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Author: Marilyn L. Williamson
Publisher: Wayne State University Press
ISBN: 9780814322093
Category : Literary Criticism
Languages : en
Pages : 380
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Author: Juan Antonio Prieto Pablos
Publisher: Servicio de Publicaciones de la Universidad de Huelva
ISBN: 8418628812
Category : Social Science
Languages : en
Pages : 304
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Book Description
The Female Wits: Women and Gender in Restoration Literature and Culture reúne trabajos sobre varias escritoras inglesas del siglo XVII. Algunas son bien conocidas hoy en día, como Margaret Cavendish y Aphra Behn, mientras que para otras su reconocimiento académico aún está por llegar (Mary Pix, Catharine Trotter, Elizabeth Singer Rowe, etc.). Los ensayos atienden tanto a la forma en que ellas contribuyeron a la transformación de los géneros literarios al uso en su época como a la relación que establecieron con sus coetáneos masculinos.
Author: William Evans Burton
Publisher:
ISBN:
Category : Wit and humor
Languages : en
Pages : 586
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Author: Wayne E. Burton
Publisher:
ISBN:
Category : Wit and humor
Languages : en
Pages : 674
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Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 666
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Author: Karen Dolby
Publisher: Michael O'Mara Books
ISBN: 178243903X
Category : Biography & Autobiography
Languages : en
Pages : 167
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Book Description
This joyous and timely book celebrates the wry humour and supremely wicked wit of the late Prince.
Author: James Clemens
Publisher: Del Rey
ISBN: 0345453948
Category : Fiction
Languages : en
Pages : 561
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Book Description
Wit’ch War is the dazzling third volume in the epic saga of The Banned and the Banished In her hands, the young wit’ch Elena holds the awesome energies of blood magick—and more. For the fate of all Alasea hinges on her recovery of the Blood Diary, a potent talisman forged five hundred years ago, then locked away behind wards too strong for any mage to break. But only with the secrets recorded in its pages can Elena defeat the evil magicks of the Dark Lord. The challenge? The Diary lies hidden in A’loa Glen, the fabled city that belongs to Shorkan, chief lieutenant of the Dark Lord, and his fearsome army. Now, with the aid of the ocean-dwelling Sy-wen and her great dragon, Elena prepares a desperate invasion of A’loa Glen. At her side stands the one-armed warrior Er’ril, her faithful protector and the only man who knows how to unlock the wards surrounding the Blood Diary—a man who also happens to be the brother of the dreaded Shorkan. Meanwhile, Elena's brother, whose magick brings him prophetic dreams, has glimpsed a future in which Elena falls by the deadly sword of . . . Er'ril. But his visions do not always come true. How can he act against his sister's trusted guardian on the basis of a future betrayal that may never happen? For Elena's sake, and for the sake of all Alasea, how can he afford not to?
Author: Sean Zwagerman
Publisher: University of Pittsburgh Press
ISBN: 0822973774
Category : Language Arts & Disciplines
Languages : en
Pages : 252
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Book Description
In Wit’s End, Sean Zwagerman offers an original perspective on women’s use of humor as a performative strategy as seen in works of twentieth-century American literature. He argues that women whose direct, explicit performative speech has been traditionally denied, or not taken seriously, have often turned to humor as a means of communicating with men. The book examines both the potential and limits of women’s humor as a rhetorical strategy in the writings of James Thurber, Zora Neale Hurston, Dorothy Parker, Edward Albee, Louise Erdrich, and others. For Zwagerman, these texts “talk back” to important arguments in humor studies and speech-act theory. He deconstructs the use of humor in select passages by employing the theories of J. L. Austin, John Searle, Jacques Derrida, Shoshana Felman, J. Hillis Miller, and Eve Kosofsky Sedgwick. Zwagerman offers arguments both for and against these approaches while advancing new thinking on humor as the “end”—both the goal and limit—of performative strategy, and as a means of expressing a full range of serious purposes. Zwagerman contends that women’s humor is not solely a subversive act, but instead it should be viewed in the total speech situation through context, motives, and intended audience. Not strictly a transgressive influence, women’s humor is seen as both a social corrective and a reinforcement of established ideologies. Humor has become an epistemology, an “attitude” or slant on one’s relation to society. Zwagerman seeks to broaden the scope of performativity theory beyond the logical pragmatism of deconstruction and looks to the use of humor in literature as a deliberate stylization of experiences found in real-world social structures, and as a tool for change. Zwagerman contends that women’s humor is not solely a subversive act, but instead it should be viewed in the total speech situation through context, motives, and intended audience. Not strictly a transgressive influence, women’s humor is seen as both a social corrective and a reinforcement of established ideologies. Humor has become an epistemology, an “attitude” or slant on one’s relation to society. Zwagerman seeks to broaden the scope of performativity theory beyond the logical pragmatism of deconstruction and looks to the use of humor in literature as a deliberate stylization of experiences found in real-world social structures, and as a tool for change.
Author: Iain Ellis
Publisher: Catapult
ISBN: 1593763352
Category : Music
Languages : en
Pages : 353
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Book Description
Rock music has been the principal outlet of youth rebellion for more than half a century, and though rock rebels have been idolized and profiled extensively, their humor has not been at the center of attention. In Rebels Wit Attitude, music writer Iain Ellis throws a spotlight on the history of humor in rock music, and its use as a weapon of anti-establishment rebellion. The performers who are the subjects of Ellis’ study are not merely musicians or comedians—they are artists whose works exude defiance and resistance. Discussing the work of iconic figures as diverse as Chuck Berry, Bob Dylan, Lou Reed, the Beastie Boys, and Madonna, Ellis reveals how issues of politics, ethics, race, and gender, among others, have energized their expressions of rock (and) humor. Rebels Wit Attitude is an entertaining look at some of the greatest rebels in American rock culture and a fascinating history of humor and dissent.
Author: M. Quad
Publisher:
ISBN:
Category :
Languages : en
Pages : 516
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Book Description
Author: HULBERT FOOTNER.
Publisher: Wildside Press LLC
ISBN: 1667620088
Category : Canadian fiction
Languages : en
Pages : 326
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Book Description
