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Author: Carole Glauber
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
The Witch of Kodakery is the ground-breaking biography of Myra Albert Wiggins, the successful early 20th-century Oregon photographic artist with connections to Alfred Stieglitz and the Photo-Secession. Myra Wiggins (1869-1956) embodied the ideal of the "new woman" - independent, energetic, and ambitious - as depicted by the Eastman Kodak Company's "Kodak Girl" and promoted as "The Witchery of Kodakery". In Witch of Kodakery, biographer Carole Glauber resurrects Wiggins' pioneering role with a provocative text and fine examples of the artist's work, particularly from Wiggins' most prolific years, 1889 to the early 1910s. Also included is a foreword by Terry Toedtemeier, curator of photography at the Portland Art Museum.
Author: Carole Glauber
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
Get Book Here
Book Description
The Witch of Kodakery is the ground-breaking biography of Myra Albert Wiggins, the successful early 20th-century Oregon photographic artist with connections to Alfred Stieglitz and the Photo-Secession. Myra Wiggins (1869-1956) embodied the ideal of the "new woman" - independent, energetic, and ambitious - as depicted by the Eastman Kodak Company's "Kodak Girl" and promoted as "The Witchery of Kodakery". In Witch of Kodakery, biographer Carole Glauber resurrects Wiggins' pioneering role with a provocative text and fine examples of the artist's work, particularly from Wiggins' most prolific years, 1889 to the early 1910s. Also included is a foreword by Terry Toedtemeier, curator of photography at the Portland Art Museum.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 874
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Book Description
Author: Mary Panzer
Publisher: Hudson River Museum
ISBN:
Category : Photography
Languages : en
Pages : 116
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Book Description
Rudolf Eickemeyer, Jr. began his work as a photographer in 1884, for his father's engineering firm. His interest piqued, he rapidly advanced to portraiture and landscape photography. Eickemeyer spent twenty years as a commercial success in his role as fashionable Fifth Avenue portraitist. Working with Eastman Kodak, he demystified photography, attracting thousands of amateurs. Eickemeyer excelled at both artistic photography and professional photography, as this exhibition attests. A lifelong resident of Yonkers, New York, Eickemeyer played a key role in the creation of the Yonkers Museum of Science and Art, the institutional forerunner of the Hudson River Museum, an entirely appropriate venue for this comprehensive exhibition and catalog.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0670670510
Category : Photographers
Languages : en
Pages : 546
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Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 678
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 522
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Book Description
Author: Diana E. James
Publisher: McFarland
ISBN: 1476603588
Category : Art
Languages : en
Pages : 215
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Book Description
The 1900 edition of Polk's Seattle City Directory listed four apartment buildings. By 1939, that number had grown to almost 1,400. This study explores the circumstances that prompted the explosive growth of this previously unknown form of housing in Seattle and takes an in-depth look at a large number of different apartment buildings, from the small and simple to the large and grand. Illustrated with numerous contemporary and vintage photographs and sketches, this volume preserves an intimate record of these under-studied and under-appreciated buildings and will inspire an appreciation for their history and architectural variety, and for their preservation as an integral part of Seattle's urban landscape.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 400
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Book Description
Author:
Publisher:
ISBN:
Category : Recreation
Languages : en
Pages : 644
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Book Description
Author: Nicole Hudgins
Publisher: Routledge
ISBN: 1000213161
Category : Photography
Languages : en
Pages : 274
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Book Description
It would be unthinkable now to omit early female pioneers from any survey of photography's history in the Western world. Yet for many years the gendered language of American, British and French photographic literature made it appear that women's interactions with early photography did not count as significant contributions. Using French and English photo journals, cartoons, art criticism, novels, and early career guides aimed at women, this volume will show why and how early photographic clubs, journals, exhibitions, and studios insisted on masculine values and authority, and how Victorian women engaged with photography despite that dominant trend. Focusing on the period before 1890, when women were yet to develop the self-assurance that would lead to broader recognition of the value of their work, this study probes the mechanisms by which exclusion took place and explores how women practiced photography anyway, both as amateurs and professionals. Challenging the marginalization of women’s work in the early history of photography, this is essential reading for students and scholars of photography, history and gender studies.