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Author: Anita Feldman
Publisher: Rizzoli Publications
ISBN: 0847840174
Category : Art
Languages : en
Pages : 0
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Book Description
"Everything I do, I intend to make on a large scale . . . Size itself has its own impact, and physically we can relate ourselves more strongly to a big sculpture than to a small one." —Henry Moore It was Moore’s intention that these large-scale forms be interacted with, viewed close-up, and even touched. In order that their heft and mass be perceived in a myriad of settings, they were most commonly placed outdoors, subject to the effects of changing light, seasons, and terrain. Within the controlled white environment of the gallery space, the sheer volume and mammoth proportions of the sculptures are more keenly felt. Brimming with latent energy, their richly textured surfaces and sensual, rippling arcs and concavities can be seen to new effect.
Author: Anita Feldman
Publisher: Rizzoli Publications
ISBN: 0847840174
Category : Art
Languages : en
Pages : 0
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Book Description
"Everything I do, I intend to make on a large scale . . . Size itself has its own impact, and physically we can relate ourselves more strongly to a big sculpture than to a small one." —Henry Moore It was Moore’s intention that these large-scale forms be interacted with, viewed close-up, and even touched. In order that their heft and mass be perceived in a myriad of settings, they were most commonly placed outdoors, subject to the effects of changing light, seasons, and terrain. Within the controlled white environment of the gallery space, the sheer volume and mammoth proportions of the sculptures are more keenly felt. Brimming with latent energy, their richly textured surfaces and sensual, rippling arcs and concavities can be seen to new effect.
Author: Geoffrey Grigson
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author: Dorothy M. Kosinski
Publisher: Yale University Press
ISBN: 0300089929
Category : Art
Languages : en
Pages : 332
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Book Description
Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualize within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element". Moore's early sculpture -- largely unfamiliar to the general public -- is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are featured, many of which are previously unpublished.
Author: Henry Moore
Publisher: New York : H.N. Abrams
ISBN:
Category : Art
Languages : en
Pages : 140
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Book Description
Author: HERMANN ARNHOLD DR.
Publisher: Hirmer Verlag GmbH
ISBN: 9783777426822
Category : Artists' preparatory studies
Languages : en
Pages : 0
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Book Description
Henry Moore has influenced the history of twentieth - century sculpture more decisively than anyone else. He was one of the first contemporary sculptors to realise his ideas in the public space throughout the world. His oeuvre was a lasting source of inspiration for an entire generation of artists - from Hans Arp, Alberto Giacometti and Pablo Picasso to the younger generation of German sculptors. Henry Moore (1898 - 1 986), known as the "Picasso of Sculpture", is regarded as one of the most important sculptors of the twentieth century and the epitome of the modern artist. Typical of his work is the interrelationship between nature and abstraction. He discovered the "voi ds", so - called openings and holes which heighten the sculptural, three - dimensional effect of his works. With this new approach Moore exercised a strong influence on younger sculptors, who gained decisive impulses from his sculptures. This volume presents M oore as the dominant personality of modern sculpture in collaboration with the members of the younger generation of artists.
Author: Henry Moore
Publisher: Sterling
ISBN: 9781855857353
Category : Sculptors
Languages : en
Pages : 0
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Book Description
"...suddenly the most commonplace objects came to have for me such significance that they no longer existed as just objects, but as shape and form in space."--Henry Moore. One of the world's greatest sculptors and a renowned photographer--close friends for thirty years--combine forces to provide insight into what makes a great creative artist. Part personal history and part stunning presentation of Moore's work and inspirations, striking photographs show his major sculptures and collected art, as well as the landscape and natural forms that indelibly influenced him. Compare Moore's own sculpted masks with the African and Mexican tribal pieces he so admires, or his figures--filled with energy--with Hedgecoe's nude studies. Close-ups focus in on small, fine details. Plus: a treasured glimpse of Moore in his workshop. 208 pages (16 in color), 230 b/w illus., 8 1/8 x 11 3/8.
Author: Martina Droth
Publisher: Yale University Press
ISBN: 9780300251050
Category : Art
Languages : en
Pages : 0
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Book Description
Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, the Hepworth, Wakefield, shown February 7-May 3, 2020, and the Sainsbury Center, University of East Anglia, shown November 22, 2020-February 28, 2021.
Author: Henry Moore
Publisher:
ISBN: 9780500600382
Category : Sheep in art
Languages : en
Pages : 112
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Book Description
In February 1972 Henry Moores sculpture studios in the English countryside at Much Hadham were filled with the preparations for his retrospective exhibition in Florence. In search of peace and quiet, he went into a smaller room overlooking the fields where a local farmer grazed his sheep. The sheep came very close to the window, attracting his attention, and he began to draw them. Initially he saw them as nothing more than four-legged balls of wool, but his vision changed as he explored what they were really like the way they moved, the shape of their bodies under the fleece. They also developed strong human and biblical associations, and the sight of a ewe with her lamb evoked the mother-and-child theme a large form sheltering a small one which has been important to Henry Moore in all his work. He drew the sheep again that summer after they were shorn, when he could see the shapes of the bodies which had been covered by wool. Solid in form, sudden and vigorous in movement, Henry Moores sheep are created through a network of swirling and zigzagging lines in the rapid (and in Moores hands) sensitive medium of ballpoint pen. The effect is both familiar and monumental; as Lord Clark comments, We expect Henry Moore to give a certain nobility to everything he draws; but more surprising is the way in which these drawings express a feeling of real affection for their subject.
Author: Christa Licthenstern
Publisher: Royal Academy Books
ISBN: 9781905711215
Category : Art
Languages : en
Pages : 0
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Book Description
Henry Moore is one of the key figures in modern sculpture. His work, both representational and abstract, is some of the most significant and well-known of the twentieth century and can be seen today in museums and public spaces around the world. In this authoritative survey, Christa Lichtenstern establishes Moore’s place in twentieth-century art history, exploring the sculptor’s guiding principles and his artistic development, from his study of Greek antiquity and his fascination with early Italian sculpture to his interest in English heritage and culture. A leading scholar in modern sculpture, Lichtenstern provides a comprehensive and accessible study of this unique artist.
Author: Sylvia Cox
Publisher: Rizzoli International Publications
ISBN: 1785512757
Category : Art
Languages : en
Pages : 0
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Book Description
This guide to the house, studios and gardens at Perry Green provides a fascinating introduction to Moore s artistic practices and the extraordinary range of his work, from sculpture to textiles, prints and drawings to woodcarving and ceramics. Henry Moore is one of the most important and influential artists of the 20th century. His home, studios and garden at Perry Green in Hertfordshire provide an invaluable insight into his life and work. When Moore died in 1986 the studios and their contents were preserved so that visitors could experience them as they were in his lifetime - as if the artist has just stepped outside. Although no longer working spaces, the studios provide a glimpse into Moore's world and bring us as close as possible to his working methods.This guide to the house, studios and gardens at Perry Green provides a fascinating introduction to Moore's artistic practices and the extraordinary range of his work, from sculpture to textiles, prints and drawings to woodcarving and ceramics.
