Victor Kennedy
Publisher: Cambridge Scholars Publishing
ISBN: 1443864382
Category : Music
Languages : en
Pages : 210
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Book Description
Words and Music is a collection of different perspectives on the interplay between words and music in opera librettos, Broadway musicals, pop, rock, blues and rap lyrics, and video game soundtracks. Topics include the links between sound and sense, challenges involved in translating song lyrics, the difference between adaptations and parodies, linguistic and cultural analyses of contemporary song lyrics, the censorship of protest songs, and teaching foreign languages using songs.
Author: Suzanne M. Lodato
Publisher: Rodopi
ISBN: 9789042009936
Category : Art
Languages : en
Pages : 340
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Book Description
The eighteen interdisciplinary essays in this volume were presented in 2001 in Sydney, Australia, at the Third International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The conference celebrated the sixty-fifth birthday of Steven Paul Scher, arguably the central figure in word and music studies during the last thirty-five years. The first section of this volume comprises ten articles that discuss, or are methodologically based upon, Scher's many analyses of and critical commentaries on the field, particularly on interrelationships between words and music. The authors cover such topics as semiotics, intermediality, hermeneutics, the de-essentialization of the arts, and the works of a wide range of literary figures and composers that include Baudelaire, Mallarmé, Proust, T. S. Eliot, Goethe, Hölderlin, Mann, Britten, Schubert, Schumann, and Wagner. The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate - and often problematize - widespread assumptions regarding 'national' and 'cultural' music, language, plots, and production values in musical stage works. Topics include the National Socialists' construction of German national identity; reception-based examinations of cultural identity and various "national" opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category :
Languages : en
Pages : 952
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Book Description
Author:
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 902
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Book Description
Author: Robin Lydenberg
Publisher: University of Illinois Press
ISBN: 9780252014130
Category : History
Languages : en
Pages : 232
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Book Description
In this pioneering study, Robin Lydenberg focuses upon the stylistic accomplishments of this controversial and experimental writer. In doing so, she skillfully demonstrates that the ideas we now recognize as characteristic of post-structuralism and deconstruction were being developed independently by Burroughs long ago.
Author: Angela Zito
Publisher: University of Chicago Press
ISBN: 9780226987293
Category : History
Languages : en
Pages : 340
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Book Description
The Qianlong emperor, who dominated the religious and political life of 18th-century China, was in turn dominated by elaborate ritual prescriptions. These texts determined what he wore and ate, how he moved, and how he performed the yearly Grand Sacrifices. OF BODY AND BRUSH shows how ritualizing power was produced jointly by the throne and the official literati who dictated the prescriptions. Illustrated.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 404
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Book Description
Author: Ralph P. Locke
Publisher: University of Chicago Press
ISBN: 9780226489018
Category : History
Languages : en
Pages : 462
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Book Description
The Saint-Simonians, whose movement flourished in France between 1825 and 1835, are widely recognized for their contributions to history and social thought. Until now, however, no full account has been made of the central role of the arts in their program. In this skillful interdisciplinary study, Ralph P. Locke describes and documents the Saint-Simonians' view of music as an ideological tool and the influence of this view on musical figures of the day. The disciples of Claude Henri de Rouvroy, comte de Saint-Simon, believed that increased industrial production would play a crucial role in improving the condition of the working masses and in shifting power from the aristocratic "drones" to the enterprising men of talent then rising in the French middle class. As a powerful means of winning support for their views, music became an integral part of the Saint-Simonians' writings and ceremonial activities. Among the musicians Locke discusses are Berlioz, Liszt, and Mendelssohn, whose tangential association with the Saint-Simonians reveals new aspects of their social and aesthetic views. Other musicians became the Saint-Simonians' faithful followers, among them Jules Vinçard, Dominique Tajan-Rogé, and particularly Félicien David, the movement's principal composer. Many of these composers' works, reconstructed by Locke from authentic sources, are printed here, including the "Premier Chant des industriels," written at Saint-Simon's request by Rouget de Lisle, composer of the "Marseillaise."
