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Author: Julie C. Dunbar
Publisher: Routledge
ISBN: 1351857452
Category : Music
Languages : en
Pages : 621
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Book Description
Women, Music, Culture: An Introduction, Second Edition is the first undergraduate textbook on the history and contribution of women in a variety of musical genres and professions, ideal for students in courses in both music and women's studies. A compelling narrative, accompanied by over 50 guided listening examples, brings the world of women in music to life, examining a community of female musicians, including composers, producers, consumers, performers, technicians, mothers, and educators in art music and popular music. The book features a wide array of pedagogical aids, including a running glossary and a comprehensive companion website with streamed audio tracks, that help to reinforce key figures and terms. This new edition includes a major revision of the Women in World Music chapter, a new chapter in Western Classical "Work" in the Enlightenment, and a revised chapter on 19th Century Romanticism: Parlor Songs to Opera. 20th Century Art Music.
Author: Julie C. Dunbar
Publisher: Routledge
ISBN: 1351857452
Category : Music
Languages : en
Pages : 621
Get Book Here
Book Description
Women, Music, Culture: An Introduction, Second Edition is the first undergraduate textbook on the history and contribution of women in a variety of musical genres and professions, ideal for students in courses in both music and women's studies. A compelling narrative, accompanied by over 50 guided listening examples, brings the world of women in music to life, examining a community of female musicians, including composers, producers, consumers, performers, technicians, mothers, and educators in art music and popular music. The book features a wide array of pedagogical aids, including a running glossary and a comprehensive companion website with streamed audio tracks, that help to reinforce key figures and terms. This new edition includes a major revision of the Women in World Music chapter, a new chapter in Western Classical "Work" in the Enlightenment, and a revised chapter on 19th Century Romanticism: Parlor Songs to Opera. 20th Century Art Music.
Author: Julie C. Dunbar
Publisher:
ISBN: 9781138814653
Category : Feminism and music
Languages : en
Pages : 0
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Book Description
Pt. I. Telling musical stories: missing voices in the documentation of musical traditions. 1. Reflections on "deep listening": exploring music in context ; 2. Medieval liturgical roots and the documentation of the Western canon ; 3. Women in "world" music: an expanded view of global narratives -- pt. II. Restricted domains: gender spheres in art music. 4. Court performers of Japan, India, and Europe: freedom and restriction ; 5. Baroque keyboard and vocal genres: gender roles in musical families ; 6. Eighteenth-century Classicism: revisiting Vienna ; 7. Romantic-era performer/composers: walking the public/private line -- pt. III. Visual images in an aural world. 8. American popular music: 1895-1945 ; 9. Empowered voices in the public eye: women of gospel and blues ; 10. Visual media and the marketing of women performers -- pt. IV. A time of change: the impact of education on women's art music activity. 11. Changing gender roles: from nineteenth-century opera to the modern musical ; 12. Segregation and integration: instrumental ensembles from 1900 to the present ; 13. Large-scale works and experimental voices -- pt. v. No longer "one of the boys". 14. Instrumental to jazz: the forgotten role of women ; 15. Technology in the hands of women: art music, multimedia, and popular music ; 16. A new message: taking charge in the mass music market
Author: Rosemary Lucy Hill
Publisher: Springer
ISBN: 113755441X
Category : Social Science
Languages : en
Pages : 190
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Book Description
This book is a timely examination of the tension between being a rock music fan and being a woman. From the media representation of women rock fans as groupies to the widely held belief that hard rock and metal is masculine music, being a music fan is an experience shaped by gender. Through a lively discussion of the idealised imaginary community created in the media and interviews with women fans in the UK, Rosemary Lucy Hill grapples with the controversial topics of groupies, sexism and male dominance in metal. She challenges the claim that the genre is inherently masculine, arguing that musical pleasure is much more sophisticated than simplistic enjoyments of aggression, violence and virtuosity. Listening to women’s experiences, she maintains, enables new thinking about hard rock and metal music, and about what it is like to be a women fan in a sexist environment.
Author: Bonnie J. Morris
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 456
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Book Description
Women's music festivals have been an integral part of both the shaping of lesbian culture and the emergence of women as a musical force. This new book takes the reader on a remarkable backstage tour of the rollicking, legendary world of these festivals and presents an exhilarating insider's journey through this cultural phenomena that has made an important contribution to both musical history and women's history.
Author: Kristin A. McGee
Publisher: Wesleyan University Press
ISBN: 0819569674
Category : Music
Languages : en
Pages : 338
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Book Description
Women have been involved with jazz since its inception, but all too often their achievements were not as well known as those of their male counterparts. Some Liked It Hot looks at all-girl bands and jazz women from the 1920s through the 1950s and how they fit into the nascent mass culture, particularly film and television, to uncover some of the historical motivations for excluding women from the now firmly established jazz canon. This well-illustrated book chronicles who appeared where and when in over 80 performances, captured in both popular Hollywood productions and in relatively unknown films and television shows. As McGee shows, these performances reflected complex racial attitudes emerging in American culture during the first half of the twentieth century. Her analysis illuminates the heavily mediated representational strategies that jazz women adopted, highlighting the role that race played in constituting public performances of various styles of jazz from "swing" to "hot" and "sweet." The International Sweethearts of Rhythm, Hazel Scott, the Ingenues, Peggy Lee, and Paul Whiteman are just a few of the performers covered in the book, which also includes a detailed filmography.
Author: Margaret Lael Mikesell
Publisher: University of Delaware Press
ISBN: 9780874138252
Category : Art
Languages : en
Pages : 408
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Book Description
These issues of city-building and institutional change involved more than the familiar push and pull of interest groups or battles between bosses, reformers, immigrants, and natives. Revell explores the ways in which technical values - a distinctive civic culture of expertise - helped to reshape ideas of community, generate new centers of public authority, and change the physical landscape of New York City."--Jacket.
Author: Stacy Linn Holman Jones
Publisher: Rowman Altamira
ISBN: 9780761989660
Category : Music
Languages : en
Pages : 196
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Book Description
Jones is haunted by the specters of Reliability and Validity, motivated by the goals of multivocality and multiple truths, and driven by the music. She is also driven by the mystery and complexity of women's music; a category which is impossible to capture, tame, or pin down. In exploring dynamics of race and gender in the club as an organization, Jones refuses to reduce the richness of her observations to simplistic, categorical statements.
Author: Julie C. Dunbar
Publisher: Taylor & Francis
ISBN: 0429650183
Category : Music
Languages : en
Pages : 419
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Book Description
Women, Music, Culture: An Introduction, Third Edition is the first undergraduate textbook on the history and contributions of women in a variety of musical genres and professions, ideal for students in Music and Gender Studies courses. A compelling narrative, accompanied by 112 guided listening experiences, brings the world of women in music to life. The author employs a wide array of pedagogical aides, including a running glossary and a comprehensive companion website with links to Spotify playlists and supplementary videos for each chapter. The musical work of women throughout history—including that of composers, performers, conductors, technicians, and music industry personnel—is presented using both art music and popular music examples. New to this edition: An expansion from 57 to 112 listening examples conveniently available on Spotify. Additional focus on intersectionality in art and popular music. A new segment on Music and #MeToo and increased coverage of protest music. Additional coverage of global music. Substantial updates in popular music. Updated companion website materials designed to engage all learners. Visit the author's website at www.womenmusicculture.com
Author: Karin Pendle
Publisher: Indiana University Press
ISBN: 0253115035
Category : History
Languages : en
Pages : 529
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Book Description
The second edition of the “milestone” work of history that focuses on female musicians through the ages (College Music Symposium). This updated, expanded, and reorganized edition of Women and Music features even more women composers, performers, and patrons, even more musical contexts, and an expanded view of women in music outside Europe and North America. A popular university textbook, Women and Music is enlightening for scholars, a good source of programming ideas for performers, and a pleasure for other music lovers.
Author: Tracey Thorn
Publisher: Canongate Books
ISBN: 1786898241
Category : Biography & Autobiography
Languages : en
Pages : 203
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Book Description
'Entertaining, affectionate and righteous' Guardian 'Says so much about being a woman' Cosey Fanni Tutti In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey’s music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock ’n’ roll love affairs. Thorn takes stock of thirty-seven years of friendship, teasing out the details of connection and affection between two women who seem to be either complete opposites or mirror images of each other. She asks what people see, who does the looking, and ultimately who writes women out of – and back into – history.
