Author: Eva Figes
Publisher:
ISBN: 9781843682011
Category :
Languages : en
Pages : 67
Book Description
Light
Author: Eva Figes
Publisher:
ISBN: 9781843682011
Category :
Languages : en
Pages : 67
Book Description
Publisher:
ISBN: 9781843682011
Category :
Languages : en
Pages : 67
Book Description
Critical Readings in Impressionism and Post-Impressionism
Author: Mary Tompkins Lewis
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Monet and His Muse
Author: Mary Mathews Gedo
Publisher: University of Chicago Press
ISBN: 0226284808
Category : Architecture
Languages : en
Pages : 305
Book Description
What sets this study apart from the vast literature on Monet is Gedo's focused, jargon-free, accessible, psychoanalytic assessment of Monet and his relationship with his first wife and mistress, Camille Doncieux, and the impact of this complex relationship on the artist's work. Using this psychobiographical approach in conducting a careful reading of primary source material and Monet's paintings, Gedo (independent scholar) does much to debunk a good deal of the mythology surrounding the artist's life at this period. She offers fresh insights into the content of many of Monet's major paintings, particularly his figurative works that feature Camille as a model or subject. So, for example, Gedo proposes that Monet's Camille (or The Woman in the Green Dress) from 1866, via its composition, "functioned as a metaphor for the uncertainty characterizing the relationship between lovers," in addition to exposing publicly Camille as Monet's mistress. As is the danger when applying psychoanalysis to the study of art history, some of Gedo's assertions and interpretations approach the level of implausibility; however, these flights of psychoanalytic fancy are few and far between. The writing is engaging, endnotes are extensive but not oppressive, and the book is sufficiently illustrated with many images in color. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by D. E. Gliem.
Publisher: University of Chicago Press
ISBN: 0226284808
Category : Architecture
Languages : en
Pages : 305
Book Description
What sets this study apart from the vast literature on Monet is Gedo's focused, jargon-free, accessible, psychoanalytic assessment of Monet and his relationship with his first wife and mistress, Camille Doncieux, and the impact of this complex relationship on the artist's work. Using this psychobiographical approach in conducting a careful reading of primary source material and Monet's paintings, Gedo (independent scholar) does much to debunk a good deal of the mythology surrounding the artist's life at this period. She offers fresh insights into the content of many of Monet's major paintings, particularly his figurative works that feature Camille as a model or subject. So, for example, Gedo proposes that Monet's Camille (or The Woman in the Green Dress) from 1866, via its composition, "functioned as a metaphor for the uncertainty characterizing the relationship between lovers," in addition to exposing publicly Camille as Monet's mistress. As is the danger when applying psychoanalysis to the study of art history, some of Gedo's assertions and interpretations approach the level of implausibility; however, these flights of psychoanalytic fancy are few and far between. The writing is engaging, endnotes are extensive but not oppressive, and the book is sufficiently illustrated with many images in color. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by D. E. Gliem.
Monet, Or, The Triumph of Impressionism
Author: Daniel Wildenstein
Publisher:
ISBN: 9780681567948
Category : Impressionism (Art)
Languages : en
Pages : 488
Book Description
Publisher:
ISBN: 9780681567948
Category : Impressionism (Art)
Languages : en
Pages : 488
Book Description
Australian Journal of French Studies
Author:
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 666
Book Description
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 666
Book Description
National Gallery of Art
Author: National Gallery of Art (U.S.)
Publisher: National Gallery Washington
ISBN: 9780300253900
Category : Art
Languages : en
Pages : 0
Book Description
A classic, beautifully produced survey of a renowned collection
Publisher: National Gallery Washington
ISBN: 9780300253900
Category : Art
Languages : en
Pages : 0
Book Description
A classic, beautifully produced survey of a renowned collection
Claude Monet, 1840-1926
Author:
Publisher:
ISBN: 9780681075818
Category : Artists
Languages : en
Pages : 228
Book Description
Publisher:
ISBN: 9780681075818
Category : Artists
Languages : en
Pages : 228
Book Description
How to Be a Wildflower
Author: Katie Daisy
Publisher: Chronicle Books
ISBN: 1452152659
Category : Nature
Languages : en
Pages : 212
Book Description
A field guide to finding calm, creativity, and self-discovery through encounters with nature. A fresh perspective, an outdoor exploration, a new adventure about to begin—How to Be A Wildflower is a book for celebrating these and other wide-open occasions. Encouraging self-discovery through encounters with nature, beloved artist Katie Daisy brings her beautiful paintings and lettering to this collection of things to do and make, quotes, meditations, natural history, and more. Find wonder and inspiration in these peaceful pages, live life to the fullest, and discover the wild and free spirit within. “For pure whimsy, you just can’t beat How to Be a Wildflower: A Field Guide by Katie Daisy. The Bend, Oregon, artist brings her beautiful paintings and lettering to this delightful book, a collection of nature-inspired quotations, meditations, lore, and even a recipe for fresh strawberry-rhubarb pie.” —Traditional Home
Publisher: Chronicle Books
ISBN: 1452152659
Category : Nature
Languages : en
Pages : 212
Book Description
A field guide to finding calm, creativity, and self-discovery through encounters with nature. A fresh perspective, an outdoor exploration, a new adventure about to begin—How to Be A Wildflower is a book for celebrating these and other wide-open occasions. Encouraging self-discovery through encounters with nature, beloved artist Katie Daisy brings her beautiful paintings and lettering to this collection of things to do and make, quotes, meditations, natural history, and more. Find wonder and inspiration in these peaceful pages, live life to the fullest, and discover the wild and free spirit within. “For pure whimsy, you just can’t beat How to Be a Wildflower: A Field Guide by Katie Daisy. The Bend, Oregon, artist brings her beautiful paintings and lettering to this delightful book, a collection of nature-inspired quotations, meditations, lore, and even a recipe for fresh strawberry-rhubarb pie.” —Traditional Home
Impressionism Reflections and Perceptions
Author: Meyer Schapiro
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 366
Book Description
Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 366
Book Description
Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.
Goya
Author: Janis A. Tomlinson
Publisher: Yale University Press
ISBN: 9780300094930
Category : Art
Languages : en
Pages : 332
Book Description
Francisco Goya y Lucientes (1746-1828) created magnificent paintings, tapestry designs, prints, and drawings over the course of his long and productive career. Women frequently appeared as the subjects of Goya's works, from his brilliantly painted cartoons for the Royal Tapestry Factory to his stunning portraits of some of the most powerful women in Madrid. This groundbreaking book is the first to examine the representations of women within Goya's multifaceted art, and in so doing, it sheds new light on the evolution of his artistic creativity as well as on the roles assumed by women in late eighteenth- and early nineteenth-century Spain. Many of Goya's most famous works are featured and explicated in this beautifully designed and produced book. The artist's famous tapestry cartoons are included, along with the tapestries woven after them for the royal palaces of the Prado and the Escorial. Goya's infamous Naked Maja and Clothed Maja are also highlighted, with a discussion on whether these works were painted at the same time and how they might have originally hung in relation to one another. Focus is also placed on Goya's more experimental prints and drawings, in which the artist depicted women alternatively as targets of satire, of sympathy, or of admiration. Essays by eminent authorities provide a historical and cultural context for Goya's work, including a discussion on the significance of fashion and dress during the period. The resultant volume is surely to be treasured by all who admire Goya's art and by those who are interested in women's issues of his time.
Publisher: Yale University Press
ISBN: 9780300094930
Category : Art
Languages : en
Pages : 332
Book Description
Francisco Goya y Lucientes (1746-1828) created magnificent paintings, tapestry designs, prints, and drawings over the course of his long and productive career. Women frequently appeared as the subjects of Goya's works, from his brilliantly painted cartoons for the Royal Tapestry Factory to his stunning portraits of some of the most powerful women in Madrid. This groundbreaking book is the first to examine the representations of women within Goya's multifaceted art, and in so doing, it sheds new light on the evolution of his artistic creativity as well as on the roles assumed by women in late eighteenth- and early nineteenth-century Spain. Many of Goya's most famous works are featured and explicated in this beautifully designed and produced book. The artist's famous tapestry cartoons are included, along with the tapestries woven after them for the royal palaces of the Prado and the Escorial. Goya's infamous Naked Maja and Clothed Maja are also highlighted, with a discussion on whether these works were painted at the same time and how they might have originally hung in relation to one another. Focus is also placed on Goya's more experimental prints and drawings, in which the artist depicted women alternatively as targets of satire, of sympathy, or of admiration. Essays by eminent authorities provide a historical and cultural context for Goya's work, including a discussion on the significance of fashion and dress during the period. The resultant volume is surely to be treasured by all who admire Goya's art and by those who are interested in women's issues of his time.