Author: William Bernard Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
Benjamin Willson was born in England, Maryland or Virginia ca 1750. He married Ellenor Wilson ca 1775. Ellenor was born 1758 and died by 1831. Benjamin died ca 1834 and both were buried in the Mount Tabor graveyard. They had 11 children.
Wilson-Pepper Genealogy, 1595-1989
Author: William Bernard Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
Benjamin Willson was born in England, Maryland or Virginia ca 1750. He married Ellenor Wilson ca 1775. Ellenor was born 1758 and died by 1831. Benjamin died ca 1834 and both were buried in the Mount Tabor graveyard. They had 11 children.
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
Benjamin Willson was born in England, Maryland or Virginia ca 1750. He married Ellenor Wilson ca 1775. Ellenor was born 1758 and died by 1831. Benjamin died ca 1834 and both were buried in the Mount Tabor graveyard. They had 11 children.
Genealogies Cataloged by the Library of Congress Since 1986
Author: Library of Congress
Publisher: Washington, D.C. : Library of Congress, Cataloging Distribution Service
ISBN:
Category : Genealogy
Languages : en
Pages : 1368
Book Description
The bibliographic holdings of family histories at the Library of Congress. Entries are arranged alphabetically of the works of those involved in Genealogy and also items available through the Library of Congress.
Publisher: Washington, D.C. : Library of Congress, Cataloging Distribution Service
ISBN:
Category : Genealogy
Languages : en
Pages : 1368
Book Description
The bibliographic holdings of family histories at the Library of Congress. Entries are arranged alphabetically of the works of those involved in Genealogy and also items available through the Library of Congress.
West Virginia History
Author:
Publisher:
ISBN:
Category : West Virginia
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category : West Virginia
Languages : en
Pages : 236
Book Description
Maryland and Delaware Genealogies and Family Histories
Author: Donald Odell Virdin
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 130
Book Description
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 130
Book Description
Lineage Book: 1981-1992
Author: Daughters of Colonial Wars
Publisher:
ISBN:
Category : Registers of births, etc
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category : Registers of births, etc
Languages : en
Pages : 536
Book Description
The Baldwin genealogy from 1500 to 1881
Author: C.C. Baldwin
Publisher: Рипол Классик
ISBN: 5874721363
Category : History
Languages : en
Pages : 989
Book Description
Publisher: Рипол Классик
ISBN: 5874721363
Category : History
Languages : en
Pages : 989
Book Description
Sherman Genealogy Including Families of Essex, Suffolk and Norfolk, England
Author: Thomas Townsend Sherman
Publisher: New York : T.A. Wright
ISBN:
Category : England
Languages : en
Pages : 592
Book Description
Publisher: New York : T.A. Wright
ISBN:
Category : England
Languages : en
Pages : 592
Book Description
The Genealogical Helper
Author:
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 870
Book Description
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 870
Book Description
Daughters of the American Revolution Magazine
Author:
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 1822
Book Description
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 1822
Book Description
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.