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Author: Ewa Mazierska
Publisher: Berghahn Books
ISBN: 9781571819482
Category : Motion pictures
Languages : en
Pages : 260
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Book Description
Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the Polish School, Solidarity heroines, and women in the films from the postcommunist period. Not less important for the success of Polish cinema are Polish women filmmakers, four of whom are presented in this volume: Wanda Jakubowska, Agnieszka Holland, Barbara Sass and Dorota Kędzierzawska, whose work is examined.
Author: Ewa Mazierska
Publisher: Berghahn Books
ISBN: 9781571819482
Category : Motion pictures
Languages : en
Pages : 260
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Book Description
Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the Polish School, Solidarity heroines, and women in the films from the postcommunist period. Not less important for the success of Polish cinema are Polish women filmmakers, four of whom are presented in this volume: Wanda Jakubowska, Agnieszka Holland, Barbara Sass and Dorota Kędzierzawska, whose work is examined.
Author: Ewa Mazierska
Publisher: Peter Lang
ISBN: 9783039105298
Category : Foreign Language Study
Languages : en
Pages : 304
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Book Description
This book covers the history of Polish cinema from 1989 up to the present in a broad political and cultural context, looking at both the film industry and film artistry. It considers the main ideas behind the institutional changes in the Polish film industry after the collapse of communism and assesses how these ideas were implemented. In discussing artistry, the focus is on the genres which dominated the Polish cinematic landscape after 1989 and the most important directors.
Author: Ewa Mazierska
Publisher: Berghahn Books
ISBN: 178238216X
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
Gender, especially masculinity, is a perspective rarely applied in discourses on cinema of Eastern/Central Europe. Masculinities in Polish, Czech and Slovak Cinema exposes an English-speaking audience to a large proportion of this region’s cinema that previously remained unknown, focusing on the relationship between representation of masculinity and nationality in the films of two and later three countries: Poland, Czechoslovakia/the Czech Republic and Slovakia. The objective of the book is to discuss the main types of men populating Polish, Czech and Slovak films: that of soldier, father, heterosexual and homosexual lover, against a rich political, social and cultural background. Czech, Slovak and Polish cinema appear to provide excellent material for comparison as they were produced in neighbouring countries which for over forty years endured a similar political system – state socialism.
Author: Glenn Kurtz
Publisher: Macmillan
ISBN: 0374276773
Category : Biography & Autobiography
Languages : en
Pages : 433
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Book Description
"The author's search for the annihilated Polish community captured in his grandfather's 1938 home movie. Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome color film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community--an entire culture--that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four-year journey to identify the people in his grandfather's haunting images. His search takes him across the United States; to Canada, England, Poland, and Israel; to archives, film preservation laboratories, and an abandoned Luftwaffe airfield. Ultimately, Kurtz locates seven living survivors from this lost town, including an eighty-six-year-old man who appears in the film as a thirteen-year-old boy. Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, funny, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. Originally a travel souvenir, David Kurtz's home movie became the sole remaining record of a vibrant town on the brink of catastrophe. From this brief film, Glenn Kurtz creates a riveting exploration of memory, loss, and improbable survival--a monument to a lost world"--
Author: Marek Haltof
Publisher: Berghahn Books
ISBN: 0857453572
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska’s The Last Stage (1948) and Aleksander Ford’s Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda’s A Generation (1955) and Andrzej Munk’s The Passenger (1963). Between 1965 and 1980 there was an “organized silence” regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski’s Decalogue 8 (1988), Andrzej Wajda’s Korczak (1990), Jan Jakub Kolski’s Keep Away from the Window (2000), and Roman Polański’s The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland’s national memory.
Author: Annette Kuhn
Publisher: Univ of California Press
ISBN: 9780520088795
Category : Performing Arts
Languages : en
Pages : 484
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Book Description
Includes short entries for actresses, genres, studios and topics.
Author: Susan Liddy
Publisher: Springer Nature
ISBN: 3030390705
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
The chapter Experiencing Male Dominance in Swedish Film Production” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: Ewa Mazierska
Publisher: Berghahn Books
ISBN: 1785335375
Category : Performing Arts
Languages : en
Pages : 346
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Book Description
Like many Eastern European countries, Poland has seen a succession of divergent economic and political regimes over the last century, from prewar “embedded liberalism,” through the state socialism of the Soviet era, to the present neoliberal moment. Its cinema has been inflected by these changing historical circumstances, both mirroring and resisting them. This volume is the first to analyze the entirety of the nation’s film history—from the reemergence of an independent Poland in 1918 to the present day—through the lenses of political economy and social class, showing how Polish cinema documented ordinary life while bearing the hallmarks of specific ideologies.
Author: Annette Insdorf
Publisher: Northwestern University Press
ISBN: 081013506X
Category : Performing Arts
Languages : en
Pages : 175
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Book Description
In this first study in English of a master of Polish cinema, Annette Insdorf explores Has’s thirteen feature films with the same deep insight of her groundbreaking book on Krzysztof Kieslowski, Double Lives, Second Chances (Northwestern, 2013). Wojciech Has’s films are still less known outside of his native Poland than those of his countrymen Andrzej Wajda, Krzysztof Zanussi, and Krzysztof Kieslowski. Yet thanks to his singular vision, many critics rank Has among the masters of world cinema. Some of his movies have developed a cult following, notably The Saragossa Manuscript, the favorite film of the Grateful Dead’s Jerry Garcia, which has been praised by directors such as Luis Buñuel, Francis Ford Coppola, and Roman Polanski. Has’s films reveal the inner lives of his characters, which he portrays by giving free rein to his own wildly creative imagination. In addition toThe Saragossa Manuscript, his diverse and innovative filmography includes The Hourglass Sanatorium, a vividly surreal depiction of Hassidic life in Poland between the world wars; The Noose, a stark poetic drama about a lucid alcoholic who knows he will not be able to kick the habit; and How to Be Loved, in which an actress remembers her wartime past. Has made disparate but formally striking movies infused with European strains of existentialism and the avant-garde. With many of his films being restored and rereleased, new generations of film lovers are discovering his artistic genius. Intimations: The Cinema of Wojciech Has is the definitive guide in English to his work.
Author: Urszula Chowaniec
Publisher: Cambridge Scholars Publishing
ISBN: 1443847089
Category : Literary Collections
Languages : en
Pages : 270
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Book Description
Every time a so-called “woman’s voice” appears in the media in connection with any sphere of creative activity, it finds itself confronted by the almost formulaic expression “feminism today,” instantaneously suggesting that feminism is, in fact, a matter of the past, and that if we want to return to this phenomenon, then we need to explain ourselves. Women’s Voices and Feminism in Polish Cultural Memory seeks to elaborate the problem of generalization, expressed by such formulas as “feminism today,” while analysing how feminist sympathies have shaped Polish literature, film and language. This volume does not want to impose any hegemonic understanding of “feminism,” or imply any a priori ideological assumptions about women’s “nature” or role in society. It seeks to identify what is particular to the Polish feminist experience. It starts by asking such questions as “what is feminism today?” or “what can we learn from the history of Polish women’s writing?” In answering these questions, the women scholars who have contributed to the volume examine Polish cultural history and memory in the context of the transformations, transitions and catastrophes of the last two centuries, whilst firmly rooting Polish experience within the common European heritage.
