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Author: Jovan Nicholson
Publisher: Philip Wilson Publishers
ISBN: 9781781300466
Category : Art
Languages : en
Pages : 144
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Book Description
This new publication explores the whole career of Winifred Nicholson with a special emphasis on her theories of colour. Using specific paintings to examine her ideas and writings about colour the book includes her late 'prismatic' pictures which have never been properly explained. Throughout her life Winifred Nicholson was interested in prisms and rainbows, but when she was given some prisms by a physicist friend in the mid 1970s her painting took on a new direction. Looking through a prism she saw objects with a rim of prismatic colour, and explored and developed these ideas, often painting pictures that verged on the abstract. Nicholson's 'prismatic' pictures were a culmination of her life's search to find "form's secret and rhythmic law". She painted them in Greece in 1979, at her home in Cumbria, and during her last painting trip to the Island of Eigg in the Hebrides in 1980, where she had an inspired period of painting and made some of her best loved pictures.Published on the occasion of the exhibition 'Liberation of Colour' at mima, Middlesbrough Institute of Modern art, the book illustrates many previously unseen paintings from private collections, as well as some of Nicholson's best known works, and draws on new research, including previously unseen archival material.
Author: Jovan Nicholson
Publisher: Philip Wilson Publishers
ISBN: 9781781300466
Category : Art
Languages : en
Pages : 144
Get Book Here
Book Description
This new publication explores the whole career of Winifred Nicholson with a special emphasis on her theories of colour. Using specific paintings to examine her ideas and writings about colour the book includes her late 'prismatic' pictures which have never been properly explained. Throughout her life Winifred Nicholson was interested in prisms and rainbows, but when she was given some prisms by a physicist friend in the mid 1970s her painting took on a new direction. Looking through a prism she saw objects with a rim of prismatic colour, and explored and developed these ideas, often painting pictures that verged on the abstract. Nicholson's 'prismatic' pictures were a culmination of her life's search to find "form's secret and rhythmic law". She painted them in Greece in 1979, at her home in Cumbria, and during her last painting trip to the Island of Eigg in the Hebrides in 1980, where she had an inspired period of painting and made some of her best loved pictures.Published on the occasion of the exhibition 'Liberation of Colour' at mima, Middlesbrough Institute of Modern art, the book illustrates many previously unseen paintings from private collections, as well as some of Nicholson's best known works, and draws on new research, including previously unseen archival material.
Author: Jovan Nicholson
Publisher: Philip Wilson Publishers
ISBN: 1781300178
Category : Art
Languages : en
Pages : 98
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Book Description
This book examines the artistic partnership of Ben Nicholson and Winifred Nicholson in the 1920s and their friendship and collaboration with Christopher Wood, Alfred Wallis, and the potter William Staite Murray. Inspired by each other, the Nicholsons experimented furiously and often painted the same subject, one as a colorist the other more interested in form. Winifred wrote of her time with Ben, 'All artists are unique and can only unite as complementaries not as similarities'. New research based on previously unpublished letters, photographs and other material draws out their fascinating connections. All the works, many of which are previously unpublished, are illustrated in full color, each with comments relating to the work by the artists and their critics.
Author: Winifred Nicholson
Publisher:
ISBN: 9780571149506
Category : Art
Languages : en
Pages : 271
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Book Description
Author: Alice Dewey
Publisher:
ISBN: 9781906270902
Category : Scotland
Languages : en
Pages : 0
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Book Description
Throughout her long and varied career, Winifred Nicholson (1893-1981) was concerned with light, colour and radiance. Best known for her sensitive and joyful flower paintings, she married Ben Nicholson in 1920 and their mutually influential artistic relationship lasted, despite separation, until Winifred's death. In the late 1940s and early 1950s, she made regular working trips to Scotland, often accompanied by the poet, Kathleen Raine. Frequently staying on the islands of Eigg and Canna and in Sandaig on the mainland, Winifred felt a deep affinity with the Scottish landscape and marvelled at the quality of light and the effects created by the ever-changing weather conditions. Her last painting expedition was to Eigg in 1980. Winifred Nicholson in Scotland is based on personal correspondence and the recollections of relatives, friends and painting companions. The book examines Winifred Nicholson's love for Scotland and illustrates her Scottish paintings. REVIEWS: "Nicholson's Scottish paintings encapsulate her concerns with light, radiance and harmony which she expressed through flowers and the lyricism of the natural landscape." - -The Independent 20 colour illustrations
Author: Winifred Nicholson
Publisher: Goodman Publishers
ISBN: 9781904561415
Category : Painting, British
Languages : en
Pages : 0
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Book Description
This book brings together some of Nicholson's most eloquent essays with extracts from previously unpublished letters between the artist and Ede, and the words of their mutual friends, the poet Kathleen Raine and collector Helen Sutherland. With an introduction by Kettle's Yard curator Elizabeth Fisher exploring Nicholson's relationship with Ede, the book is richly illustrated and includes reproductions of all works in the collection, a biography and bibliography.
Author: Tobin Claudia Tobin
Publisher: Edinburgh University Press
ISBN: 1474455158
Category : Art
Languages : en
Pages : 256
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Book Description
Explores the 'still life spirit' in modern painting, prose, dance, sculpture and poetryChallenges the conventional positioning of still life a 'minor' genre in art historyProposes a radical alternative to narratives of modernism that privilege speed and motion by revealing forms of stillness and still life at the heart of modern literature and visual cultureProvides the first study of still life to consider the genre across modern literature, visual cultures and danceUncovers connections and cultural exchange between networks of European and American artists including the Bloomsbury Group and Wallace StevensThe late nineteenth and early twentieth centuries have been characterised as the 'age of speed' but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It ranges widely in its material, taking Czanne and literary responses to his still life painting as its point of departure. It investigates constellations of writers, visual artists and dancers including D. H. Lawrence, Virginia Woolf, David Jones, Winifred Nicholson, Wallace Stevens, and lesser-known figures including Charles Mauron and Margaret Morris. Claudia Tobin reveals that at the heart of modern art were forms of stillness that were intimately bound up with movement: the still life emerges charged with animation, vibration and rhythm; an unstable medium, unexpectedly vital and well suited to the expression of modern concerns.
Author: Lee Beard
Publisher: Pallant House Gallery
ISBN: 9781869827779
Category : Art
Languages : en
Pages : 136
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Book Description
An intimate look at Ben Nicholson's everyday inspirations
Author: Christopher Wood
Publisher:
ISBN: 9781906593995
Category : Artists
Languages : en
Pages : 0
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Book Description
A collection of letters from Christoper Wood to Winifred and Ben Nicholson, written during the late 1920s.
Author: Gavin Maxwell
Publisher: David R. Godine Publisher
ISBN: 1567924840
Category : Nature
Languages : en
Pages : 346
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Book Description
This volume weaves together the Scottish otter stories from Gavin Maxwell's three non-fiction books, Ring of Bright Water (1960), The Rocks Remain (1963), and Raven Meet Thy Brother (1969). Maxwell was both an extraordinarily evocative writer and a highly unusual man. While touring the Iraqi marshes, he was captivated by an otter and became a devoted advocate of and spokesman for the species. He moved to a remote house in the Scottish highlands, co-habiting there with three otters and living an idyllic and isolated life – at least for a while. Fate, fame, and fire conspired against this paradise, and it, too, came to an end, though the journey was filled with incident and wonder. Maxwell was also talented as an artist, and his sinuous line drawings of these amphibious and engaging creatures, and the homes they occupied, illustrate his story. This book stands as a lasting tribute to a man, his work, and his passion. It was received and has endured as a classic for its portrait not only of otters but also of a man who endured heartaches and disappointments, whose life embodied both greatness and tragedy. He writes with rare eloquence about his birth, his devotion to the beloved Scottish highlands, and the wildlife he loved, while refusing to ignore the darker aspects of his nature and of nature in its larger sense.
Author: William Nicholson
Publisher: Giles de La Mare
ISBN:
Category : Art
Languages : en
Pages : 300
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Book Description
This volume provides a documentary account of William Nicholson's life and work. It uses contemporary records, articles and reminiscences, and the numerous letters William wrote to his family and friends. The text considers what Nicholson painted, why and for whom; what spurred him on to experimention and artistic adventure; how he fared in times of elation and anguish; how he combined the serious playfulness of his vision with a deep affection for nature; and how he collaborated with some of the leading men of his day, among them Rudyard Kipling, J.M. Barrie, William Orpen, Edwin Lutyens, Robert Graves (his son-in-law), and Winston Churchill. The aim is to do justice to the diversity of William Nicholson's work, and provide a detailed portrait of the man and the artist.
